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Du sökte efter Antikvariat = Kirkegaards Antikvariat

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Holiday, Billie:
Kirkegaards Antikvariat
kir53959
Melville House, 2019. XXI, 112 pages. Clean copy.
Noren, Lars:
Kirkegaards Antikvariat
kir59401
Arena, 1974. 181 sider. Heftet.
F., CHRISTIANE (Christiane Felscherinow):
Kirkegaards Antikvariat
kir35495
Forlaget Haase, 2018. 238 pp. Paperback. Nærmest som ny.
Engberg, Charlotte. - Ping Huang, Marianne. - Ørum, Tania (red.):
Kirkegaards Antikvariat
kir14527
Forlaget Spring, 2005. Stort format. 355 pp. Hft. Omslag med brugsspor. Med tekster af og om bl.a. Peter Bürger, Max Ernst, Bataille, Asger Jorn, Situationisme og avantgardens litteratur og teori.
Harrison, Charles. - Frascina, Francis et al. - :
Kirkegaards Antikvariat
kir59891
New Haven: Yale University Press, (1993). Small quarto in softcover. 267 pp. 25,5x19 cm. Illustrated in black-and-white and color. Light edgewear. A very good clean copy.
Beardsley, Monroe C.:
Kirkegaards Antikvariat
kir59886
Tuscaloosa 2025 (1966). 414 pp. Paperback. As new.
Freud, Sigmund:
Kirkegaards Antikvariat
kir07780
London, Imago Publishing Co, 1948 (1940). Original blue cloth. 497 pp. Many pencil notes.
DITZEL, NANNA:
Kirkegaards Antikvariat
kir27510
Copenhagen: Museum of Decorative Art, 2002. 47 pp. Illustrated in b/w and colour. Text in both Danish and English. First edition.
FOUCAULT, Michel. - BENTHAM, JEREMY:
Kirkegaards Antikvariat
kir59301
Forlaget Klim, Århus 2011. 159 sider. Illustreret i s/h. Heftet med orig. omslag. Nærmest som ny. Benthams tekst og interview med Michel Foucault.
DEVO. - Smith, Kevin C.:
Kirkegaards Antikvariat
kir59419
Jawbone Press, 2013. Paperback. 316 pages. Name, else clean and well preserved.
Wittgenstein, Ludwig:
Kirkegaards Antikvariat
kir42806
Forlaget KLIM, 2012. 250 pp. Hft. Mindre ydre brugsspor.
Kepes, Gyorgy. - Barr, Alfred H.:
Kirkegaards Antikvariat
kir54755
New York: The Museum of Modern Art, 1946. 8vo in original wraps as issued. 48, (2) pages, illustrated bw. Printed wrappers designed by György Kepes. Second edition. Introductory Series to the Modern Arts, 2. First edition. Cover by Kepes.
Tommy Gronlund & Petteri Nisunen. - Valjakka, Timo. - Hausswolff , Carl Michael. - Siukonen , Jyrki:
Kirkegaards Antikvariat
kir55396
Argobooks, 2009. Oblong small 4to hardcover, no jacket as issued. 120 pages. Illustrated, with text in both German and English. Fine copy. 1sst edition. - Tommi Grönlund and Petteri Nisunen work as a collaborative unit, both as architects and visual artists. They create sculptural installations and interventions in urban and natural environments using sound, light and the architectural context as their primary material. This book undertakes a presentation of twenty of Grönlund/ Nisunen’s works, projects and realized commissions with forty full page colour plates. Each work is presented on a double spread and accompanied by captions written by the artists. Contributors: Jyrki Siukonen, Carl Michael von Hausswolff, Timo Valjakka.
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BASS, SAUL & ELAINE. - Krag, Thomas Tim Voldsted (ed.):
Kirkegaards Antikvariat
kir50166
Copenhagen: Film National School of Denmark, 1995. 8vo in wraps as issued. 80 pages. Text in English with illustrations. Some wear to edges and spine. Inside clean and overall a tight very good copy.
Bergström, Gunilla:
Kirkegaards Antikvariat
kir59685
Gyldendal 2008. Hardcover. 32 sider. Pænt eksemplar - rent, med kun små ubetydelige brugsspor.
Atkinson, Terry. - Carstensen, Claus. - Brandt, Per Aage. - Koester, Joachim et al:
Kirkegaards Antikvariat
kir16624
Esbjerg, 2008. Squarish 8vo in wrap as issued. 191 pp. Illustrated. Text in English. Fine copy. Art and Mapping in politics, utopia and in regards to one might call The Self. The exhibition features works that focus on 1) rural and urban creations with a focus on geopolitics and territorializations, 2) maps and mappings that relate to utopian spaces, and 3) mental landscapes and psycho-geography.
Clausen, Claus & Susanne Giese:
Kirkegaards Antikvariat
kir59639
Forlaget Tiderne Skifter, 1976 (1975). 303 sider. Hft. Illustreret. Omslag med brugsspor men bogen er stadig solid og ren indeni - et ganske hæderligt eksemplar! Revideret udgave 1976, med et tillæg på 30 sider. Første udgave i denne form, 1. oplag.
Voltaire, Francois de:
Kirkegaards Antikvariat
kir59163
Museum Tusculanums Forlag, København 1998. Hardcover. 221 sider. Illustreret i s/h. Et par enkelte noter i teksten, ellers pæn.
Thomsen, Søren Ulrik:
Kirkegaards Antikvariat
kir46465
Forlaget Vindrose, 2002. 55 pp. Hft. Første udgave, 4. oplag.
Dickinson, Emily:
Kirkegaards Antikvariat
kir59031
Lowe & B. Hould, 1998. Publishers hardcover, w jacket. (8), 122, (2). pp. Minimal edgewear, overall a fine clean copy. This volume reproduces that 1890 collection which was the first time much of her work was published. Witty, wry, subversive, incisive and celebratory, these poems lay the foundation for Dickinson's literary reputation. Few of Emily Dickinson's poems were published in her lifetime. After her death the editing of her poetry into a publishable manuscript fell to an Amherst friend, Mabel Loomis Todd who eventually enlisted the aid of T. W. Higginson. The collection was first published in 1890.
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Koolhaas, Rem. - Böck, Ingrid:
Kirkegaards Antikvariat
kir59042
Berlin: Jovis Verlagsbüro, Berlin 2015. Thick 8vo in wraps as issued. 367 pages. Illustrated in b/w and colour. Fine. From the series architektur+analyse 5.
Heidegger, Martin:
Kirkegaards Antikvariat
kir59330
Max Niemeyer, Tübingen, 1988. Original Ganzleinen mit OU. 92 Seiten. Name auf Vorsatz, und etwa zwanzig Seiten mit Unterstreichungen.
Volpato, Elena & Caffoni, Paolo (ed.):
Kirkegaards Antikvariat
kir55901
Berlin: Archive Books - GAM, Gallery of Modern and Contemporary Art Turin, 2010. 300 pages. With illustrations. Spine sunned else a fine clean unread copy. First edition. - "A publication to accompany the exhibition All the Memory of the World at the Gallery of Modern and Contemporary Art in Turin (The GAM). It aims to introduce the public to a selection of texts investigating the relationship between different historical methods, art and images. The book focuses on three main themes, which are divided into three different sections, each bringing forth a memory that has been ‘buried’ by a general aesthetic over-production. Images from the world’s history are observed through a ‘privileged moment in time’ in which the artist is identified as the only possible witnessto our present"
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