[Ouvertures.] ROMBERG, Andreas.

London, printed and sold by Birchall & co, no date. Folio. Engr. title,+ (2, blanks),+ 2-23 engr. pp. Old paper repair in margin on p. 12. Plate number 1311. Bound together with:VOGEL, (Johann Christoph). Overture to Demophon, composed by Vogel, arranged for the piano forte with accompagnements for Violin and Violincello, by J. L. Adam. London, printed and sold by Birchall & co, no date. Folio. Engr. title,+ 2-8 pp. Plate number 1243. Bound together with:ROSSINI, G. Ouverture d’Otello ou l’Affricain a Venise pour le piano. Musique de J. Rossini. (Paris, no date). Folio. Engr. title,+ (blank),+ 1-p engr. pp. Soiled and with a lot of paper repair, the title page with stain. Plate number 368R. The imprint is pasted over. Bound together with:ROSSINI, G. ouverture de Tancrede. Musique de Rossini. Ouvragée à quatre mains pour le forte piano par F. M. Paris, Carli editeur, no date. Folio. Engr. title,+ (2, blanks),+ 2-13 engr. pp. Plate number 1277. Spotting and tears, and lot of paper repairs. Bound together with:ROSSINI, G. Six ouvertures arragées a quatre mains pour le forte piano. 1. Le B arbier de Seville. paris, frere fils, no date. Folio. Engr. title,+ (2, blanks),+ 2-15 engr. pp. Large tear pp. 3-4, and a repaired on page 15. Bound together with:ROSSINI, G. Ouverture della Gazza ladra arrangée à quatre main pour le piano forte. Musique de Rossini. Paris, chez Pacini, no date. Folio. Paris, chez Pascini, no date. Engr. title,+ (2, blanks),+ 2-19 engr. pp. Plate number 831. Stain, foxing and with a lot of paper repairs in margins. The title with a half page engraving. Bound together with:ROSSINI, G. Rossini’s celerated ouverture to Zelmira. Arranged for the piano forte. London, published by G. Shade, no date. Folio. Engr. title,+ (blank),+ 1-9 engr. pp. Illustrated title page. Paper repairs. Bound together with:MOZART, W. A. Mozart’s ouverture to Il Don Giovanni, arranged for two performers in the piano forte, & respectfully inscribed to Miss Barrones & Miss M. A. Dowland by D. Breuger. London, published at Falkneräs, no date. Folio. Engr. title,+ (2, blank),+ 2-13 engr. pp. The title page with paper repair. Bound together with:MOZART, W. A. Ouvertures from the celebrated Operas of Mozart, and by other eminent authors, arranged for two performers on the piano forte. No. [6] Titus. London, printed for W. Galloway, no date. Folio. Engr. title,+ (2, blanks),+ 2-13 engr. pp. Engraved by Parker. Bound together with:MOZART, W. A. Ouvertures from the celebrated Operas of Mozart, and by other eminent authors, arranged for two performers on the piano forte. No. [1] Figaro 1. London, printed for W. Galloway, no date. Folio. Engr. title,+ 2-11 engr. pp. With repaired tears. Bound together with:MOZART, W. A. Ouvertures from the celebrated Operas of Mozart, and by other eminent authors, arranged for two performers on the piano forte. No. [4] Grand ouverture to Il Flauto Magico. London, printed for W. Galloway, no date. Folio. Engr. title,+ (2, blanks),+ 2-13 engr. pp. Spotting and repair to p. 13. Bound together with:WEBER, C. M. von. Ouverture to the Celebrated Romantic and fairy Opera called Oberon composed and aranged for two performers on the piano-forte by Carl Maria von Weber. London, no date. Engr. title,+ 2-17 engr. pp. Somewhat worn near contemporary red half morocco, gilt spine with title in gilt and nr ”35” in lower compartment, red gilt cloth boards with frames and front board with gilt monogram ”E. A. B.” Front fly-leaf with hand written table of content. From the library of Elizabeth Baker, with her signature on several title pages, but most are cut. They are dated between 1824 and 1829. The EAB on front board might be Elisabeth Baker. Collection of 12 ouvertures mostly for four hands. They have been used extensively but have been properly repaired before they were bound. Probably English provenance of a Elisabeth Baker.