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Liljevalchs Konsthall, Stockholm / Rooseum - Center for Contemporary Art, 2000. Square 4to in wraps as issued. 197, (3) pp. Illustrated. Minor shelfwear else very good clean copy. 1. ed. William Anastasi, Fontana, Kelly, LeWitt, Ryman, Uecker, Jasper Johns, Yves Klein, Remy Zaugg, Robert Rauschenberg, et al.

Gyldendals Bekkasinbøger, 1962. 190 pp. Hft. Første danske udgave / First danish edition of 'Invitation to a Beheading'. Cover by Austin Grandjean.

Rockport Publishers, 2018. 4to in softcover. 297 pages, richly illustrated. Very good copy.

Kbh., 1890. Indbundet i et samtidigt halvlæder med rygtitel i guld. 206 pp.

Boston: Houghton Mifflin and Company, (1977). Publishers bright green clothed decorated hardcover with red topedge and a somewhat worn but now protected jacket. 365 pp. Complete with map at end. The map has a marginal tear but overall a good to very good clean copy. First US edition (stated), 3rd printing.

Forlaget Politisk Revy, 2008. Hardcover. 179 sider. Illustreret. Inklusiv dvd med film (Beths Dagbog - Beths Diary). ”There is nothing more important, more influential, or potentially more destructive to us humans than family”. First Danish edition. Follow up to Beths bog - The Book of Beth.

Kunstforeningen Gl. Strand, 2017. Stort format. Hardcover, med omslag. 116 sider, rigt illustreret i farver. Som nyt eksemplar. Første oplag.

London: The Bodley Head, 2022. Large softcover. 260 pages. Very good well preserved and clean copy. 1st UK printing.

Gustavo Gili (GG), 2001. Small 4to in wraps as issued. 182 pages, richly illustrated. Text in both Spanish and English. Dog-eared copy. 1. ed. The projects in this book describe the new kinds of architecture emerging in former war zones, geological workings and land masses, and in marginal urban settings that were once home to heavy industry.

Thames & Hudson, 2021. 8vo. Hardcover, w jacket. 271 pp, 122 illustrations, bibliography, index. Fine clean copy. 1st edition. "A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right. Global in scope yet full of personal insight, this fully illustrated celebration of the modern art museum will appeal to art lovers, museum professionals, and museum goers alike."

London: Allen & Unwin, 1982. Octavo in publishers hardcover, w jacket. 206 pages. Good or very good copy. 1st edition. "People care about places. Inhabitants demand more participation in the changes proposed for their local environments, activists urge greater protection of countryside and natural environments, decision-makers feel threatened by the antagonism aroused by their powers and plans. The essays in this book have been drawn together to discover what lies behind these expressions of concern and discontent. Valued environments are places for which people feel commitment and affection, places which support a sense of personal identity and well-being. The authors explore the characteer and constituents of valued environments asking how our experiences of environments may be enhanced. What is the impact of environmental change? How can the future be accommodated in both rural and urban environments without destroying their essential qualities? The reader will find substantive evidence from case studies of environments valued by inhabitants and outsiders which answer these questions. Examples are taken from wilderness areas, fenland, market towns and large cities, commercial streets and residential neighbourhoods, environments of the past and those imagined in science fiction. The essays are united in their focus on the meaning of places and landscapes. The subtle but highly significant role of valued environments is examined thoroughly in the book. It will be of interest to all who care deeply about their surroundings, reflecting perhaps some of their own experiences as well as conveying information about the environmental experiences of others. Students of geography, environmental planning and conservation should also find the book directly relevant to their interests in man-environment relationships."

London: Penguin Classics Paperback, 2008. 408 pp. Clean copy. Finely printed edition. The unexpurgated transcript.

Copenhagen: Court Gallery, 1968. Landscape 8vo in wraps as issued. [14] pages including cover. Text in English. Illustrated in bw and color. Minor wear to cover and edges, clean and solid. First and only edition. Rare.

Chr. Erichsens Forlag, 1966. 254 pp. Hft. Godt eksemplar. 1st Danish edition of the classic. Clark describes how the ghetto separates Blacks not only from white people, but also from opportunities and resources. "crime and delinquency in poor communities: Kenneth B Clark’s Dark Ghetto. Our exploration reveals its insights to be extremely relevant today both in understanding the roots of the self-destructive violence that tears at those communities and in thinking about how to combat the structural conditions and individual mentalities that generate it. Beyond the specific theoretical and methodological lessons that can be gleaned from Dark Ghetto, Clark’s work serves as a much-needed illustration of how theoretical insights derived from intensive qualitative research that is attuned to political, historical, and economic realities—and their human consequences—can enhance criminological theory, and align with progressive movements for social change."

Forlaget Rhodos, København 1970. 186 sider. Heftet med orig. omslag. Pæn med lidt brugsspor. 1. oplag. Omslag af Michael Malling.

Gyldendalske Boghandel, 1936. Stort tværformat. Original illustreret kartonbind med lærredsryg. (28) pp. Illustreret, delvist med helsides farvetavler. Bind kantslidt men solidt. Streger på omslag, navn på friblad (fra samtiden), lidt plettet gennemgående. Acceptabelt eksemplar. Første udgave, 3. oplag.

Gyldendal / Samlerens Bogklub, 1997. 262 pp. Hft. Navn, pænt eksemplar.

Kbh., Gyldendalske Boghandel, 1868. Original komponeret, rødbrunt, helshirt med forgyldt helsnit. 271 pp. En del brugsspor, svage false men stadig solid og overvejende ren.

Duke University Press Books, 2016. Paperback. XII, 326 pp. Fine clean, unread copy.

Aarhus University Press, 2015. Hardcover. 302 pages. With illustrations. As new. 1. edition.

Forlaget Multivers, København 2015. 502 sider. Orig. omslag. Lidt ydre brugsspor. Doktorafhandling fra Lunds Universitet.

Gyldendal, 2009. Stort format. Hardcover. 52 sider. Illustreret af Ilon Wikland i farver. Pænt eksemplar. Dansk udgave.

Suhrkamp Taschenbücher, 1988-89 (1976 - 1977). Taschenbücher. 417 und 543 Seiten. Einzelne Bleistiftsnotizen sonst gut erhalten.

Errant Bodies Press, 2006. Large 8vo in wraps as issued. Unpaginated, around 90 pages, text in English. COMPLETE with CD. Fine copy. 1st edition.

Serpentine Gallery, London, UK, 2004. 8vo ion wraps as sissued. 17 x 23cm. 63 pages. Exhibition catalogue featuring works by Maurizio Cattelan, Martin Creed, Tony Feher,Christian Jankowski, Gabriel Kuri, Bjorn Melhus, Aleksandra Mir, Tim Noble and Sue Webster, Pipilotti Rist, David Shrigley, Andreas Slominski, Sarah Sze. Also included are loosely inserted postcards relating to the various artists. Complete and very good copy.