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The Amsterdam Academy 2013. 12mo in publishers full clothed hardcover. 160 pages. Illustrated. Fine clean copy. In this work landscape architect Thomas Oles (USA, 1972) has gathered his ideas about landscape thinking and the landscape architecture profession in a handy book. Fifty entries serving the walker in nature or the designer in the landscape by way of reference, idea or principle. The book also contains contributions from landscape architects Marieke Timmermans (head of the department of landscape architecture) and Jacques Abelman. Graphis Design by Studio Sander Boon.

New York / Ghent: D.A.P., 2005. 4to red clothed hardcover in bright orange-red dust jacket. 167 pages, richly illustrated. Text in English. Spine sunned, else fine and clean copy. First edition.

New York: Alfred A Knopf Inc, 1980. Quarter bound in clothed hardcover with gilt on spine, dustjacket priceclipped. 245 pages. Fine clean copy. First edition.

Frankfurt am Main: Vittorio Klostermann 1991. 8°. Hardcover, mit OU. XVIII, 317 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber. Erstausgabe in der Gesamtausgabe.

Heidelberg: Kehrer Verlag, 2000. Large 8° in hardcover. 136 pages, illustrated. Text in both German and English. Complete with CD. Fine copy. Christina Kubisch - KlangRaumLichtZeit. Arbeiten von 1980 bis 2000 ; Ausstellung in den Opel-Villen Rüsselsheim [vom 18. Juli bis zum 16. September 2000].

Austin: University of Texas Press, 2016. Hardcover, w jacket. VIII, 346 pp. Fine copy. First edition.

New York: The Viking Press, 1948. Original halfcloth, no dustjacket. 220 pp. Clean copy, lower right corners dented (see photo) else very good. In 1947 Capa traveled into the Soviet Union with his friend John Steinbeck. Steinbeck wrote the account and Capa shot photos in Moscow, Kiev, Tbilisi, Batumi and among the ruins of Stalingrad. First edition.

Kolding: Museet Koldinghus, 2015. Stort format i hardcover. 208 pp. Rigt illustreret. Pænt eksemplar.

Edition Bløndal, 2000. Original hardcover. Upagineret. Illustreret. Første udgave. Ryg solbleget, ellers pænt eksemplar.

Museum of Modern Art, New York 1980 . Square 8vo in original wraps. 144pp. 105 illustrations, 15 in color. Only minimal edgewear to cover else clean and fine, tight copy. MoMA exhibition catalogue. An international survey that included Jennifer Bartlett, Ed Ruscha, Joseph Beuys, David Hockney, Jasper Johns, Ellsworth Keylly, Andy Warhol and others.

Manuella Editions, 2013. 8vo in original canvas cover in coloured linen with a transparent, silkscreen-printed dustjacket as issued. 160 pages, illustrated. Fine clean copy. First edition. - Anri Sala’s project for the French Pavilion in Venice is a play on words based on the verb to ravel and its opposite, to unravel, as well as a reference to the famous French composer Maurice RavSound artel, who in 1930 composed the Concerto in D for the Left Hand, which is at the heart of Anri Sala’s project. The book was conceived by Anri Sala and Christine Macel to accompany this project and contains different texts offering a variety of perspectives, including historic statements of Maurice Ravel, Paul Wittgenstein (for whom Ravel composed the concerto) and Marguerite Long (a famous pianist and friend of Ravel’s), texts taken from the novels of Alexander Waugh (a Wittgenstein specialist) and of Jean Échenoz (extracts of his novel Ravel), texts about John Cage and the anechoic chambers by Dana Samuel or about the musical technique of the left hand by Hans Brofeldt, and finally essays by Laurent Pfister (on issues of copyright and authorship), by Peter Szendy (a musicologist and philosopher) and by Christine Macel (curator of the French Pavilion).

Bobingen: Kessler, 2004. 4to in original wraps. 98 pages. Richly illustrated. text in both German and English. Light sunning to cover and light edgewear. Overall a very good clean copy.

Serlachius Museums, 2020. Small 4to hardcover w jacket. 96 pp. Richly illustrated. Text in both Finnish and English. Fine clean copy. First edition.

Arena, 1983. 84 pp. Hft. Pænt eksemplar.

New York: Everson Museum of Art Syracuse, 1985. Oblong 8vo in wraps as issued. 80 pages. Illustrated in bw. Near fine clean copy. First edition. With Essays by Lawrence Alloway among others. "Stuart has long been heralded as a true pioneer, known first for her nature-based art dating back to the late 1960’s and 1970’s, and one of the very few female practitioners of Land Art. In an expansive and illustrious career spanning five decades, her work seamlessly merges the fields of history, ecology and archaeology, reflecting intimate personal memory within the context of sweeping environmental and cultural events. She came of age as an artist in New York when both the feminist and environmental movements were being forged into the culture. For others, the ideals and core beliefs of these movements might have dissipated after first flush, but for Stuart the connection between humanity, the animal kingdom, our planet, and the greater spheres we revolve within, have only strengthened and solidified throughout the lifetime of her work."

Slagmarks Skyttegravsserie, 1996. 131 pp. Hft. Tidligere ejers navnemærke foran ellers ren. Godt eksemplar.

Forlaget Brilleuglen, 2021. 328 pp. Hft.

University of Oklahoma Press, 1968. XVI, 208 pages. Text in both Spanish and English. Fine clean copy. First edition, softcover.

London, Typographical Systems International TSI, 2011. Folio. Orig. wrappers (complete with obi). 52 p. Ills. Very good clean copy with only some minor shelfwear to cover. On Jan Tschichold Typographische Gestaltung, Frank Guille Geometrics and more. 

London: The Folio Society, 1979 (1782). Red clothed hardcover with richly gilt lettering and decor in the original pink slipcase. 399 pages. Very fine clean copy.

Thames & Hudson / D. A. P. 2014. Heavy hardcover. 256 pages. Illustrated. Fine copy. " the first book to explore the radical shifts that have taken place in the practice of curating contemporary art over the last twenty years. Tracing a history of the field through its most innovative shows, renowned curator Jens Hoffmann selects the fifty exhibitions that have most significantly shaped the practice of both artists and exhibition curators. The book's nine thematic sections focus on a huge variety of exhibitions, including those that have explored public space; reflected on globalization; engaged audiences in revolutionary ways; and brought into the gallery other disciplines such as theatre and architecture. Short texts introduce and place each exhibition in context, accompanied by installation photographs and factual data about the participating artists, venues, dates, curators and publications, and many feature quotations from the originating curators exploring the premise of the show. The book concludes with a roundtable discussion by some of today's leading curators".

Per Kofoed, 1993. 121 pp. Hft.

Copenhagen: SMK - 2013. 8vo in stapled wraps as issued. 30 pages. Text in English and Danish. Illustrated. Fine copy. 1. ed. "What are quirky salt and pepper shakers doing next to some of the main masterpieces of art history? Haim Steinbach is deeply interested in objects and how they are displayed. In this exhibition he challenged our perception of the art museum as an institution by showing important works of art side by side with small everyday objects. In his works Haim Steinbach arranges objects from all sorts of contexts on shelves and walls and in display units. In fact we all collect things and place them next to each other – on a windowsill, the kitchen worktop, or a bathroom shelf. On a previous occasion Steinbach has explained that he regards the act of collecting and displaying things as a fundamental human practice: With my work, the bottom line is that any time you set an object next to another object you´re involved in a communicative, social activity. Haim Steinbach includes works of art from different eras and genres in his exhibition, presenting them in a way that is completely different from the usual approach taken by museums, which typically display art in accordance with chronological, thematic, or monographic principles. By making a break with those principles Steinbach creates a whole new contex".

Forlaget Lundtofte, 2007. 96 sider. Hft. Rigt illustreret med fine fotografier af bl.a. Gorm Valentin i s/h. Pænt eksemplar. From Burroughs visit to Copenhagen 1983, richly illustrated with photographs by Gorm Valentin among others. First edition.

Louisiana Museum, 1997. Small 4to hardcover with protected dustjacket. 136 pages, illustrated richly. English text version. Only light edgewear to jacket else an attractive near fine / fine clean copy. First edition, hardcover. On Michael Asher, Chris Burden, Sam Francis, David Hockney, Dennis Hopper, Mike Kelley, Edward Kienholz, Paul McCarthy, Bruce Nauman, Raymond Pettibon, Edward Ruscha, Bill Viola, Christopher Williams, among others.