Sökresultat

Bonniers Bøger / Lindhardt & Ringhof, 1991. Indbundet i det originale helshirt (hardcover). 320 pp. Rigt illustreret. Pæn og ren.

Copenhagen: Arnold Busck, 1986. Original blue glossy hardcover boards. 108 pp. + plates (a illustrated (handdrawn) catalogue of Per Lütken's production, unicas etc. from 1942 to 1986). Text in Danish. Spine sunned else fine clean copy. First edition.

Aarhus Universitet / Studenterforeningen, 1961. Slim 4to in wraps as issued. (28) pp. Illustrated b/w. Fine copy. 1. ed. Inklusiv Eugene Ionesco's tekst om Robert Jacobsen og et situationistisk "Manifest" , en version af Situationist Manifesto som den fremgik af Internationale Situationniste No. 4 fra 1960.

Occasional Papers, 2012. Tall 4to in glossy black wraps as issued. 304 pages, illustrated bw. Light edgwear to cover else fine clean copy.  1st ed. The first anthology of its kind, Graphic Design: History in the Writing (1983–2011) comprises the most influential texts about graphic design history published in English. Edited by a graphic design theorist and a practicing graphic designer, the book chronicles the development of the emerging field of graphic design history from 1983 to 2011, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. Graphic Design: History in the Writing is a long-overdue sourcebook for students, teachers, curators and anyone else interested in the past and future of a field in rapid development. With texts by Jeremy Aynsley, Steve Baker, Andrew Blauvelt, Piers Carey, François Chastanet, Wen Huei Chou, Denise Gonzales Crisp, Brian Donnelly, Johanna Drucker, Steven Heller, Richard Hollis, Robin Kinross, Ellen Lupton, Victor Margolin, Ellen Mazur Thomson, Philip B. Meggs, Gérard Mermoz, Abbott Miller, Rick Poynor, Martha Scotford, Catherine de Smet, Teal Triggs, Massimo Vignelli and Bridget Wilkins.

Karma, 2012. Large 4to softcover with dustjacket as issued, 96 pages, 72 color images. Fine with only most minimal shelfwear. 1st edition. - Awarded "The Most Beautiful Swiss Book" 2012. - Drawings is a collection of digital drawings created between 2008 and early 2012 by the young Swiss artist Tobias Madison. The works are based on the gestural application of software chains of command. Madison uses this formal language as work material for exhibitions, textile applications and performances. A love-hate relationship with abstraction, emptied design codes of the past decades, as well as fragments and ruins of the digital culture are interwoven into the iconography of the images. Influenced by the fast, almost spastic transition into the digital culture, Madison continually questions authorship, medium and distribution. Without ever lapsing into the prevalent cultural pessimism, Madison, in his maximum aesthetic, articulates a biting commentary on the present.

London: RidingHouse, 2014. 4to. Publishers hardcover, no jackjet as issued. 432 pages, illustrated throughout. Only minimal edgewear. Clean and overall a near fine to fine copy. First edition. - Published on the occasion of "Rose English: The Eros of Understanding". Edited by Martha Fleming and Doro Globus; text by Guy Brett, scripts by Rose English, and interviews by Anne-Louise Rentell. Rose English emerged from the Conceptual art, dance and feminist scenes of 1970s Britain to become one of the most influential performance artists working today. Her uniquely interdisciplinary work combines elements of theatre, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence. English has mounted performances in ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York; and collaborated with horses, magicians and acrobats. This comprehensive monograph documents English’s 40-year career to date, including legendary site-specific performances and large-scale spectaculars. Accompanying many rare archival photographs and performance scripts, a major essay by Guy Brett surveys the artist’s work and times alongside interviews with two of English's closest collaborators, Sally Potter and Simon Vincenzi.

Hundige, Denmark, Portalen, 1995. 88 pp. Illustrated throughout. 1. edition. Including original inserted SUPERFLEX 3,5-inch floppy disk in pocket at end!

New York: Grove Press, 1968. Publishers hardcover with unclipped jacket. 150 pages. Clean fine copy in a near fine or fine and protected dustjacket. First printing (stated) of the 1st edition.

New York: The Solomon R. Guggenheim Foundation, 1984. Oblong 8vo in wraps, as issued. 88 pp.; Approx. 50 plates, mostly bw. Accompanied a 1984 exhibition; Includes a statement by the artist, as well as an interview with him by Linda Shearer, on the artists career long fascination with abstract architecture - the totality of which insley termed the opaque civilization.  1. ed. Will Insley (1929-2011) was an American painter, architect, and planner of utopian urban models, geometric abstraction paintings. A chapter is dedicated to Insley in the reference publication, “The New American Abstraction 1950-1970” by Claudine Humblet.

University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Near fine clean copy.

La Casa Encendida, 2008. Landscape format. 152 pages, finely printed and richly illustrated. Light wear to corners else clean. Includes a large very beautiful fold-out poster titled "A Vicious Undertow."

San Francisco: Dave Haselwood Books and City Lights, 1974 (1970). 210 pp. With illustrations. Paperback. Name to half title else clean and overall an attractive well preserved copy. Third printing. "travel diary by American poet Allen Ginsberg, first published by Dave Haselwood Books and City Lights Books in 1970.The journal is a collection of recollections, reflections, photographs, sketches, poems and associative ephemera from Ginsberg's journey in India with partner Peter Orlovsky between 1962 and 1963".

Espoo: Emma / Palace Editions, 2006. Small 4to hardcover as issued. 149 pages. Richly color illustrated, Well-documented exhibition catalogue. Bilingual publication (Finnish - English). Fine clean copy. First edition.

Edition After Hand, 1973. (28) pages printed on black paper with4 statements by the artist are printed recto in gray (one per page), on the back of both covers are applied two small envelopes containing 6 stickers (3/3) with the words "afsender" and "modtager" ( = sender and recipient in Danish language). Handmade edition, in a limited numbers of copies, signed and dated by the artist on the back cover. Cover discolored with some foxing. The envelopes are both unopened. First edition. Very rare concrete poetry item.

Dia Art Foundation & Yvon Lambert, 2006. Oblong 4to in wraps as issued. 76 pp. Illustrated in color. Fine clean copy. First edition. The Shape, the Scent, the Feel of Things was a performance by Joan Jonas, which responds to German art historian Aby Warburg’s essay about his visit to the American Southwest 1896 first staged 2005 / 2006 and here in bookform for the first time.

Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY, 2001. 4to in wraps as issued. 46 pages, illustrations from Morris' drawings. Very good clean copy. First edition.

Dia Art Foundation, New York, 2004. Small 8vo in wraps as issued. 220 pp., illus., bib. notes. Light edgewear else fine clean copy. The second in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Fred Sandback, Richard Serra, Jessica Stockholder, Dan Flavin et al.

Copenhague, Henriksen+Henriksen, December 1962. Original square illustrated wrappers, 228x210mm. 36 pp. Illustrated with photographs printed b/w and orange. Some edgewear to cover else very good clean copy. First edition. Text by Erik Møller, photos de Jesper Høm and Ole Wanscher, graphic design by Jacobsen+Johansen.

Gads Forlag, 2017. Hardcover. 299 sider. Rigt illustreret. Pænt eksemplar.

London: Phaidon Contemporary Artists Series 2003 (1999). Large 4to in wraps as issued. 30 x 26cm, 140pp, b&w and colour illustrations. Fine clean copy.

Arena, 1957. 129 pp. Original hæftet omslag. Omslag lidt slidt. 1ste udgave, første oplag. Hovedværk i dansk litteratur, een af de vigtigste danske romaner i det tyvende århundrede.

Charlottenborg, 1993. 4to. Original hardcover hellærred med smudsomslag. 259 sider. Rigt illustreret i s/h og farver. Pænt rent eksemplar.

St. Paul, MN: Little Brown Mushroom, 2011. Small 8vo in stapled wraps as issued 5 1/2 x 8 1/2 inches. pp. [4], 5-60, [4]. Minor exterior fading. Very good copy. In acid-free archival plastic bag. 1st edition (not signed). Alec Soth's photo stories, with staged and found photography. Includes story by Jindrich Styrsk.

New York: Farrar, Straus and Giroux / MCD, 2022. Publishers hardcover, w jacket. XVI, 458 (2) pp. Fine clean copy. First edition, 3rd print. Not only a love letter to Dilla, but also a riveting immersion into the music of Detroit and the art of beatmaking -: "Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, and when he died at age thirty-two, he had never had a pop hit. Yet since his death, J Dilla has become a demigod, revered as one of the most important musical figures of the past hundred years. At the core of this adulation is innovation: as the producer behind some of the most influential rap and R&B acts of his day, Dilla created a new kind of musical time-feel, an accomplishment on a par with the revolutions wrought by Louis Armstrong and James Brown. Dilla and his drum machine reinvented the way musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted Detroit childhood to his rise as a sought-after hip-hop producer to the rare blood disease that caused his premature death. He follows the people who kept Dilla and his ideas alive. And he rewinds the histories of American rhythms: from the birth of Motown soul to funk, techno, and disco. Here, music is a story of what happens when human and machine times are synthesized into something new. This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and "see" the rhythm of Dilla's beats, Dilla Time is a book as defining and unique as J Dilla's music itself."

Generalitat Valenciana, Valencia. Exhibition Catalogue. IVAM Centre del Carme 2.2.-23.4.1995. 4to in wraps as issued. 180 pages, illustrated, with text in Spanish and English translation at end. Very good clean copy. 1. edition. - Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction. Meireles work shares a starting point with the works of Hélio Oiticica and Lygia Clark, artists that introduced him to the Brazilian Neo-Concrete movement. These artists, as well as Meireles, were all concerned with blurring the boundary between what is art and what is life, and responding to current political situations within their pieces