Sökresultat

Forlaget Rosinante, 2020. 174 pp. Hft. Mindre brugsspor.

Denmark: Louisiana Museum of Modern Art, 1992. Small quarto in tiff wrappers. 54 pp. Illustrated richly in color. Texts in both Danish and English. Fine. 1. ed.

London & New York: Verso Books, 2003 (2002). Paperback. XV, 176 pp. With illustrations. Some wear to cover, else good clean copy.

Vintage Paperback, 2023. 232 pp. Very good clean copy.

Holte, 2000. Tvær8vo. Original kartonbind. 48 pp. Illustreret i farver. Med tekst af bl.a. Per Kirkeby. Book design by Michael Jensen. First edition.

Penguin Paperback, 1984. XVI, 396 pp. The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers. " (...)a sociologist's dream: a time capsule of ideas and idioms, brand names and places, cult heroes and calling cards." -Ellen Wilson, The Wall Street Journal.

Samlerens Paperbacks, 1991. 497 pp. Hft.

Blackwell Paperback, 1986. VII, 327 pp. Wear to cover. Name.

Gyldendal, 1949. 131 pp. Hft. Anden reviderede udgave. Heri bl.a. 'Sangen om migselv'. Pænt eksemplar.

New York Paris Frederiksberg, 1995. 8vo. 40 pp. Hft. Illustreret. Text in both French and English. Near fine / fine copy.

Paris: Editions Jacques Melot 1946. 8vo. broché. 165 Couverture en état d'usage( 'scotchée). Presumably the first edition. Rather worn to covers and enforced with scotch (see photo). Uncut and inside clean. Overall acceptable and suited for rebinding. L’intelligence d’une machine was published in January 1946, after more than a tenyear hiatus due to the war, when Epstein had to go in hiding. While the topic reflected in the title of the book had been a constant preoccupation throughout Epstein's previous writings, this text pursues in depth topics that will remain central to all his later publications. He here approaches cinema as a philosophy of time and space more consistently than before, and methodically construes arguments in the field of physics, mechanics, and thermodynamics. Quote from The Philosophy of the Cinematograph: "Cinema is one of these intellectual robots, still partial, that fleshes out representations – that is to say, a thought – through photo-electrical mechanics and a photo-chemical inscription. One can here recognize the primordial frameworks of reason, the three Kantian categories of space, duration, and causality. This result would already be remarkable if cinematographic thought only did what the calculating machine does, to constitute itself in the servile imitation of human ideation. But we know that the cinematograph, on the contrary, marks its representation of the universe with its own qualities, with an originality that makes this representation not a reflection or a simple copy with conceptions, of an organic mentality-mother, but rather a system that is individualized differently, partly independently, which contains the incitements for a philosophy so far from common opinions, the doxa, that one should perhaps call it an anti-philosophy." (transl. by Trond Lundemo).

Det lille Forlag, 2002 (1998 / 1791). 166 pp. Hft. Mindre brugsspor. Pænt eksemplar.

New York: The Solomon R. Guggenheim Museum, 1982. In wraps as issued. 98 pp. Near fine copy with only minor shelf wear.

Gutkind, 2023. Hardcover. 64 pp. Pænt eksemplar.

Princeton Architectural Press, 2005. Large 8vo in wraps as issued. 200 pages, richly color illustrated. Fine clean copy.

Arena, 1980. 142 pp. Hft. Fint, uåbnet eksemplar. Originaludgave.

Nordjyllands Kunstmuseum, 2003. 4to i original heftet omslag. 106 pp. Hft. Rigt illustreret i farver. Omslag med lidt brugsspor.

Penguin / Viking, 2012. Hardcover w jacket. X, 351 pp. Light shelfwear to jacket else clean and unread copy. The diary as Anne Frank wrote it. At last, in a new translation, this definitive edition contains entries about Anne's burgeoning sexuality and confrontations with her mother that were cut from previous editions. Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been a beloved and deeply admired monument to the indestructible nature of the human spirit, read by millions of people and translated into more than fifty-five languages. Doubleday, which published the first English translation of the diary in 1952, now offers a new translation that captures Anne's youthful spirit and restores the original material omitted by Anne's father, Otto--approximately thirty percent of the diary. The elder Frank excised details about Anne's emerging sexuality, and about the often-stormy relations between Anne and her mother. Anne Frank and her family, fleeing the horrors of Nazi occupation forces, hid in the back of an Amsterdam office building for two years. This is Anne's record of that time. She was thirteen when the family went into the "Secret Annex," and in these pages, she grows to be a young woman and proves to be an insightful observer of human nature as well.

Hans Reitzel, 1985. 237 sider. Hft.

Vintage Paperback, 2014. XXX, 398 pp. Name. Cover worn (see photo).

Bristol: Arnolfini Gallery Ltd, 2002. 8vo in wraps as issued. 160 p. Colour & b&w illustrations. Fine clean copy. 1. ed. "Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists."

Artspeak / Fillip Editions - Folio Series A, 2010. 176 pp. Paperback as issued. Fine clean copy. Jeff Derksen, Diedrich Diederichsen, James Elkins, Maria Fusco, Sven Lütticken, Tom Morton, Kristina Lee Podesva, William Wood, Tirdad Zolghadr: Matters of value and judgment are the subject of recently intensified debate within art criticism. Has art criticism suffered a collective failure of nerve as names and styles boom and bust with increasing rapidity? Conversely, does a discourse that traffics in value judgments risk being coopted into serving--or perhaps even serve outright--as a consumer guide to a bloated contemporary art market in which commerce and critical discourse frequently seem to be at odds with each other? Growing out of a forum that was held in Vancouver, Canada, Judgment and Contemporary Art Criticism includes transcripts of the forum's discussions, an extensive bibliography on art criticism, as well as newly commissioned texts by Jeff Derksen, Diedrich Diederichsen, James Elkins, Maria Fusco, Sven Lütticken, Tom Morton, Kristina Lee Podesva, William Wood and Tirdad Zolghadr.

London, Typographical Systems International TSI, . Folio. Orig. wrappers. 44 p. Ills. Some shelfwear to cover, inside clean. Psychedelia issue. Essays and type by Margot Coatts, Emma Beck, and Julia Thrift.

S. Fischer Verlag, 1972. Original Karton. 662 Seiten. Etwas Gebrauchsspuren, innen gut.

Hatje Cantz for K21 Kunstsammlung NRW, 2003. Small squarish 4to hardcover, no jackjet as issued. 120 pages, illustrated. Fine copy. First edition.