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San Francisco Museum of Modern Art and University of California Press, 2002. Tall large 4to in publishers hardcover, with jacket. 94 pages. Text in English. Richly illustrated. Fine copy. First edition.

Gyldendal, 2017. Hardcover. Upagineret. Nærmest som ny. 1. oplag. L’usage du mot (Brugen af ord) er en digtsamling, på mestendels engelsk, fransk og tysk.

Roskilde: Museum for Samtidskunst, 1991. 8vo. Mappe med folder og 6 originale postkort med værker af bl.a. Henning Christiansen og William Louis Soerensen. Folder er på 24 sider. Illustreret. Text på dansk. Illustreret. Komplet med 6 postkort. Folder med brugsspor, se billede. 1. ed.

Gyldendal, 1987. 179 pp. Hft.

New York: Harcourt Brace & Company / Starbright Foundation, 1998. Oversized heavy hardcover with glossy jacket and CD in pocket inside the backcover. 85 pages. Previous private owners bookplate (a Hans Christian Andersen motif) to inner cover front else clean and overall a clean and very good copy with only minimal shelfwear. First edition thus. Storytellers include Liam Neeson, Harrison Ford, Melissa Hart, Dan Akroyd, Calvin Klen, Jay Leno, Madonna, Robin Williams, Steven Spielberg, and twenty-three illustrators, such as Maurice Sendak, Fred Marcellino, Quentin Blake, and others. Due to size and weight foreign shipping will be extra and so please inquire before ordering this item.

London, Imago Publishing Co, 1949 (1940). Original blue cloth. 266 pp. Bleistiftsnotizen, sonst gutes Exemplar. Revision der Traumlehre -- Traum und Okkultismus -- Die Zerlegung der psychischen Persönlichkeit -- Angst und Triebleben -- Die Weiblichkeit -- Aufklärungen, Anwendungen, Orientierungen -- Über eine Weltanschauung.

Arena, 1977. 211 pp. Hft. Oversat af Peer Hultberg.

New York Da Capo Press, 1993. Tall 8vo in wraps. X, 182 pp. Fine clean copy First edition thus.

Denmark: Louisiana Museum of Modern Art, 2014. Stort format. Hardcover. 200 pp. Text på Dansk. Illustreret. Navn foran ellers pæn.

Gyldendal, 2011. 304 pp. Hft. 1ste danske udgave.

Høst & Søn, 1972. Original hardcover. Upagineret. Illustreret i s/h og farver. Godt eksemplar.

Frankfurt am Main: Vittorio Klostermann 1987 (1977). 8°. Hardcover, mit OU. XII, 436 Seiten. Name. Viele Anstreichungen mit Kugelschreiber.

Chronicle Books, San Francisco, 1984. Squarish 8vo in wraps as issued. 90 pages, richly color illustrated. Includes a conversation with Edward Ruscha. Near fine clean copy. First edition.

Antipyrine, 2018. 2018 pp. Hft. Rent eksemplar. Første udgave, 1. oplag.

New York: Harry Abrams 1999. Squarish 8vo in wraps as issued. 84 pages with 34 pages in Marden's Workbook, a 1987-88 travel sketchbook/visual diary. With an interview with the artist. 56 illus., 18 in full color, 38 duotone. Some shelfwear else fine and clean. 1st edition. This work presents fifty-two of Brice Marden's drawings ranging from his works in the 1960s in solid forms & muted tonalities through his later works ofcalligraphic imagery that culminates in his Cold Mountain series.

London: Vision Press Ltd., 1951. 8vo. Publishers hardcover with slightly worn but unclipped dustjacket. 89 pp. Illustrated with photographs, still from the movie. Very good copy. First edition. Da zdravstvuyet Meksika! is a film project begun in 1930 by Eisenstein (1898–1948) under contract to socialist author Upton Sinclair and other supporters in the United States. It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican Revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it Eisentein's "greatest film plan and his greatest personal tragedy". In the early 20th century, many intellectuals and artists associated with the European avant garde were fascinated by Latin America in general, and by Mexico in particular: for the French artist and leader of the Surrealist movement André Breton, for instance, Mexico was almost the incarnation of Surrealism. As film historian David Bordwell notes, "like many Leftists, Eisenstein was impressed that Mexico has created a socialist revolution in 1910". His fascination with the country dated back at least to 1921, when at the age of twenty-two "his artistic career started with a Mexican topic" as he put on a theatrical version of the Jack London story The Mexican in Moscow. Film scholar Inga Karetnikova details this production as a classic example of avant-garde aesthetics, an exercise in form rather than documentary realism; but "indirectly", she argues, "he did recreate the Mexican atmosphere". Above all, he saw in the Mexican revolution an instance of a "zealous idealism" that was also "close to Eisenstein, just as it was to the entire generation of Soviet avant-garde of the early 1920s". Some years later, in 1927, Eisenstein had the opportunity to meet the Mexican muralist Diego Rivera, who was visiting Moscow for the celebrations of the Russian revolution's tenth anniversary. Rivera had seen Eisenstein's film Battleship Potemkin, and praised it by comparing it to his own work as a painter in the service of the Mexican revolution; he also "spoke obsessively of the Mexican artistic heritage", describing the wonders of Ancient Aztec and Mayan art and architecture. The Russian director wrote that "the seed of interest in that country . . . nourished by the stories of Diego Rivera, when he visited the Soviet Union . . . grew into a burning desire to travel there". "It’s a really tragic film, because its ambitions were so great, it was spanning centuries of time, extraordinary resources were marshaled towards its production, and all we have is this ruin essentially, but it’s a glorious ruin." (Thomas Beard).

Arken Museum of Modern Art, 2015. 4to in stiff wraps as issued. 90 pp. Richly illustrated. Text in Danish. Fine copy. 1. edition.

Illustrationsforlaget, 1959. Original kartonbind med lærredsryg. (30) pp. Illustreret i farver. Småplettet i margin. Første udgave / First edition.

Forlaget KLIM 2018. To hardcover bind, det ene uden smudsomslag. 425, 448 sider. Godt sæt.

Chr. Erichsens Forlag, 1972 (1955). Hardcover med originalt omslag. 52 sider. Illustreret. Flot velbevaret eksemplar.

Gyldendal, 2017. Hardcover, med omslag i stort format. 360 sider, rigt illustreret. Pænt eksemplar med få brugsspor.

Hermann Luchterhand, Darmstadt 1960 (1956). Gebunden, mit OU, dieser verfärbt und mit kleine Risse am Rande. 118 S. Name auf Innendeckel. Insgesamt gut.

Carlsen, 2000. 76 sider. Original kartonbind. Illustreret i farver. Små brugsspor. Første oplag.

Simon & Schuster / Touchstone Paperback, 1986. Slim tall 8vo. 183 pages. Bilingual German-English. Light wear to lower corners else very good well preserved clean copy.

New York: Alfred A. Knopf, 1999. Original boards with dustjacket (hardcover). 482 pp. Some minor wear to edges and dustjacket with wear but intact and complete. First edition (stated). Brilliant cover design by Chip Kidd.