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Antikvariat Antiqua
ansA13141
Paris 1934-35. 33x23. X+118 pp. + 101 plates (numbered 1-90, 90bis, 91-100); + II+172 pp. + 126 plates. Ca 285 heliogravure reproductions on the 227 plates. Fine half cloth, original printed wrappers bound in. (Annales du Musée Guimet, Bibliotheque d'Art, Nouvelle Série, 4). Bibliographia Sirén 341 / 349. Yuan 1049-50. Scarce, complete two-volume set of the beautifully illustrated French edition of Sirén's history of Chinese painting from earliest times through Yuan. 1 - Des origines a l'epoque Song; 2 - L'epoque Song et L'époque Yuan.
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Antikvariat Antiqua
ansB11086
Paris, Massin, (1932). 32x42. XVI; + II pp. + 164 plates, 44 of which are folding (32 are double-size or larger), comprising ca 60 plates with elevations and house plans, 60 with elaborate perspective renderings, and 40 with town plans. Loose as issued in printed, cloth-backed portfolio with ties. Second edition of Garniers's extensive utopian design for an imaginary modern city, characterised by an emphasis on common property (including a large central building where 3000 citisens could meet together) and the rejection of police stations, law courts, jails or churches, all of which Garnier believed would be unnecessary under socialIsm. Architecturally, the scheme is a pioneering program for the use of reinforced concrete construction. In the decades between the first and the second edition, the Cité Industrielle ultimately influenced the architectural and townplanning philosophy of Le Corbusier and other members of the CIAM.
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Antikvariat Antiqua
ansG16198
Paris, Éditions des Commentaires, 1918. 18x13. II+62 pp. Fine quarter green morocco, printed wrappers bound in. Swedish artist Ragnar Hoppe's name on first page. Rare first edition of the first Purist manifesto (although provided with a wrapper designated "Troisième édition"). The Swiss-born artists Amedée Ozenfant and Charles Eduard Jeanneret (who would later adopt the name Le Corbusier) were the founders and early proponents of the Purist movement. realised particularly in painting and architecture, Purism championed traditional classicism with a formal focus on clean geometries and the machine aesthetic. In 1918 Ozenfant and Jeanneret published 'Aprés le Cubism' (After Cubism) in which their commentaries on the current condition of art take the form of a manifesto for postwar French painting, the chapter entitled 'The Laws' establishing the philosophical underpinnings of Purism.
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Antikvariat Antiqua
ansD17920
Shanghai, A.S. Watson & Co., (ca 1920). 28x22. Title leaf + 30 leaves, each with one tipped-in photogravure plate. Sewn with visible satin string in printed brown card covers with mounted photogravure plate. A fine copy kept in original board portfolio with clasps, front label with printed lettering "GREETINGS". Inner joints of portfolio neatly strengthened. One of the rarest of the albums of Chinese photographs by Donald Mennie. Most likely of Scottish origin, Mennie arrived in China in 1899 and worked initially for the firm Mactavish & Lehman & Co., one of the first Shanghaiese producers of picture post-cards, before moving to the likewise Shanghai-based company of A.S. Watson & Co. Mennie became a managing director of the firm and a leading entrepreneur in China in the 1920s and 30s, but he also had a passion for photography, and used his position in Watson's to get his photographs published. The 'Glimpses of China' album includes street scenes of Chinese people (reminiscent of the street-photography of the early Scottish photographic pioneer in the Far East, John Thomson) including a magistrate being carried in a palanquin, a basket fair, trinket stall and bird fanciers, and views of temples and pavilions, village houses, waterways with boats, bridges, the Imperial Road, the old Mutu Road, etc.
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Antikvariat Antiqua
ansB17086
Stockholm, Pet. Momma, 1755-56. 25x20. Vol. 1: Graverat titelblad "BYGGNINGS KONSTEN" + IV+18 s. + 25 utvikbara graverade planscher + en utvikbar tabell; + supplement (Om Mur- och Tak-Tegelbruks Fördelaktiga inrättande med Nödiga Ritningar på Lerbråkor, Lador och Ugnar, m.m.): 32 s. + 3 utvikbara graverade planscher numrerade 25 A,B,C. Vol. 2: X (titel, dedikation och förord) + 42 s. + 26 utvikbara graverade planscher numrerade 26-51 + en utvikbar tabell. Bundna i ett samtida skinnband med ryggdekor, bakre pärmen något nött och övre ryggkapitäl något skadat. Små fläckar på några textblad, planscherna i fint skick med breda marginaler och överlag i skarpa, kraftfulla avdrag. Den fyrasidiga dedikationen bunden i början av första delen. Första upplagan av Wijnblads viktigaste och mest omfattande publikation. Detta exemplar innehåller det omfattande bihanget om Mur- och Taktegelbruk men inte de två andra, smärre bihangen.
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Antikvariat Antiqua
ansB7372
Stockholm, Pet. Momma, 1755-56. 23x19. Vol. 1: Graverat titelblad "BYGGNINGS KONSTEN" + IV+18 s. + 25 utvikbara graverade planscher + en utvikbar tabell; + supplement (Om Mur- och Tak-Tegelbruks Fördelaktiga inrättande med Nödiga Ritningar på Lerbråkor, Lador och Ugnar, m.m.): 32 s. + 3 utvikbara graverade planscher numrerade 25 A,B,C. Vol. 2: X (titel, dedikation och förord) + 42 s. + 26 utvikbara graverade planscher numrerade 26-51 + en utvikbar tabell; + bihang: 4 s. + utvikbar plansch no. 52; + bihang: 4 s. + utvikbara planscher no. 53 and 54. Bundna i en volym, ett fint halvskinnband från början av 1900-talet (Gust. Hedberg) med rikt förgylld rygg. Wijnblads viktigaste och mest omfattande publikation, båda delarna i första upplagan, med tre bihang. // First edition of this influential work with engraved architectural drawings and plans of 150 houses intended mainly for the nobility and gentry, and a number of pavilions, etc. Including a mass of practical advice, it served as a text-book and pattern book for master builders and masons, while bringing to a wider public the Nordic-Classic ideals of Tessin and Hårleman.
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Antikvariat Antiqua
ansB17176
Berlin 1905-22. 35x25. A total of XXXVI pp. + 6484 pages with 12768 columns (including 902 pages with Statistiche Nachweisungen) + 794 pp. Drawings, plans and photos throughout the text. Together with: ATLAS ZUR ZEITSCHRIFT FÜR BAUWESEN. Vols. 61, 1911 - 70, 1920. A total of 40 pp. + 528 plates (51 folding) with ca 320 heliogravure photos, 650 elevations, sections and building plans, 215 drawings of doors, portals, windows and building details, and 1500 site plans, maps, construction drawings, diagrams, etc. Uniformly bound in 27 brown cloth volumes. One text leaf (columns 405-8) missing in volume 67, one leaf in the same volume torn in lower corner with some loss of text. Stamps and labels of Stockholm Town Building / Harbour Office. Leather title labels on spines worn, otherwise a very good set.
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Antikvariat Antiqua
ansC22436
Paris 1960. 56x38. 4 pp. printed on newsprint paper. Illustrated with three photos, two drawings, and a graphic rendering entitled "L'Espace, lui-même". Folded once across, as it was distributed. A well-preserved copy of this rare publication. The famous faux newspaper produced by Yves Klein in conjunction with the Festival d'Art d'Avant-garde in Paris. On November 27, 1960, the image of Yves Klein's "leap into the void" appeared on the front page of 'Dimanche - Le journal d'un seul jour'. It was sold at newsstands around the city (and often appeared side by side with the real French newspaper 'Le journal du Dimanche') as well as being handed out at a press conference held by Klein at the Galerie Rive Droite at 11.00 am on the same day. 'Dimanche' consists of texts and illustrations by Klein, including his pioneering manifesto "Theatre du Vide" (Theatre of the Void) prefiguring a number of scores of a kind that would later come to be known as happenings, but it is arguably most famous for the photo montage on the front page, captioned 'Un homme dans l'espace! Le peintre de l'espace se jette dans le vide!', showing the artist leaping from his art dealer's second-story window into the void.
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Antikvariat Antiqua
ansM4635
Stockholm 1997. 30x24. 184; + 128 pp. Ca 550 reproductions of sketches & drawings and photos, 250 in colour. Publisher's attractive pictorial boards, kept in a quarter cloth slipcase. Excellent pictorial documentation of Lewerentz's works, with an essay by Wilfried Wang. 1: Photographs of the work. 2: Drawings.
Antikvariat Antiqua
ansD24979
Düsseldorf, Schwann, 1888-1913. 28x20. An average of ca 200 pages, plus a total of 288 plates (including 22 folding and six coloured), in vols. 1-14 supplied with guard-tissues. Numerous illustrations throughout the text. Uniformly bound in publisher's half black leather, spines with gilt lettering and ornamentation. Lacks two plates (14:3, 15:1/2), otherwise complete. Volume 10 includes a 50-page General Index to the ten first volumes. An attractive set, with the library stamps of the renowned Swedish art scholar Johnny Roosval, arguably best known for his studies of mediaeval ecclesiastical art and architecture.
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Antikvariat Antiqua
ansG18327
Parmae, Ex Regio Topographeo, 1786. 31x22. VIII+136 pp. + engraved frontispiece. A very nice copy, untrimmed in contemporary half maroon calf, spine with gilt borders and title; exterior lightly worn and inner hinges slightly weakened, contents in excellent condition. An attractive Bodini imprint of the 'Characters' of Aristotle's pupil Theophrastus edited by Amaduzzi; beautifully printed by "Iohanni Bapt. Bodonio Typographo Caroli III Hisp. Regis, et Praesidi Typogr. Regiae Parmensis".
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Antikvariat Antiqua
ansB1760
Berlin 1825(-29). 39x29. 6 pp. + 24 engraved plates with ca 100 elevations, plans, perspectives, and other drawings. Contemporary half cloth with printed title label on front cover: "Neues Ideen-Magazin zur Verschönerung der Gärten". Extremities slightly rubbed and the yellow covers slightly stained, text leaves foxed and some minor foxing in margins of plates not affecting the engravings. Rare, attractive publication with designs for grandiose garden buildings and pavilions as well as bridges, fountains, pergolas, pleasure-boats, furniture, etc. Berlin cat. 3384.
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Antikvariat Antiqua
ansD15158
London ... Oxford University Press, 1940. 39x30. XVI+280 pp. + 57 plates: 48 plates with reproductions of paintings, ten folding, five coloured (including two folding); 5 plates with reproductions of calligraphy; and 3 plates with 115 photos of seals. Publisher's green cloth with gilt chinese characters on cover. A fine copy with some light wear to extremities of the binding. Very scarce. A sumptuously produced study and catalogue of Ada Small Moore's remarkable collection of Chinese paintings, prepared by the renowned scholar who most likely had served as Mrs. Moore's curator of Chinese art. Includes biographical notes, translations and index of the Seals, bibliography, index of names in Chinese characters, and indices of proper names and miscellaneous subjects.
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Antikvariat Antiqua
ansB10967
Hannover, Apossverlag, 1925. 24x15. 32 pp. 20 perspective renderings, and 11 plans etc. Pictorial wrappers. This rare, pioneering book on modern city architecture by the former member of the Arbeitsrat für Kunst and the Novembergruppe, was the only publication on architecture to emanate from Kurt Schwitters' Apossverlag. Schwitters issued it again in 1926, then designating it no. 18/19 of Merz (in at least two versions, one with the Merz statement printed on the cover, and one with Merz stickers pasted on). The present issue is the first edition, prior to the Merz publication.
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Antikvariat Antiqua
ansB17131
(Stuttgart, Hoffmann) but impressum cancelled with labels reading Berlin, Kanter & Mohr 1902-05. 37x30. IV + VIII; +VI+98; VI+142 pp. + 96 plates in each volume, i.e. a total of 384 plates. In the text of vols. 3 and 4 there are ca 230 photos, 135 plans, and 130 elevations, perspectives etc. Loose as issued in printed half cloth portfolios. A very fine set although volume 1 lacks plates no. 22 and 79. The first four volumes of these beautiful collections of plates with renderings, most of them coloured, of modern architecture and interiors. The first two volumes contained plates only and were published with subtitle "Eine Sammlung von Details, Interieurs und Façaden für Architekten und Bauhandwerker", in the following volumes the plates are preceded by extensive illustrated text. Among the architects featured on the colour plates are Charles Robert Ashbee, Leopold Bauer, René Beauclair, Hermann Billing, Guy Dawber, Wunibald Deininger, Maurice Dufrène, Martin Dülfer, Albert Eitel, Gesellius-Lindgren-Saarinen, Alfred Grenander, Emil Hoppe, Friedrich Wilhelm Jochem, Marcel Kammerer, Wilhelm Kreis, Alphonse Laverrière, Bruno Möhring, Eliel Saarinen, Henri Sauvage & Charles Sarrazin, Jan Stuyt, Bruno Taut, C.F.A. Voysey, George Walton, and Edgar Wood. The text includes articles on Voysey, A.N. Prentice, Grenander, Jan Stuyt, Fritz Schumacher, and the Gartenbau-Austellung in Darmstadt 1905, the highlight of wich was the Colour Gardens with pavilions designed by Joseph Olbrich.
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Antikvariat Antiqua
ansB5276
Leningrad 1931. 30x21. 102 pp. + 46 plates with 144 perspective renderings (6 full-page in colour). 134 designs in the text. Publisher's printed boards; some rubbing, chipping and repairs; interior very fine. Senkevich 207. Second edition of Chernikhov's first major work, the 'Fundamentals of Contemporary Architecture' first published in 1929. Chernikhov's message is based upon a profound, singular rethinking of central architectural concepts. The 'rythms of repetition' characterizing classical architecture must be replaced in 20th-century architecture by a 'rythm of relationships'. In its fullest implications, this would be the vital factor of the architectural revolution. "In its publication, 'Fundamentals' was extremely timely, appearing as it did when investigations toward a new style had essentially only just begun /.../ It served not only as a declaration about the proper path; it was also a textbook for achieving it" (Cooke 1983: p. 69). Senkevitch 207.
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Antikvariat Antiqua
ansG5311
Leipzig, Baumgärtner, 1836-(1843). 26x22. 172 engraved plates (3 of which are folding) with ca 1000 measured drawings. Half cloth (extremities of marbled boards rubbed), printed front wrapper of first fascicle bound in. A rare, comprehensive collection of meticulous furniture designs, covering many varieties of pieces, largely in Neoclassicist styles. The collection first appeared in 29 fascicles (the German Catalogue of Books announced a fascicle number 30 to contain 6 plates - not present in this set nor in the copy listed in the Ornamentstichsammlung Berlin).
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Antikvariat Antiqua
ansD23671
Paris, Bernheim-Jeune, 1968. 27x22. 500 pp. + 22 tipped-in colour plates. 602 black and white reproductions, plus six photos of signatures. Publisher's cloth, dust jacket, a fine copy. Edition limited to 1000 copies.
Antikvariat Antiqua
ansD22628
Wien: Schroll & Lepizig: Hiersemann 1926-28. 59x45. 24; + 44 pp. + a total of 120 collotype plates (67 in colour, and seven folding), each with one leaf with descriptive text (or caption on 23 plates that show parts and details of carpets only). On sixteen text leaves there is a drawing facing the plate. Publisher's gilt-lettered cloth, top edges slightly darkened. Enay / Azadi 517. A fine set of this magnificent imperial folio publication produced by two highly regarded authorities of Islamic art. The first volume, unique in the quality of its of reproductions, contains only carpets in the world-renowned collection of the Österreichisches Museum in Vienna, while volume II is dedicated to important carpets in the "rest of the world" including prominent private collections.
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