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Oslo, 1981. (Roger Trygve Olsen Forlag og Antikvariat) 8vo. 90 s. Privat skinnbind. . For- og bakomslaget bundet med. Meget pent eksemplar.

J. Ricker'sche Verlagsbuchhandlung, Giessen. 1900. Private half leather. Gilt title to spine. 109pp. Good copy. Few underlinings in pencil.

Published by Danish Museum of Decorative Art, Copenhagen, 1996. Oversized tall folio in wraps as issued. 130 pages, richly illustrated. Text in Danish, and English. Fine copy. 1. edition. Monograph on Bindesboll: "Thorvald Bindesbøll, born on 21 July 1846, was the son of architect Michael Gottlieb Bindesbøll. Although a boy of ten years at the time of his father's death, he carried forth Michael's interest in art and architecture. Thorvald Bindesbøll was born into the artistic elite of Copenhagen. In early childhood, he showed considerable artistic talent. He trained as an architect at the Royal Danish Academy of Fine Arts in Copenhagen and also passed the polytechnic examinations in chemistry. While studying at the Royal Academy of Fine Arts, he received his first independent architectural commission. In 1882 he set off on a study tour of Northern Germany, the Netherlands and Northern Italy. Finding little demand for his architectural services upon his return to Denmark, he entered the field of industrial design. From 1880 onwards, he became increasingly interested in ceramics and produced hundreds of ceramic works in a virile, spontaneous style. Professional potters wheel-turned the majority of his pieces following his instructions or working drawings. Bindesbøll decorated the wet clay and applied the glaze. From the early 1880s, Bindesbøll became seriously engaged with ceramics, gradually adapting Far Eastern sources, and later developing his own personal form of non-figurative art. He was also well respected for his designs in silver. In 1900 Bindesbøll contributed to the Danish section for craft and design at the Paris Exposition Universelle. There he displayed ceramics and silver of his own design. Although Bindesbøll's contemporaries did not recognize his genius, famed art historian Nikolaus Pevsner called him "the most original ceramic artist of his generation."

Gyldendalske Boghandel - Nordisk Forlag 1932-34. 412+396+396s.Sider. Privat halvlæder med rygtitel i guld. Smukt sæt. Kosak-roman fra Ukraine. Paa dansk ved Anja Tschemerinsky Cohn. Indhold pænt og rent. Mikhail Sjolokhov, 1905-1984, sovjetisk (russisk) forfatter. Storværket Stille flyder Don (1928-40, da. 1932-40). Romanens første del blev en verdenssucces, men Sovjetkritikerne fordømte dens ""forherligelse"" af fortiden og de rebelske kosakker.

Umeå (pr. Helsinki) 2003. Oblong 8vo. [64] pp. Beautifully produced, and richly illustrated in full-page colour. Text in English. Sewn as issued, printed pebble wrappers. As new. Riitta Päiväläinen lives and works in Helsinki, Finland.

Göteborg & Stockholm, Makadam förlag / Stockholms universitet, 2021. Diss. 8vo. 448 pp. Richly illustrated with old black & white photos and art reproductions in colour. With bibliography and index. Publisher's pictorial boards. Very fine. (Publisher:) "The 1880s were a decade of professionalization, liberation and transnational encounters for women artists from the Nordic countries. Despite structural discrimination, a growing number of women from Denmark, Finland, Norway and Sweden pursued professional careers as artists, studying at the Royal Academy of Fine Arts in Stockholm or at private art schools. Many of them traveled to Germany or France to train at private ateliers. In the 1880s, Paris was their artistic center, where they built their own networks, exhibited frequently, became sought-after artists and gained critical recognition for their work. Conducting in-depth analyses of selected paintings, Becoming Artists explores how Nordic women painters represented themselves and one another in their professional roles, how they promoted their work, how they overcame obstacles and inscribed themselves into the visual history of their profession. It highlights the impact of friendship, companionship and collaboration on Nordic women painters self-fashioning in the 1880s and it examines the studio s symbolic meaning as a room of one s own. Drawing extensively on hitherto unpublished archival sources, this study offers new perspectives on artists including Julia Beck, Hanna Hirsch-Pauli, Asta Nørregaard and Bertha Wegmann." - - - (Baksidestext:) "Under 1880-talet blev nordiska kvinnliga konstnärer alltmer synliga på konstscenen, samtidigt som de verkade inom en nästan uteslutande manlig sfär. Paris blev deras konstnärliga centrum, där de byggde sina egna nätverk, ställde ut sina verk, blev eftertraktade konstnärer och fick kritiskt erkännande för sitt arbete. Genom fördjupade analyser av utvalda målningar utforskar Becoming Artists hur nordiska kvinnliga målare presenterade sig själva och varandra i sina yrkesroller, hur de lanserade sina verk, övervann hinder och skrev in sig i konsthistorien. Den belyser vänskapens, gemenskapens och samarbetets inverkan på kvinnornas själviscensättning och studerar ateljéns symboliska betydelse som ett eget rum. Avhandlingen bygger på omfattande opublicerade arkivkällor och erbjuder nya perspektiv på konstnärer som Julia Beck, Hanna Hirsch-Pauli, Asta Nørregaard och Bertha Wegmann".

Paris [1986]. 4to. 29,7 x 21 cms. [4] pp. + printed list of 41 exhibits (1 leaf). "Siri Derkert och hennes material", utställningskatalog på franska. / "Siri Derkert and her materials", exhibition catalogue in French.

Stockholm, Art and Theory Publishing, 2016. 4to. 28 x 21 cms. 160 pp. Richly illustrated with colour photographs throughout. Text in English. Sewn as issued, wrappers with circular cut-outs revealing image beneath. Fine. Katarina Löfström (born in 1970 in Sweden, lives and works in Stockholm) graduated from the University College of Arts, Crafts and Design in Stockholm 1997 and has since then mainly worked with video. In 2019, she was awarded the Swedish Filmform Prize for her significant contributions to video art.

Stockholm, Carlssons, 2010. 4:o. 26,5 x 22,2 cm. 244 sid. Rikligt illustrerad i färg och svartvitt. Med litteraturförteckning och register. Förlagsband, dek. skyddsomslag (gott skick, med obetydlig ytlig nötning). Innehåll: "Barndom och uppväxt", "Förberedande konststudier", " Första vistelsen i Paris 1907-08", "Mellanspel i Skåne, kärlek per korrespondens", "Utbildningen fortsätter 1910-11 i München", "Åter till Paris", "I konstlivets periferi", "Hos André Lhote 1920-21 och 1927", "1920-talets kreativitet", "Enda kvinna i Aura", "Att vara konstnär med nytt ansvar", "Nya konstnärliga signaler", "Färg i krigets skugga", "Färgens nya roll", "Bilden får nytt innehåll", "Glädjen som förvandlades till sorg", "De sista åren", "Utställningar".

Paris, Centre Georges Pompidou, 1995. 4to. 29,7 x 23,5 cms. 272 pp. Richly illustrated, partly in colour. Text in French. Essays and catalogue, list of exhibitions and bibliography. Sewn as issued, pictorial wrappers with flaps. Very fine. Catalogue presenting the works of Michel Larionov and Nathalie Gontcharova held at the Musée National d'Art Moderne. It provides for the first time a documentation on this collection, long unknown, and pays tribute to the fundamental contribution of these two Russian artists to the modern history of the 20th century. It includes a commented reproduction of each work as well as a series of essays on the different influences and directions of their work.

Gyldendal, 1970 (1969). 239 pp. Hft. Omslaget af Austin Grandjean. Første udgave, 7. oplag.

Bane Bøger, 2017. 216 sider. Orig. illustreret kartonbind. Velholdt eksmplar. Tog-Jernbaner. Illustreret i sort/hvid og farver. Historien om Danmarks førstelokomotivOdin, som blev leveret til Sjællandske Jernbaneselskab fra England i 1846 og om den generelle teknologiudvikling i verden og Danmark i 1800-tallet.

Gyldendal. 2003.. Helshirting med smudsomslag. 4to. 412 sider. Pænt eksemplar. Sidernes kanter ganske let bølget. Rigt illustreret. Udgivet af Odense Bys Museer ved Karsten Eskildsen.

Aarhus Universitetsforlag. 2011. Orig. illustr. kartonbind. 538 sider. Pænt eksemplar. Rigt illustreret.

Redaktion Christoffer Herlang, Kjeld Helmer-Petersen og Krestine Kjærholm. Arkitektens Forlag, København 1999. 4°. Illustreret i s/h og farver. 189 sider. Orig. helshirting med smudsomslag.

Selskabet for udgivelse af kilder til dansk historie, 2011. 404 sider. Orig. illustreret kartonbind. Særdeles velholdt eksemplar. Illustreret i sort/hvid og farver. I en stor del af 1700-tallet var Asiatisk Kompagni den eneste danske virksomhed, der havde ret til at handle på Indien og Kina. Næsten hvert år gennemførte kompagniet mindst to sejladser til Asien, hvor det bl.a. indkøbte indisk bomuldstøj og peber samt kinesisk te og porcelæn. Rigsarkivet har protokoller fra langt de fleste af disse sejladser. De giver et fint indblik i livet ombord på skibene, der normalt havde en besætning på langt over 100 mennesker.I denne bog følger vi et enkelt togt, hvor vi oplever flere dramatiske konflikter og retssager. En af dem handlede om en korporal, der fremsatte dødstrusler mod kaptajnen og overstyrmanden. En anden drejede sig om kokkens uhygiejniske madlavning og endte med, at kokken begik selvmord. Danske-kolonier.

Ridge Press Book/Random house, New York 1976. 288 pages.Illustrated in b/w. Orig. halfcloth in dust wrappers. Wrappers priceclipped. Fine/near fine.

a+u/The Japan Architect Co., Tokyo 2012. 4to. 143 pages. Richly illustrated in b/w and colour. Original black cover. Light rubbing and general mild traces of use. Owner's name to first page. Very good-. * Architecture+Urbanism 459, 2012:08. Recent works by Ingehoven Architects, HafenCity Hamburg, Achitecture and Car Companies, Green Activities by Architects and Collaborators.

Rosinante, København 1997. 513 sider. Heftet med orig. omslag. Navn (Rune T. Kidde) på titelladet * Med stor dedikation fra Carsten (Jensen) på smudstitelbladet. ** Førsteudgaven. Sammen med forgængeren 'Jeg har set verden begynde' en nyklassiker i dansk rejselitteratur.

Introduction by Stephen Sartarelli. Yale University Press, New Haven 1993. 248 pages. Illustrated in b/w. Original blue cloth in dustwrapper. Spine ends and corners lightly compressed. Owner's name on front free endpaper. Very good+/very good+ wrapper.

2 bind + 3 kassettebånd i tilhørende bind. Gyldendal, København 1982. 467 + 276 sider. Illustreret i s/h. Orig. hellærredsbind med smudsomslag. I orig. kassette. Smudsomslagene med smårifter.

Harry N. Abrams, New York 1997. Large 4to. 1000 pages. Illustrated in b/w and colour. Orig. cloth in dust wrapperNear Fine-/Very Good+. Name on flyleaf.

Munksgaard/Rosinante, København 1996. 1. udgave. 225 sider. Heftet med orig. omslag. Navn (Rune T. Kidde) på smudstitelbladet. * Med dedikation fra Peter Høeg på titelbladet.

4 volumes. Ward Lock & Company Limited, London 1972-76. Richly illustrated in colour. Orig. boards . Volume 1-2 with dust wrappers. Wrappers price clipped. Otherwise near fine/ near fine.