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København, Athenæum, 1943. 8vo. Uncut in the original printed wrappers. Illustration on front wrapper by Arne Ungermann. With dedication from the author to front free end-paper: "Niels Høst / Med venlig Hilsen / Tove Ditlevsen / 4-12-43". (i.e. English: "Niels Høst / With kind regards / Tove Ditlevsen / 4-12-43"). Bookseller-label pasted on to verso back-wrapper. Light miscolouring to spine, otherwise very fine and clean. First edition, with author’s presentation inscription, of Ditlevsen’s magnum opus, perhaps her most read and beloved book. Ditlevsen is considered one of the most important and unique voices in twentieth-century Danish literature and many of the themes she touches upon rings a universal bell. Her works are particularly valuable as they dramatize the consequences of locking women into marriage, into the roles of wife and mother. A main theme in Ditlevsen’s authorship is class, but despite the proletarian milieu, the theme in Barndommens Gade is more that of gender. “The narrator shows solidarity in her account of a working-class childhood, but she nevertheless lets the central character judge the milieu from the perspective of middle-class values. This is especially true of the outspoken and brutal attitude to sexuality – which the narrator calls “unclean” – on the street and in the backyard. “Rough hands grope the body and bare it to the fleeing gaze.” When menstruation sets in, the “uncleanliness” enters the child’s world: “one morning, the mothers’ bloody inheritance comes with shame and harm to the untouched”." (Lise Busk-Jensen, The Labyrinth of Memory) In 2021, The New York Times, The New Yorker and The Guardian elected Tove Ditlevesen's recently translated "The Copenhagen Trilogy” as book of the year and celebrated Ditlevsen as one of the most important authors in 20th century literature. The book was made into a film in 1986 under title “Early Spring”.

Kjøbenhavn [Copenhagen], 1843-1845. 8vo. Near contemporary half calf with richly gilt spine. Binding with very light wear. Front free end-paper with the ownership-inscription of Michael Bentzon and his acquisition date of 1855 (the same year that Kierkegaard died). Some brownspotting here and there and the first couple of leaves of "To opbyggelige Taler, 1844" with a damp stain. Neat underlinings in the text as well as several marginalia, mostly in pencil. A very good copy indeed. (IV), 52, 62, 84, 59, 70, 111pp. Complete with all the half-titles and the joint title-page (without the blank leaf after the preface of "To opbyggelige Taler, 1844" - which is not called for and hardly ever present). First edition of Kierkegaard's important Eighteen Upbuilding Discourses, which comprise his two, three, and four upbuilding discourses from the years 1843-45, with the joint title-page of all eighteen. The work constitutes Kierkegaard's religious works, which supplement his theological and philosophical ones.The first upbuilding discourses were published the same year as Either-Or, and it is interesting to note that in opposition to his major philosophical works, the religious upbuilding discourses actually bear the name of the author on the title-page, -a fact that was by no means incidental. While the pseudonymous works could make one doubt the religiousness of the author, the parallelly written religious discourses stress the fact that we are dealing with an author, who was religious from the very beginning, -a fact that Kierkegaard also wished to underline himself; in his journals he clearly states that the religious discourses bear as much significance for his work as a whole as do the larger pseudonymous works, "I began with "Either-Or" and two upbuilding discourses..." he says, and explains that he intended the upbuilding, the religious, to advance, and that he wanted to show "that the writer was not an esthetic author who in the course of time grew older and for that reason became religious" (Journals, IX A 227).The importance of the upbuilding discourses and the close relationship they have with the major works and Kierkegaard's philosophical development is also stressed by the fact that every pseudonymous work was accompanied by a little collection of "upbuilding discourses" until "Concluding Postscript" appeared.Himmelstrup 85.

Paris, Jombert, 1737-53. 4to. Bound in 4 uniform contemporary full sprinckled calf. Tome-and title-labels in leather on backs. Five raised bands and richly gilt compartments. Some wear to spine ends. Small cracks in leather at hinges along upper and lower compartment at three volumes. Corners bumped. Some minor scratches to covers. A little rubbed. Engraved portrait, 2 engraved frontispieces, 3 engraved title-vignettes. (8), XII, (4), 412; (6), XIV, (2), 412, (32); (8), 480, (40); VIII, 423, (1), XXVIII pp. and 219 (44+60+60+55) folded engraved plates. 3 plates a bit frayed in outer margin. A few scattered brownspots, but clean, with broad margins and printed on good paper. First edition of this pioneering work, a classic of engineering, which constitutes practically the first scientific text-books on engineering and the first to apply integral calculus to technical and practical problems. It became the international standard-work for nearly 100 years and proved invaluable to architects, builders and engineers as it covers engineering mechanics, civil construction, mills and waterwheels, pumps, harbours and sea work etc. According to Rosenthal (Litt. d. Technologie, p. 209) the work was reprinted 12 times and thus with the best impressions of the plates (the first edition) - "Un tresor de recherches et de machines que l'Histoire de l'Hydraulique doit toujours annonce et célébrer." (Montucla). - Poggendorff I:138 - Brunet I:740.

Paris, Charles-Antoine Jambert, 1737-38. 4to. Bound in 2 cont. full mottled calf. 6 raised bands, richly gilt spines. Titlelabels with gilt lettering. Gilt borders on covers. A paperlabel pasted on upper compartment. Stamps on foot of title-pages. Engraved frontispiece (by Cochin), title ind red/black, (6) pp. (= dedication a Monsieur Turgot), XVI,198; VII,(3) ,180,(2 - errata) pp. Volume one having 44 fine engraved plates (42 double-or triple-page, 2 single-page) and 9 engraved head- and tail-pieces. Volume two having 108 fine engraved plates (numb. 1-98, nos. 23, 24, 99 lacks, no 25 omitted and 13 with double- or triple numbering) and 3 head- and tail-pieces. Most of the plates drawn and engraved by Blondel. All text-pages printed within a borderline. Light toning to inner margins in volume one.On good thick paper, fresh and clean. First edition, first issue (errata leaf and "Rue St. Jacques" for the printer on title) of Blondel's main architectural work, his monumental four-volume encyclopaedia of French buildings, which also constitutes his first work. The work is one of the most influential architectural treatises of the eighteenth century, as well as being one of the most comprehensive, beautiful and celebrated architectural works of the Rococco-period.Jacques-François Blondel (1705-74) is considered the most significant French architectural educator of the eighteenth century. After having produced his first work, the seminal "De la Distribution..." at the age of 33, Blodel was so admired that he was asked to produce engravings for the festival book commemorating the celebration of the wedding of Madame Elizabeth of France to Dom Philippe of Spain. In 1740 he opened the "Ecole des Arts" with his architectural courses and became one of the earliest founders of schools of architecture in France, for which he was distinguished by the French Academy. Both through these couses and his works, he greatly influenced many later architects, such as Brongniart, Chalgrin, Desprez, Rondelet, as well as many other Europeans, who took Neoclassicism back with them from Paris. In 1755 he was inducted into the Académie Archtecture and he was appointed architect to Louis XV. He also contributed to the great Éncyclopédie of Diderot and d'Alembert.The first volume of his main work deals with the design of houses, the second with exterior ornamentation and interior designs and lay-out of gardens. Brunet I:977; Cohen-Ricci: 156-57.

Paris, Iehan Petit, Venditur in vico diui Iacobi sub Leone Argenteo, 1507. Small 4to. Bound in a fine full calf pastiche-binding with five raised bands and blindtooled ornamentation to boards. Tile-page with large printers woodcut-device, verso of title-page a large wood-engraving showing the author seated in his study surrounded by books. Three small holes to first leaf, not affecting text, otherwise a good copy. 30 ff. Uncommon second edition of Bede’s influential treatise on the chronology of the six ages of the world, containing various aspects of chronology and issues regarding the Christian calendar being “the earliest comprehensive treatment of this subject”. Here Bede focuses on calculating the century old problem of the date of Easter. “For more than eight hundred years, Bede’s De temporum ratione was the standard textbook for performing these calculations” (Encyclopaedia Britannica). “For this book helped to establish the custom of counting years from the birth of Christ. When we say that Queen Elisabeth II was born in 1926 (not ‘in the 16th year of the reign of George V’, or ‘in the year 2678 after the foundation of Rome’, or in the year after the 481st Olympiad’), we are indebted to the Venerable Bede.” (PMM p. 16) In Anglo-Saxon England during the mid-7th century, there was a ambition to separate the timing of Easter from the Jewish Passover calendar and to ensure its observance on a Sunday. Following in the footsteps of Christian scholars before him who delved into the issue of determining the correct date for Easter, Bede, in 725, aimed to clarify the ecclesiastical rationale behind the Synod of Whitby's 664-decision, which favored Roman customs over Irish practices. “The Reckoning of Time is about measuring time and constructing a Christian calendar, or what later medieval writers called computus. It is the earliest comprehensive treatment of this subject, for though there was an abundant calendar literature before Bede’s day, it was both fragmentary and partisan in character. (…) Bede’s book is very different in form and content. Although he is also the partisan of one form of Paschal table – the Alexandrian 19-year cycle, as elaborated by Dionysius Exiguus – he sought to establish its credibility by making it the basis of a comprehensive manual of time reckoning. It was a gamble that paid of. So lucid, thorough and well organized was Bede’s exposition, so easy was it to teach from and learn from, that it can be said to have not only guaranteed the ultimate success of Dionysius’ system, but to have made computes into a science, with a coherent body of precept and a technical literature of its own.” (Faith Wallis. Bede the Reckoning of Time).’. The editio princeps was published in 1505.

Dateret (med stempel) "25 NOV 1927". 28 x 22. 3 sider. Med tilføjelser og ændringer i Nielsens hånd. Alle tre ark foldet på midten og har et mærke efter en papirklips i øverste venstre hjørne. Tredje ark signeret af Nielsen selv.Three leaves. Original handwritten and signed manuscript in with additions and corrections in Carl Nielsen's own hand. All three leaves folded once in the middle. Third leaf signed by Nielsen. Brevet er en opfordring til københavnske musikelskere til at høre den berømte Wiener kvartet Kolisch-Kvartetten der skulle spille i byen den 29. november 1927. Nielsen skriver blandt andet: "Der forestaar det Kjøbenhavnske Musikpublikum en / sjælden Begivenhed! Det er virkelig lykkedes at faa / denne berømte Wiener-Kvartet til at optræde her / i byen." Nielsen er yderst begejstret for kvartettens musik og musikere, og om dem skriver han: "[...], så er det her fire besynderligt fanta= /stiske moderne Sjæle der usynligt farer ud og ind og ægger, kærtegner, bider og klapper vort Øre og / vort Sind, saa vi bestandigt er midt i en hel ny / Virkelighed".Kvartetten opførte blandt andet Nielsens egen Opus 44 (for stryger-kvartet). (Fellow, Carl Nielsen til sin samtid, P 140).Carl August Nielsen (1865 - 1931) er den mest betydelige og internationalt anerkendt danske komponist, og han er i dag bedst kendt for sine seks symfonier. Han var 62 da han skrev nærværende artikel, og havde på dette tidspunkt skåret kraftigt ned på sin musikalske aktivitet, som følge af et alvorligt hjerteanfald to år tidligere. Han forsatte dog med at komponere musik frem til sin død, og i 1927 udgav han sin selvbiografi Min Fynske Barndom, hvilket sammen med Kolisch-Kvartetten opførelse af sin strygekvartet i F-dur var det der optog ham mest i denne period. (brev fra Carl Nielsen til Emil Telmányi, 30.11.1927, (DK-Kk, C II, 10)).Kolisch-Kvartetten var i 1920erne en af de største og mest anerkendte ensembler på den klassiske musikscene især i Europa og USA men også i Asien, og de indspillede en lang rækker plader med hovedsageligt Schubert og Mozart.Et af kvartettens særtræk var at de ofte spillede koncerter uden brug af noder. Dette var ikke et forsøg på at fremstå overlegen men derimod et produkt af yderst ihærdig øvelse, hvilket overflødiggjorde noderne. Dette bevirkede at musikken i langt højere grad kom til at fremstå levende og dynamisk, hvilket også Carl Nielsen bemærker.___________________Carl Nielsen encourages the Danish music society to attend a concert with the famous Viennese quartet Kolisch Quartet. Carl Nielsen is today widely recognised as Denmark's greatest composer.

Franckfurt, Bencard, 1719. 8vo. Contemp. full vellum. A few small brownspots to covers. Large engraved titlevignette. (48),(40),408,(12) pp. 1 folded table (between p.48/49). Clean and fine. Extremely scarce first Latin edition of Leibniz's hugely influential work "Essais de Theodicée sur la Bonté de Dieu, la Liberté de L'Homme, et L'Origine du Mal" (1710). It is his importent treatise on the goodnes of God, the free will of man and the causes of evil in the world, The principal subject of the work being the problem of liberty and free will. It is the only larger philosophical work published by Leibnitz himself.The "Théodicée" was a response to skeptical Pierre Bayle, who wrote in his work Dictionnaire Historique et Critique that, after rejecting three attempts to solve it, he saw no rational solution to the problem of evil.The work was composed at the instigation of Sophia Charlotte, with whom Leibniz had conversed concerning the views of Bayle. In response to a request from Prince Eugene for an abstract of the Théodicée, Leibniz in 1714 wrote the "Principes de la nature et de la grâce fondées en raison and the Monadologie".It is often the case, that this Latin edition is followed by the small work "Causa Dei Asserta per Justitiam Ejus..." (32) pp. This work is not withbound here.Ravier "Bibliographie des Oeuvres de Leibniz", No 344. - PMM (1710-edition).

Amsterdam, By iacob Pietersz Wachter, 1643. 4to. Contemp. hcalf. Gilt spine. Spine rubbed and wear to spineends. (4),100 (A-N4) pp., 2 folded engraved maps (Zuyder deel van West-Indien and Noorder del van West-Indien). Maps shaved at bottom. With 4 large woodcut initials, yellow coloured. Lower margins occassionally cut close. Lower part of title-page lacks, but 3 last lines present with printing place and printer/year. A second part was published, but the parts were sold separately. The offered copy corresponds to Sabin,11607.

London, Taylor and Co./ J. Davies, 1790-1810 8vo. Bound in 31 contemp. uniform green hmorocco. Spines gilt. Binding a bit rubbed. Last volume loosening. A few inner hinges weakening. With 1950 fine handcoloured engraved plates (of 2232). The lacking plates distributed over the whole series. Each plate with descriptive text (3 plates with text in facsimile). A few plates with some brownspots, but nearly all plates fine and clean. First edition, being the first 31 volumes of 36 published.Pritzel 8789 - Nissen, 2225.

Leipzig und Winterthur, 1775, 1776 u. 1778. Large 4to. Bound in 3 contemp. full mottled calf. Spines with raised bands. Richly gilt compartments. Titlelabels with gilt lettering. Light wear to spine-ends. Top of spine on volume 4 with loss of 2 small pieces of leather. Front inner joint on volume 1 weakening. On all upper covers the crowned gilt monogram of Count A.G. Moltke. 4 engraved titlevignettes. Vol.I: VIII,(12),272,(8) pp. and 60 engraved plates (of 62 ?) - Vol. II: (10),292,(8) pp. and 106 engraved plates. - Vol. IV: XII,490,(10) pp. and 62 plates. With around 350 larger and smaller textengravings. Engravings by Chodowiecki and others. Few scattered brownspots, mainly marginal to some plates. In general a clean wide-margined copy, printed on good paper. A small engraved bookplate with coat of arms on inside frontcovers "Ex Legato Petri Collett". A mall stamp on foot of title-pages "Univ. Bibl. Kristiania Dbl.". First edition. (Unfortunalely lacking volume III). In this famous work Lavater introduced the idea that physiognomy was related to the specific character traits of individuals."The fame of this book, which found admirers in France and England as well as Germany, rests largely upon the handsome style of publication and the accompanying illustrations. The two principal sources from which Lavater developed his physiognomical studies were the writings of the Italian polymath Giambattista della Porta, and the observations made by Sir Thomas Browne in his Religio Medici."

Neuchatel, (Aux frais de L'Auteur Imprimerie de Petitpierre, 1840 - (1845). Folio. Bound uncut in one later full blue cloth w. gilt back. A faint stamp to title-page. (6), II, 58 pp.; XXII, 141, (3) pp.; 143-230, (1) pp.; 231-287 pp., 105 lithographed plates with numerous figures. Internally fine, with only a few scattered brownspots and a bit of foxing to a few quires. The scarce first edition of Agassiz' important work on the fossil mollusks, which helped change the study of fossils and the understanding of natural history.The famous Swiss-American paleontologist and geologist, Jean Louis Rodolphe Agassiz (1807-1873), counts as one of the most important contributors to the understanding of the natural history of the earth and the creatures on it. "By 1873, despite Darwin, Agassiz' name was synonymous with the study of natural history." (D.S.B. I:74).Agassiz was born in Fribourg in Switzerland in 1807. He originally studied medicine but went on to also study philosophy and biology at the universities of Zürich, Heidelberg and Munich. In Erlangen he received the doctorate of both philosophy (1829) and medicine (1830). After that, he moved to Paris, where he got personally acquainted with Humboldt and Cuvier, who put him on the track of geology and zoology, the two disciplines that later came to be so closely connected to his name. Initially, the study of ichthyology was that brought him worldwide fame. In 1846 Agassiz travelled to America in order to give a lecture at the Lowell Institute in Boston and in order to study the natural history and geology of North America. Agassiz ended up staying in America, where he was became professor at the University of Harvard. "Jean Louis Rodolphe Agassiz, a Swiss naturalist, was appointed in 1848 professor of zoology at Harvard University where he founded the museum of comparative Zoology and became one of the greatest teachers of biology and natural sciences of the nineteenth century." (Printing and the Mind of Man 309 (main reference: Agassiz' "Études sur les Glaciers, 1840).Agassiz was a hugely influential but later also controversial scientist. His discoveries in many branches of natural history, from that of mollusks and fish to that of glaciers were of groundbreaking character and they greatly influenced the biologists, zoologists and geologists of his time; however, he did not himself subscribe to the ideas that his discoveries prompted and he was later viewed quite critically as a supporter of radical racial theories, causing his work to be termed "scientific racism". "Ironically his many important discoveries provided much material for men such as Darwin and Lyell, while his conservative philosophical assumptions led him to resist dogmatically the great changes in the interpretation of nature that they were bringing about." (PMM 309). The present work constitutes an excellent example of Agassiz' amazing desire to record data and present it accurately and precisely described, which led him to become one of the most important naturalists of classical biology at a time when it faced the transition to evolutionary biology. "Agassiz (1807-1873) was born in Switzerland, and rose to distinction by his scientific work in Europe, but he went to the United States when he was still only forty-two years of age, and spent the last twenty-seven years of his life as an energetic and successful leader of science in his adopted home. His fame is thus both European and American, and the geologists of New England, not less than those of Switzerland, may claim him as one of their most distinguished worthies." (Archibald Geike in The Founders of Geology). Nissen ZBI:39 - BMC (NH) I:p.17.

Kopenhagen, Nicolaus Möller, 1772. 4to. Later halcalf (around 1850). Gilt spine. Gilt lettering. Engraved titlevignette. XLVII,(1),431,(1) pp., 1 large folded map, handcoloured in outline (Terræ Yemen) and 24 engraved plates (of which 6 are charts, 2 handcoloured, many large folded). Printed on good paper. A few minor marginal brownspots. The folded map with faint dampstain in top of the map. First edition of Niebuhr's famous classical account of his Arabian travel, being the first scientific expedition to Arabia Felix. Having the famous map of Yemen (35x55 cm.) in outline colouring and the large folded map of the Arab Gulf (Mare Rubrum seu Sinus Arabicus), which is the first map at all to mention Kuwait."Niebuhr was one of the best scientific travellers that ever lived... His works have long been classical, and even noW must be consulted by any who desires to have the most trustworthy accounts,.." (Enc. Brit. 9th ed.).

Paris, Gauthier-Villars, 1882, 1888, 1892. 4to. No wrappers. 7 entire issues. In: "Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences", Tome 95, No 1, 6 a. 14. Tome 107, No 16, 17 a. 18, Tome 114, No 18. (7 entire issues offered). With halftitles and titlepages to Vol. 95, 107 a. 114. The papers: pp. 14-16 (No1), 267-270 (no 6), 583-585, 2 textillustr. (no 14) - pp. 607-609 (No 16), 643-645, 1 textillustr. (No 17), 677-678 (No 18) - pp. 989-990 (No. 18). Stamps on verso of titlepages. First printing of the main papers CONSTITUTING THE INVENTION OF MODERN CINEMATOGRAPHY -- from his invention of 1888 of the "Chronophotograph" followed the modern "Cinematograph" (first described here in the offered papers of 1888).It started with his invention of the chronographic apparatus with stationary plates and chronographic disk schutter... the paper of August 7, 1882, later in 1882 his description of the photographic gun, and in the 1892 paper "Marey constructs, according to the reversible principle of the chronophotograph, an apparatus for the projection on a screen of series of pictures taken by the afore-mentioned apparatus and thus realizes the photographic synthesis of motion" (Joseph Maria Eder "History of Photography", p.510).Marey (1830-1904) was a French physician, and his inventions sprang from his investigations in the physiology of the motion of men and animals."In 1882, Marey, often claimed to be the 'inventor of cinema,' constructed a camera (or "photographic gun") that could take multiple (12) photographs per second of moving animals or humans - called chronophotography or serial photography, similar to Muybridge's work on taking multiple exposed images of running horses. [The term shooting a film was possibly derived from Marey's invention.] He was able to record multiple images of a subject's movement on the same camera plate, rather than the individual images Muybridge had produced. Marey's chronophotographs (multiple exposures on single glass plates and on strips of sensitized paper - celluloid film - that passed automatically through a camera of his own design) were revolutionary. He was soon able to achieve a frame rate of 30 images. Further experimentation was conducted by French-born Louis Aime Augustin Le Prince in 1888. Le Prince used long rolls of paper covered with photographic emulsion for a camera that he devised and patented. Two short fragments survive of his early motion picture film (one of which was titled Traffic Crossing Leeds Bridge).The work of Muybridge, Marey and Le Prince laid the groundwork for the development of motion picture cameras, projectors and transparent celluloid film - hence the development of cinema. American inventor George Eastman, who had first manufactured photographic dry plates in 1878, provided a more stable type of celluloid film with his concurrent developments in 1888 of sensitized paper roll photographic film (instead of glass plates) and a convenient "Kodak" small box camera (a still camera) that used the roll film. He improved upon the paper roll film with another invention in 1889 - perforated celluloid (synthetic plastic material coated with gelatin) roll-film with photographic emulsion." (Tim Dirks "The History of Film. The Pre-1920s").

Götingen, Vandenhoeck und Ruprecht, 1797. 4to. Contemp. hcalf. Gilt spine. Titlelabel with gilt lettering. A paperlabel pasted on top of spine. Stamps on title-page. XX,573,(1) pp. Faint browning to a few leaves, otherwise clean and fine. First German edition of this milestone work in applied mathematics (Mecanique Analitique, 1788) in which Lagrange regarded mechanics as a geometry of four dimensions and here set down the principle of virtual velocities as applied to mechanics. The work can lay claim today to be "one of the outstanding landmarks in the history of both mathematics and mechanics" (Sarton)."This is the first textbook to treat theoretical mechanics in a purely analytic way. Its mathematical importence stems mainly from the application of Lagrange's new formalization of the calculus of variations, and its significance for rational mechanics from the fact that it summarizes, for the first time in a logically coherent way, the conformity the newtonian and continental mechanics of the 18th century on the basis of general variational principles."(Helmut Pulte in "Landmark Writings in Western mathematics 1640-1940).Horblit, 61 ("Discovery of the general equations of motions of any system of bodies"). - Dibner, 112 (French edition)

Paris, Didot, 1758. 4to. Contemp. boards, later backed with calf. Spine with gilt lettering. Title-page with stamp. Engraved title-page and printed. XII,171 pp., 1 engraved vignette. With 21 (of 22) engraved maps, plans and views (8 views in the text). 6 of the maps are handcoloured, some folding. The lacking map is "Carte des Isles des Vierges". Wide-margined and clean, only a few scattered brownspots. First edition. - Sabin, 4553. - Phillips, 3940.

Parisiis, Ex officina Simonis Colinaei, 1530. 8vo. Bound in a very fine later full calf (around 1700), profusely gilt spine, titlelabel in leather with gilt lettering, broad gilt borders on covers, edges of covers gilt, edges of leaves gilt. A very small nick to top of spine. (8) lvs. + (1-)256,(3) lvs. + 1 blank. A small and very faint dampstain to upper inner margins of the first 8 lvs. Otherwise very clean throughout. A beautifull printed and wide-margined copy (17x11,5 cm). Scarce second edition of the "opera" of the poetical works of both father and son. Their collected opere were first published by Aldus Manutius in 1513, together with works of his son, under the title Strozii poëtae pater et filius. The offered edition is copied from this Aldus-edition. They were both members of the famous Strozzi-family exiled from Florence.Adams S 1957. - Graesse VI: 512.

Leipzig, Weidmannschen Buchhandlung, 1790-91. Bound in 5 contemp. hcalf. Volume 1 not quite uniform. Spines gilt and titlelabels with gilt lettering. Wear to spines., especially volume 2 where upper compartment lacks some leather. Vol. 3 having a tear in leather at upper compartment. Some gilding weak and worn. Stamp on titlepages. 5 engraved titlevignettes. Vol.1: XXVIII,579 pp., 6 (of 8 ?) engraved plates (numb. 1-4 a. 7-8), 7 plates of inscriptions (on 4). One plate with 2 tears, repaired without loss and one large folded engraved map:"Charte zu der dreyjaehrigen Reise Flotte Salomons". - Volume 2: VIII,710 pp. - Vol. 3: VI,757 pp., 3 engraved plates and one large folded map: "Charte von den Quellen des Nils" - Vol. 4: IV,734 pp., 3 engraved plans. - Vol. 5: (4),384 pp., 46 engraved plates (on 37) and one arge folded engraved map: "Charte von den Arabischen Meerbusen". The maps fine and clean, but internally with traces of use. First German edition. - If Captain Cook was the first truly modern "scientific" maritime explorer, James Bruce has some claim to be the first scientific continental explorer. When he set out in 1768, his object was to establish the position of the source of the Nile for the sake of advancing knowledge. He did reach the source of the Blue Nile and provided a wealth of other geographical, botanical and archeaeological information on Ethiopia and the Nile Valley as well as gaining a unique knowledge of the Ethiopians as a result of his close involvement with them for two years. Volume 5 is devoted to the zoology and botany of Egypt, Arabia, Abysinia and Nubia and illustrated with 46 engravings.

Paris, Moutard, Panckoucke, 1785. 4to. Extract from "Mémoires fe Mathematique et de Physique, Présentés à l'Academie des Sciences par divers Savans", Tome X. Withtitlepage to vol. X. Pp. 131-332 and 5 folded engraved plates. The memoir has also its own titlepage. Fine and clean. Wide-margined. First edition of this monumentalwork by which Coulomb CREATED THE SCIENCE OF FRICTION."1781 saw him win the Academy prize for his mémoir "Théorie des Machines Simples," in which the results of his experiments on the friction of different bodies slipping on one another (dry, or coated with greasy substances) were presented."(Timoshenko p. 48)."Coulomb’s most celebrated study, one that brought him immediate acclaim, was "Théorie des machines simples," his prize-winning friction study of 1781. He investigated both static and dynamic friction of sliding surfaces and friction in bending of cords and in rolling. From examination of many physical parameters, he developed a series of two-term equations, the first term a constant and the second term varying with time, normal force, velocity, or other parameters. In agreement with Amontons’s work of 1699, Coulomb showed that in general there is an approximately linear relationship between friction and normal force; but he extended the investigation considerably to show complex effects due to difference in load, materials, time of repose, lubrication, velocity, and other considerations. Coulomb’s work in friction remained a standard of theory and experiment for a century and a half, until the advent of molecular studies of friction in the twentieth century. To quote Kragelsky and Schedrov’s recent monograph (p. 52) on the history of friction: "Coulomb’s contributions to the science of friction were exceptionally great. Without exaggeration, one can say that he created this science."(DSB).Poggendorff I:487.,

Halle-Saale, C.E.M. Pfeffer (Robert Stricker), 1891. 8vo. Nice contemporary red half cloth with gilt title and gilt lines to spine. A very nice, clean, and fresh copy. XVI, 324 (last p. errata) pp. The very rare first edition of Husserl's first major work, "The Philosophy of Arithmetic".Initially a student of mathematics, Husserl began attending Brentano's lectures on psychology and philosophy in Vienna and decided to devote himself primarily to philosophy. In 1887 he wrote "Über den Begriff der Zahl", on which his first proper scientific work which appeared four years later is based. In his "Philosophy of Arithmetic" he wishes to provide a sound foundation for mathematics by combining it with philosophy and psychology, here analyzing the psychological processes necessary for the concept of number, -a variant of the psychologism, he later came to criticize so severely. The book was met with instant positivity and received much warm praise, though one person criticized it to bits: Gottlob Frege. Frege who was one of the sharpest and most important logicians of the 19th century had shown that the sentences of arithmetic were analytical, and that arithmetic could be regarded as a branch of logic. He thus built the foundation of mathematical logistics. In spite of him being the chief logician of the 19th century, Frege was barely recognized in his lifetime, and he was barely read by his contemporaries. Husserl, however, did study him intensively, and we know for a fact that he knew all of Frege's works (at least until the year 1893), and it is likely that it was Frege who had inspired his interest in the relationship between the formalities of arithmetic and of logic. In this early work Husserl sharply attacks Frege and his anti-psychologism, and he sets out to define the natural numbers by counting with the methods of descriptive psychology (primarily Brentano's). It is to be noted, however, that the form of psychologism of logic and mathematics which he so sharply attacks in his logical investigations differs somewhat from the sort presented in his early work.The "Philosophy of Arithmetic" is also hugely interesting in the attempt to determine the philosophical development of the greatest philosopher of the very late 19th-20th century. He himself states that already before the work was published, he had changed his mind, and he had actually been in doubt as to psychologism from the very beginning. As opposed to what is frequently stated, Frege's attacks on Husserl's work is not fully justified, which Frege probably also recognized himself. Husserl actually does distinguish between subjective representation and objective representation, and objectivism is clearly stated in the "Philosophy of Arithmetic". Thus Husserl here actually, independent of Frege, reaches the same theory of sense and reference as him, and Frege also recognized this. Frege's attacks were probably to a large extent aimed at the current ideas of the foundations of arithmetics at the Berlin School of Weierstrass, but these differed from Husserl's point of view in a number of ways.Still, Husserl's notion of logic and mathematics must not be confused with Frege's; -for Frege Arithmetic can be derived from logic; for Husserl mathematics is the ontological correlate of logic, but the two cannot be reduced to one another. Husserl is now famous as the father of phenomenology, and he decisively influenced the likes of Heidegger, Sertre, Carnap, Merleau-Ponty, Levinas, Ricoeur, Derrida etc. etc.

Göttingen, Dieterischen Buchhandlung, 1841. 4to. Uncut in orig. blank stiff blue wrappers. (2),34,(2- errata leaf) pp. Wide-margined. A few mild brownspots in margins. otherwise a clean and fine copy. First edition of the peak of "Gaussian dioptrics", Gauss' greatest achievement in the field of optics, which has been called "HIS GREATEST WORK". He gives the data on the construction of the image when the principal points and foci of the system are given, and finally formulas for a simple lens of nonvanishing thickness are given."In the same year he finished Dioptrische Untersuchungen (1841), in which he analyzed the path of light through a system of lenses and showed, among other things, that any system is equivalent to a properly chosen single lens. Although Gauss said that he had possessed the theory forty years before and considered it too elementary to publish, it has been labeled his greatest work by one of his scientific biographers (Clemens Schäfer. in Werke, XI, pt. 2, sec. 2, 189 ff.). In any case, it was his last significant scientific contribution." (DSB).

Amsterdam, d'Estienne Roger, 1702-07. Small 8vo. (15,5 x 10,5 cm.). Bound in 7 contemp. full calf. Richly gilt spines, titlelabels with gilt lettering. 3 titlelabels gone. Slightly rubbed, a few repairs to top of spines. Stamp on title-page and verso of. 7 engraved frontispieces. Ca. 4500 pp., 69 engraved plates, mostly large folded maps and charts.

Bruxelles, Philippe Vleugart, 1672. 4to. Bound in hcalf (around 1850), raised bands, gilt spine. Having 5 titlepages. Corners of titlepage neathly repaired. Light foxing to margins of the first 5 leaves. (26), 71,(3);75-137,(2):(139-)140-156;(157-58) 159-180,(2) pp. The first a. second part with 13 full-page woodcut-illustr., third a fourth with 47 full-page and some half-page woodcut-illustr, also small textillustr. 4 of the titlepages with large woodcuts. This is the French version of a famous work on husbandry, gardens, landscape layouts, fountains, sun-dials, bee-keeping etc, by the gardener to the Prince of Orange. This French edition seems to be expanded.Hunt Cat. No 317 (the Dutch version of 1670 in three parts).

Stockholm., 1868-(72). Atlas alene. Tvær-folio. 3 orig.helshirtmapper. Med 63+28+15 litograferede plancher. (15 plancher med lokomotiver og vogne). Ialt 106 plancher litograferede af Generalstaben, C.G.Höglind,Schlechter & Seedorff. Planchernes størrelse: 44 x 55 cm. A very rare and fine set of 106 lithographed plates depicting the Swedish trailway buildings and trains. Sweden started building railways comparatively late. Sweden hesitated under heavy debate for several years because of the costs and other issues. Following the parliament's decision in 1854 a colonel of the Navy Mechanical Corps, Nils Ericson, was chosen as the leader for the project of building the main lines (stambanorna). His proposal was that the line between Gothenburg and Stockholm (Västra Stambanan) should run south of Lake Mälaren to avoid competition with shipping. This was completed in 1862.He also proposed that the line between Malmö and Stockholm (Södra stamabanan) should go to Nässjö and then on to Falköping, where it would meet up with Västra stambanan. There was a decision that, for military reasons, the railways should avoid the coasts as much as possible.The railway to Falköping was a temporary solution until Östra stambanan between Nässjö and Katrineholm, which lay further up along Västra stambanan, could be built. Nils Ericson's proposal also included the railway between Stockholm and Ånge (Norra stambanan) and Stambanan genom övre Norrland ("the main line through Upper Norrland") which runs between Bräcke and Boden. A railway between Oslo and Laxå (Nordvästra stambanan) was also planned. Laxå lies on Västra stambanan.The first parts of Västra and Södra stambanan were opened in 1856. In 1862 the whole of Västra stambanan was opened and in 1864 Södra stambanan was opened in its entirety. Nordvästra stambanan was opened in 1871 and Östra stambanan in 1874.The Norra stambanan opened in 1881and Stambanan genom övre Norrland opened in 1894. A railway called Norrländska tvärbanan between Trondheim and Ånge opened in 1885.When Ericson resigned in 1862 his authority was divided between two agencies - Byggnadsbyrån (The Building Bureau) and Trafikbyrån (The Traffic Bureau). In 1888 the agencies were combined again as Kungliga Järnvägsstyrelsen (The Royal Railway Committee).

Stockholm, Nordstedt & Söner, 1843. 8vo. In contemporary half calf with four raised bands. Wear to extremities, spine with scratches. Stamps (From Nordiska Bibliotheks-Sallskapet in paris. With an accompanying "deaccession"-note from the librarian Leif stating many doublets and unused book were sold, including the present) l to front free end-papers, title-page and last two leaves. With light occassional brownspotting throughout. V, (1), 783, (1), 26, (1) pp. The rare first complete Swedish translation of the Quran – also being the first translation in any Scandinavian language. “Between 1843 and 1967, four translations of the Quran were published in Scandinavia: three in Sweden, and one in Denmark. Prior to and during this period, theologians and philologists at Scandinavian universities had studied the Quran as part of their training in the Arabic language, and had translated parts of the text, first into Latin and then into the respective national languages. The first three Scandinavian translations of the Quran were into Swedish. The first of these translations, published in 1843, was done by Johan Fredrik Sebastian Crusenstolpe (1801– 1882). This was followed by the translation made by theologian and professor of Arabic literature, Carl Johannes Tornberg (1807– 1877) in 1874, and the one by Karl Vilhelm Zetterst (1866– 1953), a prominent Swedish professor of Semitic languages, which was published in 1917. Zetterst's translation has been republished several times and is still in use. In Danish, it was not until 1967 that a full translation of the Quran was published, by teacher Abdus Salam (Svend Åge) Madsen (1928– 2007), and in Norway it took another decade and a half before the first translation was published, by university lecturer Einar Berg (1921– 1995) in 1980.” (Eggen, On the Periphery, Translations of the Quran in Sweden, Denmark and Norway) Fredrik Crusenstolpe, a Swedish officer and diplomat, was known for his adventurous spirit and eccentricity. Crusenstolpe served in Tripoli, Tangier, Algiers and Lisbon. His translation emerged during a period of growing interest in the Middle East and North Africa among Scandinavia's cultural elite in the late 18th and early 19th centuries. While stationed in North Africa, Crusenstolpe developed a deep interest in the local people and their religion. However, securing financial support for the publication of his translation was challenging despite interest from a prominent publishing house. He ended up financing the project privately especially motivated by a personal desire to correct misconceptions about Prophet Muhammad in Swedish popular culture. To Crusenstolpe these misconceptions reflected not just ignorance about the Prophet but also a broader superstitious mentality he did not like. He portrayed the Muhammed as a rational "Arabic founder of law" aligning with Enlightenment-era European depictions of Muhammad. OCLC lists only four copies (Library of Congress, NY Public Library, Ohio State University & Cleveland Public Library).

Cologne, Pierre Gaillard, 1701. 8vo. In contemporary vellum. Small paper-label pasted on to top of spine. Light wear and soiling to extremities. Previous owner's name (Peter Otto Rosenörn) to front free end-paper. Dampstain to inner upper margin of first half of book block. A few quires split in margin and a few plates closely trimme, with minor loss in outer margin, otherwise internally nice and clean. (3), 397, (3), (24), 389 pp. + frontispiece and 100 etchings by Romeyn de Hooghe (included in the pagination). First edition with Hooghe’s beautiful illustrations of this famous collection of tales modelled on the Boccaccio’s Decameron. According to Brunet two variants were published: one with text published below or above the engraving (The present copy) and one with engravings published separately. According to Brunet the former is preferable due to better printing quality. (Brunet I, 1735/1736). "Les Cent Nouvelles Nouvelles" stands as a cornerstone in the development of French literature and is regarded as being the first work of literary prose in French. Believed to have been composed around the 1460s at the court of Duke Philip the Good of Burgundy, this collection of tales offers a glimpse into the cultural and literary landscape of late medieval France. The stories were collected and possibly edited by Antoine de la Sale (1385/86 – 1460/61). "Les Cent Nouvelles" nouvelles were first printed by Antoine Vérard in 1486, twenty years after manuscript circulation (only one manuscript is known today). Romeyn de Hooghe, (1645 - 1708)born in Amsterdam, was a multi-talented artist known for etching, drawing, painting, and sculpting. He became famous for his political caricatures of Louis XIV and propaganda prints supporting William of Orange. His work included early comic strips and illustrations for significant texts like "Hieroglyphica of Merkbeelden der oude volkeren" (1735).Throughout his career, de Hooghe produced over 3500 prints and adorned city maps with decorative borders. He was praised for inventive compositions in engravings and painted large panels for public and private spaces. Despite acclaim, he faced criticism later in life for his controversial subjects and lifestyle. Historian Simon Schama lauded de Hooghe as the first great modern graphic satirist, highlighting his role in portraying conflicts between William III and Louis XIV as struggles for liberty against religious despotism. Brunet, II, 1735. Graesse, II, 102.