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Hagerup, 1941. 406 pp. Uncut in the original wraps as issued. Clean and very well preserved. Very scarce, especially in such fine state.

London: RidingHouse, 2014. 4to. Publishers hardcover, no jackjet as issued. 432 pages, illustrated throughout. Only minimal edgewear. Clean and overall a near fine to fine copy. First edition. - Published on the occasion of "Rose English: The Eros of Understanding". Edited by Martha Fleming and Doro Globus; text by Guy Brett, scripts by Rose English, and interviews by Anne-Louise Rentell. Rose English emerged from the Conceptual art, dance and feminist scenes of 1970s Britain to become one of the most influential performance artists working today. Her uniquely interdisciplinary work combines elements of theatre, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence. English has mounted performances in ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York; and collaborated with horses, magicians and acrobats. This comprehensive monograph documents English’s 40-year career to date, including legendary site-specific performances and large-scale spectaculars. Accompanying many rare archival photographs and performance scripts, a major essay by Guy Brett surveys the artist’s work and times alongside interviews with two of English's closest collaborators, Sally Potter and Simon Vincenzi.

Hundige, Denmark, Portalen, 1995. 88 pp. Illustrated throughout. 1. edition. Including original inserted SUPERFLEX 3,5-inch floppy disk in pocket at end!

Salzburg: Residenz Verlag, 1996. Squarish 4to in wraps as issued. 179 pages, richly illustrated, partly in color. Very good copy. First German language edition. Einführung von Kenneth Frampton. Baubeschreibungen von Joseph Rosa. PLEASE NOTE: EXTRA SHIPPING for this extra large and very heavy item. Please inquire before ordering this item!

St. Paul, MN: Little Brown Mushroom, 2011. Small 8vo in stapled wraps as issued 5 1/2 x 8 1/2 inches. pp. [4], 5-60, [4]. Minor exterior fading. Very good copy. In acid-free archival plastic bag. 1st edition (not signed). Alec Soth's photo stories, with staged and found photography. Includes story by Jindrich Styrsk.

New York: Farrar, Straus and Giroux / MCD, 2022. Publishers hardcover, w jacket. XVI, 458 (2) pp. Fine clean copy. First edition, 3rd print. Not only a love letter to Dilla, but also a riveting immersion into the music of Detroit and the art of beatmaking -: "Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, and when he died at age thirty-two, he had never had a pop hit. Yet since his death, J Dilla has become a demigod, revered as one of the most important musical figures of the past hundred years. At the core of this adulation is innovation: as the producer behind some of the most influential rap and R&B acts of his day, Dilla created a new kind of musical time-feel, an accomplishment on a par with the revolutions wrought by Louis Armstrong and James Brown. Dilla and his drum machine reinvented the way musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted Detroit childhood to his rise as a sought-after hip-hop producer to the rare blood disease that caused his premature death. He follows the people who kept Dilla and his ideas alive. And he rewinds the histories of American rhythms: from the birth of Motown soul to funk, techno, and disco. Here, music is a story of what happens when human and machine times are synthesized into something new. This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and "see" the rhythm of Dilla's beats, Dilla Time is a book as defining and unique as J Dilla's music itself."

New York: Grove Press, 1968. Publishers hardcover with unclipped jacket. 150 pages. Clean fine copy in a near fine or fine and protected dustjacket. First printing (stated) of the 1st edition.

London, J. M. Dent, 1959 (1954). Original full cloth with priceclipped dustjacket. IX, 101 pp. Clean copy. Overall near fine attractive copy. Complete with Brian Rees jacket well preserved and protected.

Dia Art Foundation & Yvon Lambert, 2006. Oblong 4to in wraps as issued. 76 pp. Illustrated in color. Fine clean copy. First edition. The Shape, the Scent, the Feel of Things was a performance by Joan Jonas, which responds to German art historian Aby Warburg’s essay about his visit to the American Southwest 1896 first staged 2005 / 2006 and here in bookform for the first time.

Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY, 2001. 4to in wraps as issued. 46 pages, illustrations from Morris' drawings. Very good clean copy. First edition.

Edition After Hand, 1973. (28) pages printed on black paper with4 statements by the artist are printed recto in gray (one per page), on the back of both covers are applied two small envelopes containing 6 stickers (3/3) with the words "afsender" and "modtager" ( = sender and recipient in Danish language). Handmade edition, in a limited numbers of copies, signed and dated by the artist on the back cover. Cover discolored with some foxing. The envelopes are both unopened. First edition. Very rare concrete poetry item.

New York: Pantheon Books, 1979. Large 4to in original slightly worn but now protected jacket with $6.95 flap price. Unpaginated. Illustrated throughout. Discoloration and a little soiling to jacket else overall a good copy. 1st US edition, First Printing with complete number line.

La Casa Encendida, 2008. Landscape format. 152 pages, finely printed and richly illustrated. Light wear to corners else clean. Includes a large very beautiful fold-out poster titled "A Vicious Undertow."

San Francisco: Dave Haselwood Books and City Lights, 1974 (1970). 210 pp. With illustrations. Paperback. Name to half title else clean and overall an attractive well preserved copy. Third printing. "travel diary by American poet Allen Ginsberg, first published by Dave Haselwood Books and City Lights Books in 1970.The journal is a collection of recollections, reflections, photographs, sketches, poems and associative ephemera from Ginsberg's journey in India with partner Peter Orlovsky between 1962 and 1963".

Espoo: Emma / Palace Editions, 2006. Small 4to hardcover as issued. 149 pages. Richly color illustrated, Well-documented exhibition catalogue. Bilingual publication (Finnish - English). Fine clean copy. First edition.

University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Near fine clean copy.

Generalitat Valenciana, Valencia. Exhibition Catalogue. IVAM Centre del Carme 2.2.-23.4.1995. 4to in wraps as issued. 180 pages, illustrated, with text in Spanish and English translation at end. Very good clean copy. 1. edition. - Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction. Meireles work shares a starting point with the works of Hélio Oiticica and Lygia Clark, artists that introduced him to the Brazilian Neo-Concrete movement. These artists, as well as Meireles, were all concerned with blurring the boundary between what is art and what is life, and responding to current political situations within their pieces

Dia Art Foundation, New York, 2004. Small 8vo in wraps as issued. 220 pp., illus., bib. notes. Light edgewear else fine clean copy. The second in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Fred Sandback, Richard Serra, Jessica Stockholder, Dan Flavin et al.

Vienna & Berlin: Secession and Konig 2007. 8vo. Wraps as issued. 192 pages Illustrated. French/english/german text. Fine copy / as new. 1. edition. Texts by R. Gassner, J. Haaning, S. Heuseler, P. Pilgaard Johnsen, L. Bang Larsen, M. Mortensen, A. Ring Petersen, T. Ross, K. Nyland Sørensen, J. Staun and C. Stockmann.

Copenhague, Henriksen+Henriksen, December 1962. Original square illustrated wrappers, 228x210mm. 36 pp. Illustrated with photographs printed b/w and orange. Some edgewear to cover else very good clean copy. First edition. Text by Erik Møller, photos de Jesper Høm and Ole Wanscher, graphic design by Jacobsen+Johansen.

Arena, 1957. 129 pp. Original hæftet omslag. Omslag lidt slidt. 1ste udgave, første oplag. Hovedværk i dansk litteratur, een af de vigtigste danske romaner i det tyvende århundrede.

Da Capo Press, 2017 (2016). Publishers hardcover, w jacket. XIV, 412 pages. Fine clean copy. The gripping story of the rise of early drug culture in America, from the author of the acclaimed Can't Find My Way Home. With an intricate storyline that unites engaging characters and themes and reads like a novel, Bop Apocalypse details the rise of early drug culture in America by weaving together the disparate elements that formed this new and revolutionary segment of the American social fabric. Drawing upon his rich decades of writing experience, master storyteller Martin Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, Mezz Mezzrow, Harry Anslinger and the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Reefer Madness, Charlie Parker, the birth of bebop, the rise of the Beat Generation, and the coming of heroin to Harlem. Aficionados of jazz, the Beats, counterculture, and drug history will all find much to enjoy here, with a cast of characters that includes vivid and memorable depictions of Billie Holiday, Miles Davis, John Coltrane, Jackie McLean, Allen Ginsberg, William S. Borroughs, Jack Kerouac, Herbert Huncke, Terry Southern, and countless others. Bop Apocalypse is also a living history that teaches us much about the conflicts and questions surrounding drugs today, casting many contemporary issues in a new light by connecting them back to the events of this transformative era. At a time when marijuana legalization is rapidly becoming a reality, it takes us back to the advent of marijuana prohibition, when the templates of modern drug law, policy, and culture were first established, along with the concomitant racial stereotypes. As a new opioid epidemic sweeps through white working- and middle-class communities, it brings us back to when heroin first arrived on the streets of Harlem in the 1940s. And as we debate and grapple with the gross racial disparities of mass incarceration, it puts into sharp and provocative focus the racism at the very roots of our drug war. Having spent a lifetime at the nexus of drugs and music, Torgoff reveals material never before disclosed and offers new insights, crafting and contextualizing Bop Apocalypse into a truly novel contribution to our understanding of jazz, race, literature, drug culture, and American social and cultural history.

Cambridge: The MIT Press, 2005 (2003). Softcover. XIV, 410 pp. Illustrated. Fine copy. .

Dusseldorf: Kunsthalle, 1975. Large squarish 4to in wraps as issued. 93 pages. Richly color illustrated. Text in German. Only light wear to corners else overall a fine very well preserved an clean copy, complete with the two inserts. First edition. Book designed by Lohse himself together with John Matheson. Richard Paul Lohse was a Swiss painter and graphic artist and his work on modular and serial orders (color theory) makes him one of the founders of systematic-constructive art in the 20th century. Includes detailed biographical notes, publications, individual exhibitions, etc. / Edition originale, avec 2 suppléments hors texte.

Roskilde Universitets Forlag, 2002. 423 sider. Heftet. Dansk udgave af "Orientalism".