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Aristo Bogforlag, 2005. Tvær-8°. Hardcover. Upagineret. Gennemillustreret i med fotografier i farver og s/h. Lidt kantslidt ellers pæn. 1. edition.

Forlaget Klim / Gyldendals Bogklub, 2004. 225 pp. Hardcover.

Selfpublished, 2010. 8vo in stapled wraps. 21 pages. Illustrated. Text in English. Fine copy. 1. oplag. Med DEDIKATION fra kunstneren.

New York Paris Frederiksberg, 1995. 8vo. 40 pp. Hft. Illustreret. Text in both French and English. Near fine / fine copy.

Paris: Editions Jacques Melot 1946. 8vo. broché. 165 Couverture en état d'usage( 'scotchée). Presumably the first edition. Rather worn to covers and enforced with scotch (see photo). Uncut and inside clean. Overall acceptable and suited for rebinding. L’intelligence d’une machine was published in January 1946, after more than a tenyear hiatus due to the war, when Epstein had to go in hiding. While the topic reflected in the title of the book had been a constant preoccupation throughout Epstein's previous writings, this text pursues in depth topics that will remain central to all his later publications. He here approaches cinema as a philosophy of time and space more consistently than before, and methodically construes arguments in the field of physics, mechanics, and thermodynamics. Quote from The Philosophy of the Cinematograph: "Cinema is one of these intellectual robots, still partial, that fleshes out representations – that is to say, a thought – through photo-electrical mechanics and a photo-chemical inscription. One can here recognize the primordial frameworks of reason, the three Kantian categories of space, duration, and causality. This result would already be remarkable if cinematographic thought only did what the calculating machine does, to constitute itself in the servile imitation of human ideation. But we know that the cinematograph, on the contrary, marks its representation of the universe with its own qualities, with an originality that makes this representation not a reflection or a simple copy with conceptions, of an organic mentality-mother, but rather a system that is individualized differently, partly independently, which contains the incitements for a philosophy so far from common opinions, the doxa, that one should perhaps call it an anti-philosophy." (transl. by Trond Lundemo).

Bloomsbury, 2011. Tiny hardcover, w jacket. 80 pp. Fine.

Carl Winter, Heidelberg, 1950. 8vo. Broché originale. 192 pp. Bon etat.

Gutkind, 2023. Hardcover. 64 pp. Pænt eksemplar.

New York: Harcourt Brace Jovanovich - A Harvest Book, 1983 (1950). Large paperback. 500 pages. Foxing to edges and inner cover, else overall clean and solid good copy. Kerouac's debut novel: "In his big, compelling first novel, Jack Kerouac drew on his own New England background and experiences to tell the story of George and Marguerite Martin and their three daughters and five sons, a clan of energetic individuals, each wrapped in his own vision of life. The narrative follows the members of the family from the early part of the century through World War II, which uproots them from their Massachusetts home and scatters them across the country and to Europe and Okinawa. The surviving children are reunited again only briefly at their father's funeral after the war." (from back cover of HBJ edition) The first novel by Jack Kerouac, Founding Father of the Beat Generation, was originally published in hardcover during March of 1950 by then-Harcourt Brace and Company, with the author referred to by his formal name of "John Kerouac" for the first & only time. The novel is written in a conventional style reminiscent of Thomas Wolfe, & the "Spontaneous Bop Prosody" that would revolutionize literature would not blast off until seven years later upon the first publication of On the Road. Nevertheless, this semi-fictional work, as with all his further works, is really an impressionistic, romanticized memoir with thinly disguised characters who represent Kerouac ("Peter Martin"), his family & the real-life cohorts who would co-found the Beat Generation, including William S. Burroughs ("Will Dennison"), Allen Ginsberg ("Leon Levinsky") & Herbert Huncke ("Junky"). The experiences depicted are the legends of early Beat history".

Oxford at the Clarendon, 1992 (1981). VIII, 362 pp. Paperback. Name to free front endpaper and a little highlighting and one or two marginal notes.

Forlaget Sisyfos, 2023. 364 pp. Hft. Omslag noget slidt men indvendig ren. 1. oplag.

Antipyrine, 2018. 464 pp. Hft. Næsten som ny. Første udgave, 1. oplag.

Foreningen Kunst på arbejdspladsen, 1995. Firkantet 8vo original heftet omslag. 24 pp. Hft. Illustreret i farver. Omslag med Poul Gernes motiv.

Det Lille Forlag, 2000. 119 pp. Hft. Navnestempel mm. på titelbladet i øvrigt ren og pæn. Dansk udgave. Originaltitel: A treatise concerning the principles of human knowledge. (1685-1753).

Brill | Fink, 1987. Hardcover. 232 Seiten. Anmerkungen und Unterstreichungen mit Rot im Vorwort.

Published by Pork Salad Press, 2002. Small 12mo in wraps, as issued. 160 pages. Fine copy - from Goodiepal collection!

Rhodos, 1969. 282 pp. Hft. Slidt omslag (se venligst foto) - som oftest.

Borgen, 1961. 4to. 159 pp. Heftet. Illustreret. Ydre brugsspor. Smukt udformet bog. Første udgave / First edition.

Gyldendal, 1983. 181 sider. Heftet. Navn. Omslag med slitage (se foto). 1. oplag.

Gads Forlag, 2021. 250 pp. Hft. Pænt eksemplar.

Forlaget Rosinante, 2011. 331 pp. Hft. På dansk ved Peter Nielsen, Karsten Sand Iversen og med forord af Morten Søndergaard. Pænt eksemplar.

Forlaget Samleren, 1980. Stort format. 203 sider. Illustreret med sort hvide reproduktioner. Initialer på titelblad, ellers rent eksemplar. Tidsskriftet blev grundlagt af Axel Salto i det sidste år af første verdenskrig, som reaktion på den generelle kunstopfattelse i Danmark. Inspireret af en rejse til Paris i 1916 - hvor Axel Salto mødte progressive malere som Pablo Picasso og Henri Matisse - lancerede han Klingen for egne midler. Det blev hurtigt et markant og dynamisk forum på den danske kunstscene. Ønsket om at forny dansk kunst og åbne for internationale og moderne ideer blev formidlet gennem artikler af Otto Gelsted, Poul Henningsen og Harald Giersing og originalgrafik af kunstnere som Vilhelm Lundstrøm, Olaf Rude, William Scharff og Axel Salto. Journalen blev et vigtigt talerør for den modernistiske kunstbevægelse - især ekspressionisme og kubisme - og hvert hæfte var Illustreret med talrige reproduktioner, raderinger, træsnit og litografier.

Gyldendals Bogklub, 1992. 141 pp. Hft.

Basilisk, 2001. 80 pp. Hft. Som ny.

Éditions Fata Morgana, Octobre, 1984 (1972). Broché, couverture grise rempliée imprimée et décorée en noir & vert in-8, 213x124 mm, 78 pages. Bon état. 1 des 1000 exemplaires sur Vergé Ivoire réimprimés le 6 Octobre 1984 (l'édition originale est de 1972). - En rêvant à partir de peintures énigmatiques est un recueil de textes d'Henri Michaux, publié en éditions Fata Morgana. Ces textes s'inspirent des tableaux de René Magritte