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Hans Reitzel, 1960. 515 pp. Hft. Omslag slidte men indvendig rent og ulæst sæt. Første Danske udgave.

Köln: Anaconda Verlag, 2012. Hardcover, mit OU und Lesebändchen. 414 Seiten. Umschlag berieben sonst sauber und innen gut erhalten, ungelesenes Exemplar.

Forlaget Anis, 1992. 96 pp. Hft. Navn.

White Rabbit, 2023. Paperback. 288 pp. With illustrations. Fine copy.

Politisk Revy / Rævens Sorte Bibliotek, 2001. 351 pp. Hft. Illustreret. Om bl.a. Sophie Calle, Boris Mikhailov og Christian Boltanski.

London: Profile Books, 2019. Paperback. X, 691 pp. Fine clean copy.

Copenhagen: Christian Ejlers' Forlag, 1985 (1947 - 1948). 4to. Original b/w paperboards with photoillustrated dustjacket. Unpaginated (150 pp.). Text by Hans Scherfig (in Danish). Photography by H. (Helmer) Lund Hansen. Near fine well preserved copy. Reprint edition of classic Danish photo book that includes several in a Danish context iconic photographs. The 1947 edition was chosen as one the 28 most important Danish photo books for the catalogue and exhibition '28 Danish Photographic Books' (2006) in connection with exhibition 'The Open Book' by The Hasselblad Centre (2004).

Signet paperback, 1956. 2367 pp. Somewhat worn. With the name of Kells Elvins handwritten to innercover, and dated 1958. Charming copy with an interesting provenance: This copy has belonged to and is signed by Kells Elvins (1913-1961), best friend of William S. Burroughs and who co-wrote "Twilight's Last Gleamings" and ignited Burroughs writings that would become Junky.

Museum Schloss Moyland, 2007. Tall 4to hardcover. 96 pages, illustrated. German text with English translations at end. Light shelfwear to corners else clean and fine copy. CD looks unplayed. First edition. Volume one in the series. 1. ed.

S. Fisher Verlag, 1958. Gebunden ohne OU (hardcover). 876 Seiten. Eine Thomas Mann Briefmarke auf Titelseite eingeklebt - insgesamt gutes Exemplar. Erschienen als Teil der Stockholmer Gesamtausgabe.

Chicago: Donald Young Gallery, s.d. (1987). Oblong in wraps. (24) pp. Illustrated throughout. Near fine clean copy. 1st edition.

Forlaget Rosinante, 2012. Hæftet med orig. omslag. 284 sider. Med håndskrevet dedikation fra Charlotte Roche til "Kuss für Jesper from Charlotte Roche / Thank you for the great interview!!". 1. danske oplag.

abc, 1999. hardcover. 26 sider. Illustreret i farver.

Eks-Skolens Forlag & Tranegården Gentofte, 1978. 8vo. Upagineret. Heftet. Litografiske illustrationer. Pænt eksemplar. Første udgave, 1. oplag

Gyldendals Bogklub, 1992. 158 pp. Hft. Pænt eksemplar.

Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear. Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.

Forlaget Samleren, 1981. 428 pp. Hft. Omslag med brugsspor, indvendig ren.

Committee for International Art Exhibitions, 1988. Square small4to. Original colourillustrated wrappers. 79 pp. Illustrated in colour. Full text in both Italian and English. Fine copy. Fine introduction to the works of Poul Gernes. 1st edition.

Gyldendal, 1906. Pænt samtidigt halvlæder med titel i guld. 380 sider.

Gallerie Faurschou, 2005. Original softcover. 34 pp. Illustrated in colour. Clean copy.

Penguin Books, 1994. XVIII, 118 pp. Paperbnack. Fine clean and unread copy.

Bloomsbury Revelations, 2016. XVI, 230 pages. Paperback as issued. Very good clean copy.

London: Lorrimer Paperback, 1968. 123 pp. Illustrated b/w. Text in English. Very good copy.

Gyldendal, 1965. Indbundet i det originale hardcoverbind med omslag. 384 pp. Klassisk udgave. Pænt eksemplar.

Forlaget Vindrose, 1999. 211 pp. Hft. Første udgave, 1. oplag. Pænt ulæst eksemplar.