Search Results

Brussels 1969. 30x27. 128 pp.+ 35 tipped-in plates, 14 in colour and 21 of drawings and prints. Publisher's cloth. Edition limited to 550 numbered copies, of which the present is no. 455.

London, Azimuth, 1996. 30x20. 264 pp. 148 reproductions, 72 full-page, 60 in colour including 43 full-page. Publisher's boards, dust jacket.

Dresden, Verlag der Kunst, 1959. 27x21. 328 pp. + tipped-in portrait photo. Ca 160 reproductions of woodcuts and drawings (nearly 100 full-page) and 60 full-page reproductions of paintings (12 in colour). Publisher's pictorial linen cloth, a fine copy. Includes texts by Stefan Zweig, Pierre Vorms, and Gerhard Pommeranz-Liedtke, and a comprehensive bibliography of published woodcut suites, illustrated books, and important publications on Masereel, by Hanns-Conon von der Gabelentz.

(Paris & Cambridge, Mass.) 1972. 16x21. 64; + 68 pp. Ca 200 photos and (mainly) reproductions of perspectives, sketches, elevations, plans etc. (5 in colour). Pictorial wrappers. (Fondation Le Corbusier en collaboration avec Harvard University). "The documents reproduced come from the personal archives of Le Corbusier". Bilingual French/English captions to all reproductions.

London 2005. 33x25. 216 pp. 315 photos, nearly 300 in colour, and 36 drawings of garments including 24 with cutting patterns. Publisher's gilt-lettered boards, dust jacket.

New York & Washington, Praeger, 1972. 22x18. 200 pp. 104 reproductions including 10 full-page in colour + portrait photo. Publisher's cloth. Includes nine interviews with Lichtenstein, and texts by Robert Rosenblum, Lawrence Alloway, Gene Baro, Nicolas Calas, and others.

Berkeley ... University of California Press, 1978. 28x22. XII+188 pp. 50 mostly full-page reproductions of drawings and designs etc. Publisher's cloth-backed boards, a fine copy in dust jacket with sunned backstrip and a small closed tear. Enclosed are two letters (typed and hand written respectively) from the author to Per Bjurström.

(London 1841) Facsimile edition, London / New York, Academy Editions / St. Martin's Press, 1973. 29x21. XVI+80 pp. including full-page reproductions of the nine plates with ca 30 drawings; ca 70 additional drawings in the text (two coloured); title leaf and frontispiece printed in black and red. Publisher's boards, dust jacket. Ove Hidemark's name in ink on half title page. An important work by the prophet of Gothic Revival, arguing for the superiority of Gothic to any rival architectural style. Facsimile reprint of the first edition, with a new foreword by Marina Henderson.

Paris: Société Française du Livre / Fribourg: Office du Livre, 1980. 28x25. 252 pp. 254 photos (55 full-page, ca 40 in colour including 30 full-page) and 60 drawings. Publisher's cloth, dust jacket, in cardboard slipcase.

Tampere 1995. 29x20. 252 pp. Ca 100 drawings and plans (70 full-page) and 100 photos. Pictorial wrappers. Ove Hidemark's name on title page. (Tampere University of Technology, Department of Architecture: Publication of the Laboratory of Building Anatomy and Pathology, 4).

New York 1990. 23x23. 96 pp. Ca 370 colour photos. Pictorial boards with a plastic snowdome set into front cover, with "snow flakes" in liquid gel. Extensive pictorial documentation of snowdomes through the decades, compiled by a collector.

Berlin, Wasmuth, 1911. 29x21. II+102 pp. + 6 pp. adverts. Ca 120 photos and perspectives and 20 elevations and plans. Printed wrappers, some chipping from backstrip and back cover. (Sonderheft der Architektur des XX. Jahrhunderts, 9).

New York, Reynal & Hitchcock, 1944. 28x22. X+146 pp. 100 full-page or nearly full-page reproductions including 10 in colour. Publisher's printed cloth. A good copy of the first edition, although binding slightly shaken and exterior lightly faded with insignificantly stains, and tiny wear to extreme corner tips.

Roma, Università degli Studi di Roma "La Sapienza", 1997. 30x21. 220 pp. Ca 180 photos and 220 plans, drawings, and reproductions of old renderings. Pictorial wrappers. Scholarly, comprehensively illustrated historical study of the architecture of Villa Borghese in Rome and its garden

Ostfildern-Ruit, Hatje Cantz, 2004. 23x28. 232 pp. 130 photographs (100 full-page including ten in colour) plus 40 photos in the text. Publisher's blind-lettered boards, dust jacket, as new. Includes essays by Ulrike Schneider, Rolf Sachsse, Thomas Weski, and Ulf Erdmann Ziegler; biography, bibliography, and catalogue of the photographs.

Stockholm 1989. 27x22. 244 s. 137 färgreproduktioner (103 helsides) och 18 foton. Tryckta omslag med illustration, i fint skick. (Moderna Museets utställningskatalog, 232).

München. Hirmer, 1994. 28x24. 264 pp. Nearly 200 reproductions and photos, 82 in colour including 25 full-page. Publisher's cloth, dust jacket, very fine. Splendid catalogue of an exhibition of Roman ruins in Italian 18th-century art, with scholarly essays and scientific descriptive catalogue of paintings, watercolours, prints, and models.

Montreal & Kingston ... McGill-Queen's University Press 1994-99. 23x17. VIII+280; + X+326; + XII+340 pp. Altogether ca 430 photos and reproductions of architectural designs etc. Pictorial wrappers.

Stockholm 1946. 26x19. XII+470 s. + utvikbar plansch + 2 utvikbara tabeller. Tryckta omslag med illustration. Delvis ouppskuret exemplar med läsveck på ryggen.

London 1894. 24x16. XII+186 pp. + 7 plates with two plans, one photograph and five perspective drawings. 12 drawings in the text. Publisher's cloth, top edge gilt, other edges untrimmed. A nice copy with minor exterior rubbing and very light foxing of endpapers and initial & last leaves. The three periods are At Work, Asleep, and Awakening, the author hoping that England is entering the third period.

New Haven & London, Yale University Press for the Paul Mellon Centre for Studies in British Art, 1991. 28x25. VIII+294 pp. 417 photos including 36 in colour and 15 full-page. Publisher's cloth, dust jacket, very fine.

London 1989. 28x22. XVI+96 pp. Ca 120 reproductions (85 of colour renderings, including 27 full-page) and 12 photos. Pictorial wrappers. A very good copy with, on first page, the bookplate of Arthur Hald (former chairman of the the Swedish design association Svenska Slöjdföreningen). (Architectural Design Vol. 59: No. 7/8).