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Oldenburg, Fränckel 1841 First edition. XII, 84, 335; 489, (38) pp. + 1 folding table. Contemporary boards, rather worn, occasional foxing. First leaf (half-title?) is missing in both volumes.

J. Chevrel Libraire, Paris, 1917 (4), 199, (1) pp. Häftad med tryckt skyddsomslag. Ryggen med läsränder, rygghuvud och -fot obetydligt solkade, omslagen med ett par små veck. Med Albert Engströms namnteckning på skyddsomslagets framsida samt med dedikation från Wrangel till Engström på smutstitelbladet: "À mon cher ami Albert Engström en grande estime de pensée, Paris 28 Juin 1920".

Stuttgart, Ebner und Seubert 1846-1854. First edition. VIII, 654; XVI, 1008, (2), 1009-1742; XXII, 616, 617-1772 pp. Bound in 5 vols., contemporary half calf, spines gilt, but worn, internally fine.

George Prior Publishers 1976. 738, (1) + inlaid book-mark with list of "Qualifications & general abbreviations". Extensively illustrated. Publisher's blue leather-imitation boards with transparent dust-jacket. Head edges gilt. Just slightly loose in binding at head hinges. a well kept copy. With intruduction in English, French, German, Spanish and Italian.

Stockholm, Beijers 1900. XXXVI, 352; XIV, 414 s. + 1 porträtt + 3 kartor. Rikt illustrerad, många helsides. Samtida halvklotband. En karta med liten lagning, annars gott skick.

München, Hyperion Verlag 1911 Folio. CCCLIV, (2) pp. Publisher's vellum, some light miscolouring and rubbing. No. 1094 of an edition numbered from 101 to 1400 copies.

Braunschweig, George Westermann 1909. 25x20,5 cm. (6), 328 pp. With illustration and decorations by E.M. Lilien. Publisher's illustrated cloth. A very good copy.

Edinburgh, printed for A. Millar, London and A. Kincaid & J. Bell, Edinburgh 1762 First edition. 406, (42) pp. Contemporary full calf, , rather worn, upper joint partly damaged, title label on spine damaged, first blank leaf damaged, front hinge weak, otherwise internally very good.

Berlin, Verlag von Paul Parey 1893. First edition. 29,5x21,5 cm. VI, (2), 366, (2) (publ. cat.) pp. With 333 plans in the text, some full-page. Publisher's decorated cloth. Some rubbing to spine but overall a very good copy. Contemporary inscription on end-paper and title-page. Loosely added is a customs declaration from the publisher when the book was sent to Sweden 1893!

York (Penn), Fleming Book Company 1948. First edition. IX, (1), 341 pp. Illustrated. Publisher's cloth, no dust-jacket. A very good copy.

Primary Information 2022. 10 Pages. 8 x 5 inches. Paperback. New from publisher. TOP is an artist book produced by Aram Saroyan in 1965. Unfolding across eight multi-color pages, the concrete poem represents a top that spins from slow to fast to slow as the reader moves through the book. The colors and letters (comprising an obliquely glimpsed word) change in accordance with each page to notate the speed of the spinning top. Produced as an accordion fold with taped seams, TOP can be read as a book or unfolded to stand on a shelf or table.The original publication was printed on the off-set press at Academy Typing Service, owned and managed by the painter Virginia Admiral, the ex-wife of painter Robert De Niro, Sr. and mother of the actor. The press run, while projected to be 300 copies, was truncated at “around sixty” for reasons, says Saroyan, “no longer ascertainable.”In 2021, Primary Information and the artist decided to finish the edition, producing a facsimile edition of 240 copies. All are signed and numbered (beginning with 61).

Stockholm 1919-1972. Förlagets bruna halvfranska band. Fint skick.

Stockholm 1919 298, (4) pp. + 6 plates. Figures in the text. Publisher's printed wrappers. Spine faded, slight trace of folding on front wrapper. Nr 190 of 250 copies.

Nordisk Rotogravyr 1959. 140 s. Illustrerad. Häftad. Nötta och skavda omslag. Sune Jonssons debut.

Paris 1992. 28x20 cm. Title-plate + 5 plates, drawings by Yamamoto. Loose plates on cardboard in original corrugated cardboard folder. Folder and plates slightly dented.

Uppsala 1995. 51x29 cm. (9) s. + 11 dubbelsidiga kartor i färg + lös kommentardel (4) s. Förlagets halvfranska band i kassett. Nr. 433 av 990 numrerade exemplar.

Boris press 2020. Bibliofilupplaga. 26,520,5 cm. Opaginerad. + 1 silvergelatinfotografi. Illustrerad. Häftad. Redaktör och text: Linda Bergman. Ett av tjugotvå onumrerade exemplar av denna specialupplaga. Originalbilden med titeln "#627, 1982". Både fotografiet och boken signerad av Dawid.

Stockholm, Kjellberg & Åström [1875]. 4:o. Titelblad + 48 litografiska porträtt med tillhörande textblad. Förlagets dekorerade klotband, lätt nött, lite skadad upptill på ryggen, inlagan med enstaka fläckar. En andra serie utkom 1880.

Upsala, Johan Edman 1777. (8), 792 s. Lite senare halvfranskt band, ryggen delvis nött, inlagan delvis lagerfläckad, inre falsarna aningen svaga, försättsblad med namnteckningar och exlibris, annars huvudsakligen bra. Översatt från engelskan av Uno von Troil.

Stockholm, Lars Salvius 1762. (2), 46 s. Tagen ur band, enstaka fläckar.

Stockholm, Thule 1938. 28x18,5 cm. (12), 586 s. + 2 kartblad + 1 porträtt. Illustrerad. Förlagets halvklotband. (Nordiska Museets Handlingar 9.)

Paris [c. 1872] 36x26 cm. 240 pp. Richly illustrated. Contemporary half calf. A very good copy.

Helsingfors, Konstsalongen förlag 1946. 77 s. Illustrerad. Häftad.

Uppsala & Stockholm 1925. XVI, 400; 401-799 s. + 1 porträtt. Förlagets gröna klotband. Ryggen blekt, bakre pärm delvis blekt.

Lund, Ch. Bülow 1863-1871. (4), XXII, 112, (4); 256 s. Samtida halvfranskt band, ryggen något nött. Främre häftesomslag till del 2 medbundna. Del två av detta arbete utkom i tre häften, det sista häftet kunde endast erhållas direkt från författaren i Farhult, därav dess sällsynthet.