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Centrocommerce. 1969. 39 s., Häftad.

AWE/Gebers, 1980. Andra tryckningen. 400 s. Förlagsband. 

Berlin, Deutscher Verlag der Wissenschaften , 1952 383 pp, Hardcover with dust jacket. Good condition. The Hamburg Dramaturgy (German: Hamburgische Dramaturgie) is a highly influential work on drama by Gotthold Ephraim Lessing, written between 1767 and 1769 when he worked as a dramaturg for Abel Seyler's Hamburg National Theatre.[1] It was not originally conceived as a unified and systematical book, but rather as series of essays on the theater, which Lessing wrote as commentary on the plays of the short-lived Hamburg National Theater.[2] This collection of 101 short essays represents one of the first sustained critical engagements with the potential of theater as a vehicle for the advancement of humanistic discourse. In many ways, the Hamburg Dramaturgy defined the new field of dramaturgy, and also introduced the term.[3]During the time Lessing wrote the Hamburg Dramaturgy, there was a new movement of German theatre, based on self-reflection.[4] Actors were beginning to perform the inner and outer lives of their characters at the same time. One of Lessing's most famous and renowned quotes from the compilation considers the responsibilities of the actor and the playwright: “The great discernment of the drama critic lies in his ability to distinguish, whenever he feels pleasure or displeasure, to what extent that feeling should be credited to the writer or to the actor”[5]The idea of a journal with Lessing as a dramatic critic to reflect on the Hamburg National Theater's efforts was conceived by the theatre's founder Johann Friedrich Löwen, and Abel Seyler, "the power behind the throne," who at first reluctantly agreed, but was eventually won over by the journal's success.[6][7] Because the plays of the new German Bourgeoisie theatre became more detailed and complicated, the audience often felt confused or left out; Lessing’s development of the Hamburg Dramaturgy was in part a reaction to this.[8]Topics covered by Lessing in the series of essays include Aristotle's theory of tragedy, acting theory, the role of theater in society, the means by which theater achieves its emotional effects, criticism of the actor and the play, issues of translation, and a nascent theory of the psychology of emotions.[9] Lessing's writings were influential for many German theater artists who came after, notably Bertolt Brecht.

Carlssons, 1998. 310 s., illustrerad. Häftad. Förlagsny. 

Torakova Förlag, 2015. 157 s. Häftad. Förlagsny.

Bonniers, 1959. 115 s. Förlagets dekorerade band med skyddsomslag. Väldigt gott skick.

Blue Ridge Summit, Pa, TAB Books, 1988. Third edition. 244 p. Publisher's hardcover with dust acket.

Uppsala 1997. 311 sid. Häftad med skyddsomslag. Nyskick. (Nomina Germanica. Arkiv för germansk namnforskning 22.)

Svenska förlaget, 2001. 304 s., illustrerad. Förlagsband med naggat skyddsomslag.

Stockholmia förlag, 2009. 95 + (1) s., fotoillustrerad delvis i färg. Förlagsband. Förlagsny.

Reykjavik, Bókabeitan, 2017 272 pp, Hardcover with dust jacket.

Ordfront, 2001. 512 s. Förlagsband med skyddsomslag.

London, Oxford Univ. Press, 1971 166 pp, Soft Cover. Pencil underlinings and notes.

Sober förlag, 1995. 142 s. Häftad. Med författarens dedikation till Carl-Erik och Regina [af Geijerstam]. Med blyertsanteckningar av Carl-Erik af Geijerstam.

Lind & Co, 2012. 333 s. Förlagsband med skyddsomslag. Förlagsny.

Carlssons, 2006. 470 s., illustrerad. Förlagsband med skyddsomslag.

Rutgers University Press, 1968. X + 311 p. Publisher´s cloth with dust jacket.

Femsjö Hembygdsförening, utan år. 240 s., fotoillustrerad i svartvitt. Förlagsband.

Tiden, 1993. 191 s. Förlagsband. Förlagsny. 

Random House USA Inc, 2020. 432 pp, Hardcover with dust jacket. Moisture affected top of front dust jacket.

B-interaQtive Publishing, 2016. 189 s. Förlagsband.