Sökresultat

Det lille Forlag, 1999. 200 pp. Heftet. Forordet er indstreget.

Gyldendal, 1983. 181 sider. Heftet. Navn. Omslag med slitage (se foto). 1. oplag.

Gyldendal, 2018. Upagineret. Hft. 1. oplag.

Frankfurt am Main: Vittorio Klostermann 2003. 8°. Hardcover, mit OU. 299 Seiten. Name. Viele Anstreichungen mit Bleistift.

Gads Forlag, 2021. 250 pp. Hft. Pænt eksemplar.

Forlaget Rosinante, 2011. 331 pp. Hft. På dansk ved Peter Nielsen, Karsten Sand Iversen og med forord af Morten Søndergaard. Pænt eksemplar.

Samlerens Bogklub, 1998. 623 pp. Hft. (Klassiske Tænkere). Mindre ydre brugsspor.

Paris: Editions Jacques Melot 1946. 8vo. broché. 165 Couverture en état d'usage( 'scotchée). Presumably the first edition. Rather worn to covers and enforced with scotch (see photo). Uncut and inside clean. Overall acceptable and suited for rebinding. L’intelligence d’une machine was published in January 1946, after more than a tenyear hiatus due to the war, when Epstein had to go in hiding. While the topic reflected in the title of the book had been a constant preoccupation throughout Epstein's previous writings, this text pursues in depth topics that will remain central to all his later publications. He here approaches cinema as a philosophy of time and space more consistently than before, and methodically construes arguments in the field of physics, mechanics, and thermodynamics. Quote from The Philosophy of the Cinematograph: "Cinema is one of these intellectual robots, still partial, that fleshes out representations – that is to say, a thought – through photo-electrical mechanics and a photo-chemical inscription. One can here recognize the primordial frameworks of reason, the three Kantian categories of space, duration, and causality. This result would already be remarkable if cinematographic thought only did what the calculating machine does, to constitute itself in the servile imitation of human ideation. But we know that the cinematograph, on the contrary, marks its representation of the universe with its own qualities, with an originality that makes this representation not a reflection or a simple copy with conceptions, of an organic mentality-mother, but rather a system that is individualized differently, partly independently, which contains the incitements for a philosophy so far from common opinions, the doxa, that one should perhaps call it an anti-philosophy." (transl. by Trond Lundemo).

Hatje Cantz for K21 Kunstsammlung NRW, 2003. Small squarish 4to hardcover, no jackjet as issued. 120 pages, illustrated. Fine copy. First edition.

Det lille Forlag, 2002 (1998 / 1791). 166 pp. Hft. Mindre brugsspor. Pænt eksemplar.

Arena, 1973. Original hæftet omslag. 170 pp. 1. oplag. Nærmest som ny.

Laboratoriet for Æstetik & Økologi 2022. 44 pp. Hft.

Brill | Fink, 1987. Hardcover. 232 Seiten. Anmerkungen und Unterstreichungen mit Rot im Vorwort.

batzer & co, 2009. 153 pp. Hft. Solbleget ryg i øvrigt nærmest som ny.

Edition After Hand, 2012. 174 pp. Hft.

Thames & Hudson, 2000.Squarish flexi boards as issued. 448 pages, richly illustrated. Some handling wear but overall very good.

Selfpublished, probably Dutch publication, 1972 ?. 4to. Primitive wraps but still solid. Apart from a couple of minor stains clean and overall an acceptable copy of this charming pirate copy.

Aschehoug, 1995. 198 sider. Illustreret i farver. Heftet.  Manuskriptet fra TV-seriens første sæson (4 afsnit).

Gyldendal, 1967. Original heftet omslag. 370 pp. Godt eksemplar. First Danish edition of 'The Gift'.

Forlaget Samleren, 1980. Stort format. 203 sider. Illustreret med sort hvide reproduktioner. Initialer på titelblad, ellers rent eksemplar. Tidsskriftet blev grundlagt af Axel Salto i det sidste år af første verdenskrig, som reaktion på den generelle kunstopfattelse i Danmark. Inspireret af en rejse til Paris i 1916 - hvor Axel Salto mødte progressive malere som Pablo Picasso og Henri Matisse - lancerede han Klingen for egne midler. Det blev hurtigt et markant og dynamisk forum på den danske kunstscene. Ønsket om at forny dansk kunst og åbne for internationale og moderne ideer blev formidlet gennem artikler af Otto Gelsted, Poul Henningsen og Harald Giersing og originalgrafik af kunstnere som Vilhelm Lundstrøm, Olaf Rude, William Scharff og Axel Salto. Journalen blev et vigtigt talerør for den modernistiske kunstbevægelse - især ekspressionisme og kubisme - og hvert hæfte var Illustreret med talrige reproduktioner, raderinger, træsnit og litografier.

Gyldendals Bogklub, 1992. 141 pp. Hft.

Bloodaxe Books, 1992 (1950). Tall slim 8vo in wraps as issued. 160 pp. Clean very good copy.

Gyldendals Bogklub, 1999. 477 pp. Med 21 raderinger af Pailthorpe. Nyeste danske oversættelse ved Niels Brunse. Hardcover.

Gyldendal, 1999. 223 pp. Hæftet. Nydeligt eksemplar.

Forlaget Komo, 1970. 54 pp. Original heftet omslag. Meget velbevaret. Antageligt første danske oplag.