Sökresultat

Vestsjællands Kunstmuseum, 1989. 55 sider. Hæftet.

P. Haases & Søns Forlag, 1970. Tværformat. Hardcover. Gennemillustreret i farver. Lidt brugsspor. 1. danske oplag.

Forlaget Rosinante, 2012. Hæftet med orig. omslag. 284 sider. Med håndskrevet dedikation fra Charlotte Roche til "Kuss für Jesper from Charlotte Roche / Thank you for the great interview!!". 1. danske oplag.

Oxford University Press, 2007. Hardcover, w jacket. VIII, 268 pp. With illustrations. Fine clean copy. 1st edition.

Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear. Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.

Copenhagen: Det danske Filmmuseum, 1963. 8vo. 34 pp. Illustrated. Text in Danish. Well preserved copy of this rare item. 1st printing.

Informations Forlag, 2009. 190 pp. Hft. Navn.

Granta Books, 2002 (2001 / 2000). Large paperback. 223 pages. Illustrated. Fine clean copy.

Antipyrine, 2013. 238 samt 156 sider. Hft. Lidt hyldeslid ellers pænt rent eksemplar. Første udgave, 1. oplag.

Borgens Forlag, 2007. 310 pp. Hft. Mafiaen i Napoli - Camorra´en - er Europas mest magtfulde forbryderimperium. Fra Napoli styres en verdensomspændende og systematisk kopifremstilling af bl.a. designertøj, ure, smykker, som bliver fremstillet illegalt og solgt til Kina for derefter at blive reeksporteret til Vesten med enorme profitter. Roberto Saviano har efter at have infiltreret Systemet og skrevet bogen været nødt til at gå under jorden for ikke at blive myrdet af mafiaen

Bornholms Kunstmuseum 2017. 8vo. 47 pp. Hft. Gennemillusteret.

Paris: Maison du Danemark, 1985. 8vo in wraps as issued. (20) pages including cover. Illustrated in color. Text in French. Near fine.

Politisk revy, 1999. 288 pp. Hft. Om bl.a. Deleuze, Lyotard, Baudrillard og Bataille. Pænt ubrugt eksemplar.

Gyldendals Bogklub, 1992. 127 pp. Hft.

Glyptoteket - Brandts, 1988. Kvadratisk 4to. Stort format. 96 pp. Hft. Rigt illustreret. Lidt hyldeslid ellers indvendig ren og pæn. 1. oplag.

Aarhus Kunstmuseum, 1989. Kvadratisk. 60 pp. Hft. Illustreret. First edition. Stamped from

Vestsjællands Kunstmuseum, 2003. Stor 8vo. 147 pp. Heftet.

Signet paperback, 1956. 2367 pp. Somewhat worn. With the name of Kells Elvins handwritten to innercover, and dated 1958. Charming copy with an interesting provenance: This copy has belonged to and is signed by Kells Elvins (1913-1961), best friend of William S. Burroughs and who co-wrote "Twilight's Last Gleamings" and ignited Burroughs writings that would become Junky.

London, Faber & Faber, 2010. Paperback. XXIX, (1), 92 pp. Fine clean copy.

Forlaget Anis, 1992. 96 pp. Hft. Navn.

Gyldendals Bogklub, 2002. 183 pp. Hft. Indeholder bl.a. 'Tekster for intet', 'Nok', 'Bing' og 'Enden'.

White Rabbit, 2023. Paperback. 288 pp. With illustrations. Fine copy.

Politisk Revy / Rævens Sorte Bibliotek, 2001. 351 pp. Hft. Illustreret. Om bl.a. Sophie Calle, Boris Mikhailov og Christian Boltanski.

London: Profile Books, 2019. Paperback. X, 691 pp. Fine clean copy.

Chr. Ejlers Forlag & Nyt Dansk Litteraturselskab, 1990. 8vo. Original kartonbind (hardcover). 107 pp. Rigt illustreret. Pænt eksemplar.