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Stockholm 1918-1995. Årg. 1-49 bundna i 33 klotband, biblioteksstämplar, resten i häften.

A. L. Norman. Lithografiska afdelningen 1872- 1873. 42 x 64 cm. Titelblad + 10 litografiska planscher med tillhörande 15 textblad. Parallelltext på svenska, franska och tyska. 26 separata blad. Titelbladet något naggat i marginalerna. Liten accessionsstämpel från bibliotek 1944. Häftesomslag bevarade endast till två planscher. [Gustaf Frumerie, född 1849, underlöjtnant vid Svea artilleriregemente]

Utrecht [i.e. Genève] * Amsterdam, chez Changuion 1767 + 1765. A reprint of the first edition, the same year. (8), 208 pp. + VIII, 304 pp. Bound together in near contemporary full calf, spine richly gilt, hinges partly slightly weak but overall very good. One leaf with a corner cut. Book-plate of John Stackhouse.

Stockholm, Carl Delén 1806-1812. (20), 270; (8), 342; (8), 376; (8), 286; (6), 354; (6), 388 s. + 1 porträtt av konungen efter Breda och graverat av A.W. Berndes +1 graverat titelblad till vol. 1 + 1 frontispis till vol. 4 + 11 planscher graverade av M.R. Heland, Fr. Bolt m.fl. Samtida halvfranska band (6 vol) med rik ryggförgyllning, bruna titeletiketter, gula snitt. Fin uppsättning. Första upplagan av detta verk utkom 1803 på franska.

Stockholm, G. Chelius [1895] 54x38 cm. 10 planscher i färg + 2 s. beskrivande text. Planscher och text lösa, som de utgavs, i originalmapp. Textens framsida lite brunad, lite naggad i kanten, mappen lite solkig, annars fint skick. Libris ger 3 s. text men vid jämförelse är texten densamma som exemplaren med 2 s. text, bara satt på ett annat vis. Den med 2 s. text saknar tryckår samt rubriken "Första serien".

Liliane Mantoux-Gignac 1998. 62 pp. + 8 plates. Unbound as issued in publisher's black cloth covers, in a black cloth slip-case. A near fine copy in a slightly soiled slip-case. The poems are translated by Jacques Outin. 8 signed linoengravings by Birgit Alm-Pons. The published edition is limited to 60 numbered copies of which this is number 36. Signed by Tomas Tranströmer [T. T.] and Alm-Pons.

Stockholm 1920. 4:o. 48 fruktplanscher i färg med textblad till varje samt titel, förord och innehållsförteckning. Förlagets halvfranska band med lätt guldornerad rygg, marmorerat snitt. Rygg och pärmkanter något nötta som vanligt.

Amsterdam, Wetsteins & Smith 1748. (4), LII, (6), 383; (10), 343; (10), 405, (53) pp. Contemporary full calf, spines richly gilt, red edges, minor wear. A few leaves with stains but overall a very good and clean set.

À Cologne, chez Pierre Marteau, 1725 (8), 439 (1) pp. + 2 engraved plates. Contemporary marbled boards. Owner's signature on paste-down endpaper. Spine and boards heavily rubbed, head of spine partly cracked. Interior with some faint, occasional dampstaining in the lower margin. Early (first?) edition of this anonymously published libertine novel sometimes ascribed to Antonio Gavin. Last page faultily paginated as page 446. Scarce. With two copies of the same engraved title-leaf, one at the beginning of the first part of the book, one at the beginning of the second part.

Signum 1994-2005. 29x21,5 cm. Ca. 6000 s. Rikt illustrerad. Förlagsband med skyddsomslag. Denna den senaste och mest omfattande svenska konsthistoria innehåller följande delar: 1.Stenåldern, bronsåldern, järnåldern. 2. Vikingatidens konst. 3. Den romanska konsten. 4. Den gotiska konsten. 5. Renässansens konst. 6. Barockens konst. 7. Frihetstidens konst. 8. Den gustavianska konsten. 9. Karl Johantidens konst. 10. Konsten 1845-1890. 11. Konsten 1890-1915. 12. Konsten 1915-1950. 13. Konsten 1950-1975.

Lutetiae Parisiorum, apud Ludovicum Billaine, 1661 (17), 2-178, (178), 179-460 (18) pp. Later half calf (ca 1900) binding with marbled boards, yellow tinted edges and gilt spine. Front board with Swedish book collector Hjalmar Lundgren's gilt monogram, paste-down endpaper with Lundgren's book-plate. Spine and joints slightly rubbed, lower corners slightly bumped, title-leaf and adjacent leaf with small ink spot, interior else fine. With parallell text in Latin and French. With Count Carl Gustaf Tessin's signature on the title-leaf. Carl Gustaf Tessin (1695-1770), son of architect Nicodemus Tessin the Younger and Hedvig Eleonora Stenbock, was a Swedish diplomat and politician. Apart from being one of the most prominent figures in Swedish political and cultural life of his time, he was also an avid art and book collector whose art collection laid the foundation of the collections of Nationalmuseum.

Lugduni, : Apud Joh: et Dan: Elsevirios. 1651 12vo. Engraved title page [precedes half title], 381, (3 blanks). Beautiful green morocco, gilt spine, gilt egdes and borders, ruled throughout, bound by Thouvenin. Worn corners, small scratchings and some minor soilings to rear board. Minor later annotations on the fly leaf, which has a small tear to inner margin. With two small pasted listings from auction catalogues. Page numbers vaguely written by hand until p. 150. From the library of Thore Virgin with his name on fly leaf. A very nice copy of the rare edition.

Whittaker & Co., London, 1834-1837. First edition. (2), 194; VIII, 231, (1) pp. + a total of 10 lithographed plates, of which 2 are fold-out plates. With illustrations in the text. Somewhat later (late 19th century) half-calf with marbled egdes and lavishly gilt spine with five raised bands. Front joint and edges of boards quite heavily rubbed, corners slightly bumped. Endpapers and plates quite heavily foxed, interior else fine. Two works related to the use and development of microscopes bound together in one volume. The first work is by Pritchard, the second work by Goring but edited by Pritchard. Both works in first editions.

Calmar, tryckt i Carl Fredric Bergs Boktryckeri, 1818 19 x 16,5 cm. 79, (1) s. Illustrerad med 38 träsnitt i texten. Häftad i samtida, marmorerade pappomslag med senare ryggremsa. Omslagen nötta, bakre omslaget med nagg i övre hörnet, främre falsen med revor om ca 4 respektive 6 cm intill rygghuvud och -fot. Inlagan genomgående tämligen kraftigt lagerfläckad, övre marginalen med liten genomgående fläck. Sidan 15 med liten nagg i nedre hörnet, sidan 47 med reva om ca 2,5 cm i marginalen, sidorna 59-62 lite hårt skurna i nedre marginalen. Niels Prahls danska original utkom första gången 1767, ett flertal svenska upplagor utkom mellan åren 1777 och 1822. Ovanlig.

Stockholm 1930-1931. Folio. (2), 158; 180 s. + 123 planscher med 200 fotografier av C.G. Rosenberg. 164 skisser, planer m.m. i texten, flera helsides och utvikbara. Förlagets pappband, ryggarna lite nötta, främre pärm till första volymen lite fläckad, annars gott skick. Tryckt i en numrerad upplaga om 475 exemplar, detta är nr. 102.

København 1966-1976. Fotografisk optryk. 27x19 cm. 11 volymer i förlagets klotband, en rygg lite bucklig men huvudsakligen en bra uppsättning. Utkom ursprungligen 1853-1854. Del 12 utgörs av register: nøgler, navne, kilder.

Augustae Vindelicorum / Argentorati, 1769, 1754. (20), LXXXVIII, 256; (2), 342; (12), 140, (4) s. Contemporary full calf with sprinkled edges, sparsely gilt spine label and spine, the spine with five raised bands. Spine and boards slightly rubbed, paste down endpaper with neat, contemporary inscription. Interior with one sheet loose, page 7 of the first part of Opera oratoria with paper loss at lower corner, part 2 with professionally repaired tear on page 117, interior else with a couple of tiny spots and creases, else fine. Johannn Daniel Schöpflin (1694-1771), was a professor of history, rhetoric and law at the university of Strasbourg. Schöpflin was also a teacher of Goethe during the years of 1770 and 1771. All in all a well-kept volume with both parts of Schöpflin's Opera oratoria bound together with his study of celtic languages, Vindiciae celticae.

London, printed for T. Payne and B. White 1781 (IV), 426 pp. Contemporary full calf, rebacked, old, worn spine mounted on new one, worn at extremeties, Internally very good. From the library of H. Bradley Martin with his book-plate inside front cover.

Verlag M. DuMont Schuberg 1970. First edition. 29 x 27 cm. XXIX, (1), 504 pp. + 203 plates in black and white and in color. Publisher's gilt-stamped blue cloth with dust jacket. Jacket with a couple of small tears, creases and soiling on spine. Neat pencil annotation on endpaper. A very good copy, in slip-case. Catalogue raisonne of Kandinsky's graphic works. Text in German. Heavy book - extra postage outside Sweden.

London, Paris & New York, Cassell, Petter, Galpin & Co. [1891] 4:o. VIII, (2), 664 pp. + 28 chromelithographed plates. Illustrations in the text. A later, not so charming, hardcover. Still in very good condition.

Leipzig, Karl Baedeker 1883. First edition. LII, 442 pp. + 20 maps and plans (some folding). Publisher's cloth, minor wear, front hinge slightly weak, tear to one map, still overall a very good copy.

London, printed for W. Bristow 1763 (2), IV, II, IV, 83 pp. + engraved frontispiece portrait. Later half cloth, recto of portrait with old ownership stamp. A very good copy. Nash (1674-1761), master of ceremonies in Bath, famous dandy who played a leading role in making Bath a fashionable resort in 18th-century England.

N.p. n.d. [19222?] 15x12,5 cm. 21 pp. With 11 engravings by Glas, coloured by hand, the text is also engraved. Original limp vellum, original drawing on upper cover, monogram signed. A few tiny spots to cover, otherwise a very good copy. Last page says "Probedrück", written by hand in pencil.

Berlin & Braunschweig 1921-1970. Illustrated. 31 volumes, cloth, occasional neat underlines in the text. A fine set.

Stockholm & Göteborg 1874-1942. Varje volym innehåller ca. 600 s. + flera planscher och kartor. Illustrationer i texten. Bundna i 13 samtida halvfranska band. Genomgående gott skick. Bidrag till kännedom. . . var föregångaren till Göteborgs och Bohusläns Fornminnesförenings tidskrift som fick detta namn från 1914. Utgavs häftesvis men med bandnumrering där varje band täcker flera år. Vol. 1 innehåller bihanget: Ordbok öfver allmogemålet i Sörbygden, av Nils Fr. Nilén.