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New York & London: w. w. Norton and Company, 2004. Hardcover, w jacket. XVI, 336 pp. Very good clean copy. First edition. - "The most absorbing, wide-ranging and stimulating body of writing about the mighty Bob that's ever been assembled."

Cph., 1958. Original hardcover boards with unclipped jacket. 87 pp. Richly illustrated. Name to free front endpaper. Jacket edgeworn. Kay Fisker, Arne Jacobsen, Finn Juhl, Kaare Klint among others. Photos by Keld Helmer-Petersen & Jesper Høm et al.

Kunsthalle der Hypo-Kulturstiftung / Sprengel Museum / Kunsthaus Zürich, 1993. 4to hardcover, no jacket as issued. 269 pages, with 247 illustrations. Text in German. Fine clean copy. 1. ed.

New York McGraw Hill - Open University Press 1st pr, 2008. Large paperback. X, 358 pp. Clean tight copy.

New York, Farrar Straus Giroux. 1982. Publishers hardcover with unclipped dustjacket in good condition. 211 pp. Spine of jacket tanned else clean well preserved copy. First Edition First Printing. Jacket design by Janet Halverson.

Gyldendal / Samlerens Bogklub, 1995. 702 pp. Hft. Med illustrationer. Navn. Omslag solbleget med lidt brugsspor. Dansk udgave.

Sternberg Press, 2007. 220 pages. Illustrated. In wraps as issued. Spine sunned, else very good clean copy. 2nd edition. "A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was reviewed in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Ahtila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, Philippe Parreno and Paul Chan are scrutinized as so many attempts to capture the very dialectic of time itself. The book can be seen as “an exploration of the crystallization of time that uses phenomenology as a pretext for saying things about artworks that create their own theories.” This fully illustrated 2nd edition features a new introduction and afterword by the author. Daniel Birnbaum reflects on the critical reception of his book and further extends Deleuzian ideas to the fields of art and film. In his afterword on Paul Chan, the author discusses a new sense of messianic time, a new chronology, as experienced with The 7 Lights series by the artist. In addition to annotated artwork illustrations, the book contains a special insert by Paul Chan: twelve original drawings where the artist explores the spatial metaphors evocated in the text. The book also features flip-book sequences from two films (Lady of Shanghai, 1947, Enter the Dragon, 1973) which further elaborate on the Deleuzian themes of mirrors, death, and the crystallization of time.

New York: Viking, 1995. Large heavy hardcover, with somewhat worn jacket. xxvi, 629pp, index, bibliography, notes, chronology. Front innercover with repair else overall a good solid and clean copy. First edition. - Collects hundreds of Kerouac's letters written between 1940, when he was a college freshman) and 1956, immediately before his leap to celebrity with the publication of On the Road. Correspondents include the Cassady's; Allen Ginsberg; William S Burroughs; and Gary Snyder...

Gyldendal, 2013. 262 sider. Hft. Frisk rent eksemplar.

SUNY - State University of New York Press, 2005. XII, 184 pp. Fine.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."

Trenton: Africa World Press, 2003. Paperback. 288 pp. Fine clean, unread copy. In the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a ?bard of the misrule? emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela?s Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics?and ultimately, the nascence of an Afrocentric contemporary global culture. "In Sola Olorunyomi?s book, a popular artist and a counter-hegemonic activist of the hardest grain meets his most engagingly, cerebral interpreter.?

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

New York: Random House, 1969. Publishers hardcover, with dustjacket. 274 pages, red topedge. Jacket with a tear and suntanned but unclipped asnd now protected. Inside clean. Overall a very good copy. First edition, 7th printing.

Forlaget Lindhardt & Ringhof, 2003. Kvadratisk. 132 pp. Hft. Illustreret med s/h fotos af Mertz. Pænt eksemplar.

Gyldendal, 2001. 177 pp. Hft. Navn. Moralens evindelige genkomst er en systematisk indføring i Nietzsches skelsættende skrift og følger overordnet værket på vej; fra første afhandling om kristendommens fødsel over anden afhandlings analyse af samvittighedens psykologi til sidste afhandling der bærer titlen “Hvad betyder asketiske idealer?”

Forlaget Falco, 2023. Hardcover, med omslag. 359 sider. Pænt eksemplar.

Frankfurter Kunstverein & Revolver Publishing, 2010. 4to in wraps as issued. 132 pages; in both English and German by Werner D’Inka, Jens Kastner and Catrin Lorch. Richly illustrated. Light edgewear else very good. Catalogue raisonné accomanying the exhibition.

Frankfurt am Main: Suhrkamp Verlag, 1984. Paperback. 575 pp. Name to innercover else clean.

London: Tate Gallery, 1980. 8vo in wraps as issued. 126 pages. Some edgewear. Richly illustrated with text by Pontus Hulten, Maria Gilissen Broodthaers, Michael Compton und Barbara Reise as well as Marcel Broodthaers. First edition.

S. Fischer Verlag, 1981. Gebunden, mit OU. Im Schuber. 814 Seiten. Schöne handliche dünndruck Ausgabe.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Gyldendals Bogklub, 2006. Original lærredsbind med smudsomslag (hardcover). 150 pp.