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München : Hanser Verlag, 2008. Gebunden, mit Schutzumschlag. 470 Seiten. Gut erhalten.  "Eine Jugend in Hessen, ein Leben in vielen Sprachen und Ländern: Seit vier Jahrzehnten gehört Volker Schlöndorff zu den wenigen deutschen Filmemachern, die Weltgeltung haben. In dieser Autobiographie erzählt er anschaulich von seiner Kindheit im Nachkriegsdeutschland; von seinem politischen Engagement um 1968; von der Entstehung seiner "Blechtrommel", für die er den ersten deutschen Nachkriegs-Oscar erhielt; von seinem Leben in Deutschland, Frankreich, Italien und Amerika; von Regisseuren wie Jean-Pierre Melville und Rainer Werner Fassbinder; und von Schauspielern wie Alain Delon und Jeanne Moreau".

Gyldendalske Boghandel, 1936. Stort tværformat. Original illustreret kartonbind med lærredsryg. (28) pp. Illustreret, delvist med helsides farvetavler. Bind kantslidt men solidt. Streger på omslag, navn på friblad (fra samtiden), lidt plettet gennemgående. Acceptabelt eksemplar. Første udgave, 3. oplag.

Gyldendal / Samlerens Bogklub, 1997. 262 pp. Hft. Navn, pænt eksemplar.

Aarhus Universitetsforlag, 2005. 274 pp. Hft. Pænt eksemplar.

Forlaget Multivers, København 2015. 502 sider. Orig. omslag. Lidt ydre brugsspor. Doktorafhandling fra Lunds Universitet.

Duke University Press Books, 2016. Paperback. XII, 326 pp. Fine clean, unread copy.

New York: McGraw-Hill Book Company, 1971. 8vo in original publisher's purple cloth, black cloth spine with gilt lettering, purple endpapers, with the original, albeit very worn jacket, now protected. Clean inside and overall a good solid copy. First US edition, first impression. "A cornerstone title in feminist literature, Greer's best-known work reflects her present status as one of the most outspoken, controversial and challenging writers in her field."

Arena, 1967. 160 pp. Hft. Godt eksemplar. 1. oplag."Teatret - en igle på din krop".

Cambridge, MA: MIT Press, 2002 (2000). Heavy 8vo in SOFTCOVER. XVI,. 368 pages. With illustrations. Name to inner cover else clean. Very good copy. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about." - Susan Buck-Morss is known for Dialectics of Seeing (1989). "This earlier text brilliantly reconstructed Walter Benjamin's unfinished "Arcades" project (on the consumer culture of Baudelaire's Paris), and established Buck-Morss both as an authoritative commentator on Benjamin and as a major cultural thinker in her own right. Dreamworld and Catastrophe seeks, in effect, to extend Benjamin's dialectical investigations into the imaginary of modern culture to another time and place

Suhrkamp Taschenbücher, 1988-89 (1976 - 1977). Taschenbücher. 417 und 543 Seiten. Einzelne Bleistiftsnotizen sonst gut erhalten.

Sydney : Cornstalk, 1926. 8vo in publishers red hardcover with original very worn dustjacket (now protected). [32] p., [5] leaves of plates : ill. Some foxing to first and last pages. Acceptable good contion.  First edition.

Forlaget Høst & Søn, 2007. Stort format. Hardcover. 28 sider. Pænt eksemplar. 1. oplag.

Kunstforeningen Gl. Strand, 2017. Stort format. Hardcover, med omslag. 116 sider, rigt illustreret i farver. Som nyt eksemplar. Første oplag.

Forlaget Bebop, 2006. 46 pp. Hft. Omslag af Kirkeby. Første danske udgave.

Forlaget Rhodos, 1983. 146 pp. Hft. Omslag med brugsspor.

Cph., 1958. Original hardcover boards with unclipped jacket. 87 pp. Richly illustrated. Name to free front endpaper. Jacket edgeworn. Kay Fisker, Arne Jacobsen, Finn Juhl, Kaare Klint among others. Photos by Keld Helmer-Petersen & Jesper Høm et al.

London: Penguin Classics Paperback, 2008. 408 pp. Clean copy. Finely printed edition. The unexpurgated transcript.

Aarhus University Press, 2015. Hardcover. 302 pages. With illustrations. As new. 1. edition.

Gyldendal, 2009. Stort format. Hardcover. 52 sider. Illustreret af Ilon Wikland i farver. Pænt eksemplar. Dansk udgave.

Louisiana Museum of Modern Art, 1970. Folio. 48 pp. Illustrated in b/w and color, several full page. Text in Danish. Excellent copy.  First printing.

Serpentine Gallery, London, UK, 2004. 8vo ion wraps as sissued. 17 x 23cm. 63 pages. Exhibition catalogue featuring works by Maurizio Cattelan, Martin Creed, Tony Feher,Christian Jankowski, Gabriel Kuri, Bjorn Melhus, Aleksandra Mir, Tim Noble and Sue Webster, Pipilotti Rist, David Shrigley, Andreas Slominski, Sarah Sze. Also included are loosely inserted postcards relating to the various artists. Complete and very good copy.

Errant Bodies Press, 2006. Large 8vo in wraps as issued. Unpaginated, around 90 pages, text in English. COMPLETE with CD. Fine copy. 1st edition.

Kbh., Gyldendalske Boghandel, 1868. Original komponeret, rødbrunt, helshirt med forgyldt helsnit. 271 pp. En del brugsspor, svage false men stadig solid og overvejende ren.

New York: Doubleday and Co., 1964. 8vo. Hardcover with unclipped slightly worn and sunned orange dustjacket. 95 pages. Clean and overall very good copy. First edition.

Forlaget Politisk Revy, 2008. Hardcover. 179 sider. Illustreret. Inklusiv dvd med film (Beths Dagbog - Beths Diary). ”There is nothing more important, more influential, or potentially more destructive to us humans than family”. First Danish edition. Follow up to Beths bog - The Book of Beth.