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JRP Ringier Kunstverlag, 2009. 8vo in wraps as issued. Bilingual German / English. 344 pages. Fine copy. 1. ed. A sourcebook on independent art publishing: Since 2001, Christoph Keller's famous archive "Kiosk – Modes of Multiplication" has been exhibited 27 times all around the world, ininstitutions such as the ICA (London), the Witte de With (Rotterdam), Artists'Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and some biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. Today it contains more than 7.000 publications by approximately 500 independent art publishing projects from non commercial publishers, magazines, fanzines, newspapers, journals, audio- and video-labels, corporate and institutional publishing, etc. The focus has never been set on exhibiting the most interesting individual artists’ publications but rather the whole bandwidth of publishing possibilities, the motivations and strategies of the people "behind the scenes," the editors, publishers, designers, multipliers. On the occasion of the final public presentation of the archive at the Kunstbibliothek, Berlin, which has now taken over the archive as aspecial collection, this handbook represents an overview and reflection on independent art publishing activities today. It contains statements by the protagonists of this scene, theoretical texts, illustrations, and a broad source-part with comprehensive information on the contributing publishing projects. Published with the Stiftung Preussische Museen zu Berlin in the Christoph Keller Editions series. Awarded in the competition "The most beautiful Swiss books 2009."

Gyldendal, 1955. 136 sider. Heftet med originalomslag med smudsomslag. Navn på inderomslag, og lidt misfarving på omslag ellers rent og velbevaret eksemplar. Første udgave, 1. oplag. Omslaget er af Ib Spang Olsen.

Koenig Books Kunsten Museum of Modern Art Aalborg, 2017. 8vo in wraps as issued. 184 pages, richly illustrated. Text in both Danish and English. Clean well preserved copy. 1. edition.

Kbh., 1994 til 2000. 2 originale hæftede omslag. 375, 526 pp. Godt sæt. Dansk Verskunst II, 1 & 2.

London: Ridinghouse 2005 - Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy. Second revised and enlarged edition.

Faber & Faber, 2022. Large thick paperback. VIII, 548 pp. Light wear to cover.

Jysk Kunst Galerie, s.d. (1970). 4to. (12) pp. Illustreret i sort hvid og farver. Pænt eksemplar.

Forlaget THP, 2021. 186 pp. Pænt eksemplar.

WBG (Wissenschaftliche Buchgesellschaft). Sonderausgabe 2012. Hardcover. 309 Seiten. Name auf Innendeckel, somst neuwärtig.

Philadelphia Museum of Art & Yale University Press, c2009. Hardcover. 240 p ages, richly illustrated with text in both Italian and English. Minor edgewear to corners of cover else fine and clean copy. First edition.

Naxos Audiobooks, 2000. NA318312. 2 x 3 x CD. 6 cd's in all. Unopened complete set in two boxes. 

Kunsthalle der Hypo-Kulturstiftung / Sprengel Museum / Kunsthaus Zürich, 1993. 4to hardcover, no jacket as issued. 269 pages, with 247 illustrations. Text in German. Fine clean copy. 1. ed.

Frankfurt am Main: Suhrkamp Verlag, 1984. Paperback. 575 pp. Name to innercover else clean.

Amsterdam, Mondriaan Foundation, 2002. 4to. Original stiff wrappers as issued. 127 pages with lots of coloured illustrations in text and on plates. Fine clean copy. 1st edition.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Oslo, 1958. (Kunst og kulturs serie). 4to in wraps as issued. 64 pp. Hft. Illustreret. Lidt brugsspor, indvendig ren. First edition.

Published by Amsterdam: Stedelijk Museum, 1995. 8vo in wraps as issued. 256 pages. Illustrated. Text in both Dutch and English. Some handling wear but clean. On Kai Althoff, Mat Collishaw, John Currin, Anne Decock, Douglas Gordon, Benoit Hermans, Gary Hume, Aernout Mik, Multiple Autorenschaft Lienz, Pipilotti Rist, Lara Schnitger, ManfreDu Schu, Georginia Starr, Jane and Louise Wilson.

S. Fischer Verlag, 1981. Gebunden, mit OU. Im Schuber. 814 Seiten. Schöne handliche dünndruck Ausgabe.

Stig Vendelkærs Forlag, 1966. 156 sider. Paperback. Illustreret i s/h. God eksemplar. Jan Hudson var pseudonym for SF forfatteren George H Smith.

Rævens Sorte Bibliotek / Politisk Revy - Gyldendals Bogklub 2002. 275 pp. Hft.

New York, Farrar Straus Giroux. 1982. Publishers hardcover with unclipped dustjacket in good condition. 211 pp. Spine of jacket tanned else clean well preserved copy. First Edition First Printing. Jacket design by Janet Halverson.

Batzer & Co, 2020. 146 pp. Hft. Pænt eksemplar med kun en anelse hyldeslid.

Forlaget Rosinante, 2019. 349 pp. Hft.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."