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N ew York: Vintage Paperback, (1989). 402 pages. Very good clean and tight copy.

GADs Forlag, 2019. 8vo. Cirka 300 sider. Gennemillustreret. Pænt eksemplar. Graphic novel: "Ved hjælp af collager, små tegneserier, familiefotografier og skoleopgaver dykker Nora Krug (f. 1977) ned i sin families fortid i Nazityskland, og tager et opgør med den lammende skyld over at være tysker, som hun er vokset op med."

Paris: Bibliothèque municipale - Le Point cardinal Tours, 1963. 8vo in original slightly edgeworn wraps. 64 pages, illustrated. Clean copy, very good. Catalogue exposition, 30 novembre au 31 décembre 1963; et Paris du 22 janvier au 29 février 1964. First edition.

New York: Turtle Point Press, 2006. 8vo in wraps. 107 pages. Fine copy.

Suhrkamp, 1960. 227 pp. Gebunden. Originalumschlag verfärbt. Namenseintrag auf vorderer Innendeckel, Schitt etwas fleckig, sonst gut erhalten. Erste Auflage (Erstes bis viertes Tausend) / First edition.

Paris: Editions Jacques Melot 1946. 8vo. broché. 165 Couverture en état d'usage( 'scotchée). Presumably the first edition. Rather worn to covers and enforced with scotch (see photo). Uncut and inside clean. Overall acceptable and suited for rebinding. L’intelligence d’une machine was published in January 1946, after more than a tenyear hiatus due to the war, when Epstein had to go in hiding. While the topic reflected in the title of the book had been a constant preoccupation throughout Epstein's previous writings, this text pursues in depth topics that will remain central to all his later publications. He here approaches cinema as a philosophy of time and space more consistently than before, and methodically construes arguments in the field of physics, mechanics, and thermodynamics. Quote from The Philosophy of the Cinematograph: "Cinema is one of these intellectual robots, still partial, that fleshes out representations – that is to say, a thought – through photo-electrical mechanics and a photo-chemical inscription. One can here recognize the primordial frameworks of reason, the three Kantian categories of space, duration, and causality. This result would already be remarkable if cinematographic thought only did what the calculating machine does, to constitute itself in the servile imitation of human ideation. But we know that the cinematograph, on the contrary, marks its representation of the universe with its own qualities, with an originality that makes this representation not a reflection or a simple copy with conceptions, of an organic mentality-mother, but rather a system that is individualized differently, partly independently, which contains the incitements for a philosophy so far from common opinions, the doxa, that one should perhaps call it an anti-philosophy." (transl. by Trond Lundemo).

Oslo: Mimesis Edizioni (Auditoriym series), 2015. 8vo in wraps as issued. 253 pp. With illustrations. Fine clean copy - no cd included. The first monograph dedicated to the extremely lively Norwegian jazz scene, through the a reconstruction of the history that has given Norway a fundamental role in Europe for the emancipation of jazz with African American roots. It is an itinerary that began in the 1960s, with the arrival in Oslo of George Russell, and continues to this day; a passionate account dense with anecdotes, unpublished interviews and encounters, which documents the richness and originality of a journey through the musical culture of our times.

Gyldendal, 1981. 243 pp. Hft. Pænt rent eksemplar.

Gyldendal, 1993. 230 pp. Hft. Navn.

Forlaget Forum, 1987. 99 pp. Hft.

Corsarens Forlag, 1976. 174 pp. Hft. Første udgave, 2. oplag. Mindre brugsspor.

Gyldendal, 2016. 429 pp. Hft. Omslag med brugsspor. Den nye oversættelse.

Forlaget Asterisk, 2019. Small 4to in hardcover, no jacket as issued. 144 pages, illustrated thoughout. Surface marks to cover with lightly dented corners. First edition, 1st printing.

Det lille Forlag, 2002 (1998 / 1791). 166 pp. Hft. Mindre brugsspor. Pænt eksemplar.

Gutkind, 2023. Hardcover. 64 pp. Pænt eksemplar.

Published by Motto Books and Chert Gallery 2013. 16 pages. 17 x 11 cm postcard style accordion booklet with color photographs and text. Fine / as new copy.  First edition, 1st printing. .- This accordion book of digital photographs was created in conjunction with David Horvitz’s installation at Art Basel in 2013, which consisted of two iPhones, one playing a video of the sun setting in Los Angeles and the other showing the same sun rising in Maldives on the opposite side of the globe. The Distance of a Day explores the delimitations of a day. “If the day is ending in California,” Horvitz asks, “where exactly in the world is it simultaneously beginning?”

Hans Reitzel, 1985. 237 sider. Hft.

Hatje Cantz for K21 Kunstsammlung NRW, 2003. Small squarish 4to hardcover, no jackjet as issued. 120 pages, illustrated. Fine copy. First edition.

Forlaget Fremad, 1975. 4to. 64 sider. Gennemillustreret med sort/hvide fotografier. Tilskrift på første side. Fotografi og tekst af bl. a. Susanne Mertz, Jørgen Schytte, Jo Selsing, Vibeke Winding.

Arena, 1973. Original hæftet omslag. 170 pp. 1. oplag. Nærmest som ny.

Glyptoteket / Ny Carlsberg Glyptotek 2020. 4to. 160 pp. Hft. Pænt ubrugt eksemplar. 

Borgen, 2002. 179 pp. Hft. Forlagsstemplet, godt eksemplar.

Vintage Paperback, 2014. XXX, 398 pp. Name. Cover worn (see photo).

Penguin / Viking, 2012. Hardcover w jacket. X, 351 pp. Light shelfwear to jacket else clean and unread copy. The diary as Anne Frank wrote it. At last, in a new translation, this definitive edition contains entries about Anne's burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne's youthful spirit and restores the original material omitted by Anne's father, Otto--approximately thirty percent of the diary. The elder Frank excised details about Anne's emerging sexuality, and about the often-stormy relations between Anne and her mother. Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years. This is Anne's record of that time. She was thirteen when the family went into the "Secret Annex," and in these pages, she grows to be a young woman and proves to be an insightful observer of human nature as well.

Bloomsbury, 2011. Tiny hardcover, w jacket. 80 pp. Fine.