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Asterisk Forlag / Udstillingsstedet Sydhavn Station 2012. Stor brun A4 konvolut med 10 printede ark papir (= komplet). Dette eksemplar har været åbnet.  1. oplag. "Efterår" er en række værker på løse papirark, der som efterårsblade hvirvler rundt om emner som tab af kontrol, melankoli, kultiske sten og meget mere. De sort/hvide værker benytter sig af medier som tekst, foto, tegning og grafik. Efterår består af konvolut med 10 printede ark papir (= komplet). "Efterår" udgør nr. 53 af det eksperimenterende kunsttidsskrift *[asterisk].

Hans Reitzels Forlag, 2016. Hardcover. 120 sider.

batzer & co, 2009. 153 pp. Hft. Solbleget ryg i øvrigt nærmest som ny.

Edition After Hand, 2012. 174 pp. Hft.

Aschehoug, 1995. 198 sider. Illustreret i farver. Heftet.  Manuskriptet fra TV-seriens første sæson (4 afsnit).

Forlaget Samleren, 1980. Stort format. 203 sider. Illustreret med sort hvide reproduktioner. Initialer på titelblad, ellers rent eksemplar. Tidsskriftet blev grundlagt af Axel Salto i det sidste år af første verdenskrig, som reaktion på den generelle kunstopfattelse i Danmark. Inspireret af en rejse til Paris i 1916 - hvor Axel Salto mødte progressive malere som Pablo Picasso og Henri Matisse - lancerede han Klingen for egne midler. Det blev hurtigt et markant og dynamisk forum på den danske kunstscene. Ønsket om at forny dansk kunst og åbne for internationale og moderne ideer blev formidlet gennem artikler af Otto Gelsted, Poul Henningsen og Harald Giersing og originalgrafik af kunstnere som Vilhelm Lundstrøm, Olaf Rude, William Scharff og Axel Salto. Journalen blev et vigtigt talerør for den modernistiske kunstbevægelse - især ekspressionisme og kubisme - og hvert hæfte var Illustreret med talrige reproduktioner, raderinger, træsnit og litografier.

Gyldendals Bogklub, 1992. 141 pp. Hft.

Bloodaxe Books, 1992 (1950). Tall slim 8vo in wraps as issued. 160 pp. Clean very good copy.

Det lille Forlag, 1999. 200 pp. Heftet. Forordet er indstreget.

Gyldendal, 1983. 181 sider. Heftet. Navn. Omslag med slitage (se foto). 1. oplag.

Gyldendal, 2018. Upagineret. Hft. 1. oplag.

Frankfurt am Main: Vittorio Klostermann 2003. 8°. Hardcover, mit OU. 299 Seiten. Name. Viele Anstreichungen mit Bleistift.

Gads Forlag, 2021. 250 pp. Hft. Pænt eksemplar.

Forlaget Rosinante, 2011. 331 pp. Hft. På dansk ved Peter Nielsen, Karsten Sand Iversen og med forord af Morten Søndergaard. Pænt eksemplar.

Paris: Editions Jacques Melot 1946. 8vo. broché. 165 Couverture en état d'usage( 'scotchée). Presumably the first edition. Rather worn to covers and enforced with scotch (see photo). Uncut and inside clean. Overall acceptable and suited for rebinding. L’intelligence d’une machine was published in January 1946, after more than a tenyear hiatus due to the war, when Epstein had to go in hiding. While the topic reflected in the title of the book had been a constant preoccupation throughout Epstein's previous writings, this text pursues in depth topics that will remain central to all his later publications. He here approaches cinema as a philosophy of time and space more consistently than before, and methodically construes arguments in the field of physics, mechanics, and thermodynamics. Quote from The Philosophy of the Cinematograph: "Cinema is one of these intellectual robots, still partial, that fleshes out representations – that is to say, a thought – through photo-electrical mechanics and a photo-chemical inscription. One can here recognize the primordial frameworks of reason, the three Kantian categories of space, duration, and causality. This result would already be remarkable if cinematographic thought only did what the calculating machine does, to constitute itself in the servile imitation of human ideation. But we know that the cinematograph, on the contrary, marks its representation of the universe with its own qualities, with an originality that makes this representation not a reflection or a simple copy with conceptions, of an organic mentality-mother, but rather a system that is individualized differently, partly independently, which contains the incitements for a philosophy so far from common opinions, the doxa, that one should perhaps call it an anti-philosophy." (transl. by Trond Lundemo).

Hatje Cantz for K21 Kunstsammlung NRW, 2003. Small squarish 4to hardcover, no jackjet as issued. 120 pages, illustrated. Fine copy. First edition.

Hans Reitzel, 1985. 237 sider. Hft.

Gyldendal, 1976. 199 pp. Hft. Navn.

Forlaget Tiderne Skifter, 2016. 198 pp. Hft. Nærmest som ny. To romaner.

Arena, 1980. 142 pp. Hft. Fint, uåbnet eksemplar. Originaludgave.

Vintage Paperback, 2014. XXX, 398 pp. Name. Cover worn (see photo).

Penguin / Viking, 2012. Hardcover w jacket. X, 351 pp. Light shelfwear to jacket else clean and unread copy. The diary as Anne Frank wrote it. At last, in a new translation, this definitive edition contains entries about Anne's burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne's youthful spirit and restores the original material omitted by Anne's father, Otto--approximately thirty percent of the diary. The elder Frank excised details about Anne's emerging sexuality, and about the often-stormy relations between Anne and her mother. Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years. This is Anne's record of that time. She was thirteen when the family went into the "Secret Annex," and in these pages, she grows to be a young woman and proves to be an insightful observer of human nature as well.

Gyldendal, 2008. 259 pp. Hft.

Aarhus Universitetsforlag, 2004. 202 pp. Hft. Moderne litteraturteori.

Tiderne Skifter, 1994. 320 pp. Hft. Pænt eksemplar.