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Verlag Gerd Hatje / Vlg Arthur Niggli, Stuttgart und Teufen, 1988. Mit vielen Abbildungen. 192 S. Gut.

Verso Books, 2015. 192pp. Paperback. Clean, unread copy.

Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear. Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.

Forlaget Samleren, 1981. 428 pp. Hft. Omslag med brugsspor, indvendig ren.

Committee for International Art Exhibitions, 1988. Square small4to. Original colourillustrated wrappers. 79 pp. Illustrated in colour. Full text in both Italian and English. Fine copy. Fine introduction to the works of Poul Gernes. 1st edition.

Copenhagen: Det danske Filmmuseum, 1963. 8vo. 34 pp. Illustrated. Text in Danish. Well preserved copy of this rare item. 1st printing.

Clausholm Slot, 1996. 4to. Leporello. Gennemillustreret i farver. En anelse brugsspor.  1. oplag.

Informations Forlag, 2009. 190 pp. Hft. Navn.

Lindhardt og Ringhof, 1988. 149 pp. Hft. Første danske udgave.

Gyldendal, 2000. 275 sider. Hft. Schlegel's Athenäumfragmenter, eet af romantikkens hovedværker.

Granta Books, 2002 (2001 / 2000). Large paperback. 223 pages. Illustrated. Fine clean copy.

Gyldendal, 1906. Pænt samtidigt halvlæder med titel i guld. 380 sider.

Forlaget Arkona (Repertoire), 1983. 8vo. 62 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder i pæn stand. 1. oplag.

Gyldendal, 2018. 300 pp. Hft. Første udgave, 1. oplag.

Gyldendal, 1989. Stort format. 32 pp. Illustreret i farver. Kun mindre brugsspor. Første udgave, 1. oplag.

Forlaget Vandkunsten, 2013. 318 pp. Hft. Ydre brugsspor. Mastersongs – En bog om Leonard Cohens sange giver en detaljeret indsigt i alle numre på digtersangerens 12 studiealbums, samt i de ti, som kom med på hans første liveindspilning, Live Songs.

Maison du Danemark, Paris, 1975. 4to. Publisher's wraps. (12) pp. Illustrated. Fine copy.

Published by Pergamon Press Ldt., Oxford 1972. 8vo in originale magazine wraps. 60 pp. Illustrated. Fine. 'three concets of technology' Henryk Skolimowski, 'going to the dogs' Hubert Murray, 'wireless style symbolic desing and the english radio cabinet 1928-1933' Adrian Forty, 'the swiss modern movement 1920-1930' Hans Schmidt.

Penguin Paperback, 1963. 272 pp. Very good clean copy.

Rævens Sorte Bibliotek, 2004. 159 sider. Hft. Pænt eksemplar.

Princeton University Press, 2010. Softcover. XX, 218 pp. From the collection of Danish film director and critic Christian Braad Thomsen. A couple of pages in introduction with ink notes else fine copy. Enclosed a postcard to Chr. Braad Thomsen with Sigmund and Anna Freud. 1st edition.

London: Faber & Faber, 1945 (1943). Original cloth with a slightly worn dustjacket. XXIII, 320 pp. Illustrated. With plates. Name to free front endpaper and a few scattered underlinings with a red pencil, not to bad. Overall a good solid copy.

Eindhoven : Het Apollohuis, 1992. Original hardcover, no dustjacket 20x20cm, illustrated in bw and color. Very good. 1st edition.

Éditions Fata Morgana, Octobre, Mai 1983. Broché in-8., 50 pages. Bon etat. First edition / édition originale - un des 1725 exemplaires sur vergé teinté.

Rowohlt, 2022. Gebunden mit OU. 189 Seiten. Gut erhalten. 2. Auflage.