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Moskva & Leningrad 1951. 28x21. 152 pp. + 3 folding plates + 3 coloured plates. 17 plans and ca 130 photos of buildings (exterior and interior) and reproductions of architectural drawings. Publisher's printed cloth-backed boards. (Mastera Russkoi Arkhitektury). A monograph on the architect and townplanner Carlo Rossi (1775-1849) who designed the major part of the centre of Saint Petersburg.

(Paris), Hachette, 1974. 21x14. 192 pp. including double-page reproduction from Yves Klein manuscript of Symphonie Monoton-Silence. Pictorial wrappers.

Stockholm 1953. 22x15. 216 s. + 16 blad med 45 foton och reprod. Fint rött halvmarokängband, övre guldsnitt, båda originalomslagen medbundna.

Milano, Il Balcone, 1947. 16x12. 132 pp. including five folding leaves. 32 full-page photos, five full-page plans, and portrait photo. Printed foldout wrappers. Former owner's label on first, blank page. (Architetto del movimento moderno, 2).

Cambridge, Mass. & London 1990. 33x25. 248 pp. Hundreds of photos, photo collages, designs and plans. Publisher's cloth, dust jacket. Facsimile anthology of articles printed 1943-1959 in the distinguished 'Arts & Architecture' magazine published and edited by John Entenza from 1938 to 1962; with introduction by Goldstein and an essay by Esther McCoy who wrote regularly for the magazine. Illustrated articles by/on Eames, Buckminster Fuller, Soriano, Konrad Wachsmann, Gregory Ain, Paul Rudolph, Candela, Niemeyer, Nakashima, Burle Marx, Noguchi, George Nelson, Gyorgy Kepes, Moholy-Nagy, etc.

Beograd 1922. 25x18. XX+336 pp. 225 photos, plans and drawings. Printed wrappers. Partly unopened. A scholarly history of Serbian church architecture and sculpture of the 9th-15th centuries. Serbian text in cyrillic script.

Uppsala 1913. 24x16. 76 s. Tryckta omslag, ryggen förstärkt med marmorerad pappersremsa. Ovanlig. (Uppsala Universitets årsskrift 1913, Program 2).

Kjøbenhavn 1892. 53x42. IV+42 pp. + 8 plates with elevations, perspective, plan, section, and detail drawings. 8 drawings (two full-page) and one photograph in the text. Cloth-backed; dampstain in outermost margin. Measured drawings of the Helligåndskirken (Church of the Holy Ghost) in Copenhagen which originated as a hospital in the late 13th century, was converted into an abbey in the 15th and into a parish church in the 16th century, and restored after a fire in 1728.

Berlin 1886. 28x20. VI+446 pp. + 54 plates, 13 of which are folding, including two coloured. 332 drawings and plans in the text. Publisher's richly decorated cloth, spine slightly dulled. Classic history of German architecture written by an architect and art historian who was among the first group of German art scholars to consider the Baroque an area worthy of art historical study.

Marseilles, Parenthèses, 1990. 30x20. 120 pp. Ca 100 photos and 48 drawings and plans. Pictorial wrappers.

Stuttgart (1922). 29x23. XII+192 pp. including 167 pages with 1695 photos of engraved gems and cameos. Gilt-lettered quarter cloth (binding slightly weakened). Edward Hald's name on endpaper.

New York, David Anderson, 1975. 22x22. 72 pp. + 10 tipped-in colour plates. 49 black-and white reproductions, all but one full-page, and one portrait photo. The tipped-in colour reproductions are superimposed on black-and-white reproductions of the same painting. Publisher's printed cloth, dust jacket. Signed by Lester Johnson and Burt Chenow. Includes introductory statement by Harold Rosenberg.

New York, Whitney Museum of American Art / Abrams, 1987. 29x22. 296 pp. 264 reproductions and photos, 87 in colour including 28 full-page. Publisher's silver-lettered cloth, dust jacket, as new. Published in conjunction with an exhibition held at the Whitney Museum.

Leipzig 1918. 22x16. XII+132 pp. 33 drawings and diagrams. Publisher's printed boards, neat cloth rebacking. (Die Farbenlehre, 1).

Stockholm 1979. 21x15. 128 s. 68 (62 helsides) foton av närmare 100 pistoler samt några detaljer. Tryckt förlagspappband med illustration. Dedikation från författaren till Dag Widman. Biografiska artiklar om fyrtio svenska pistolsmeder under 1700-talet. // A standard work on Swedish 18th-century pistol smiths.

Wien, Hochschule für angewandte Kunst, 1978. 21x29. 184 pp. Ca 400 photos and reproductions (34 full-page and 65 in colour) including ca 100 of furniture. Pictorial wrappers. A classified documentation of houses, shops and cafés, furniture, metal and glass ware etc. and a catalogue of Haerdtl's works as well as a catalogue of his assistants and students.

München 1980. 24x22. 310 pp. More than 600 photos and reproductions (7 full-page in colour) including ca 100 of furniture. Pictorial wrappers. Fully illustrated catalogue of an exhibition at the Germanische Nationalmuseum Nürnberg with studies by Schuster, Klaus-Jürgen Sembach and others.

Paris 2001. 28x21. 448 pp. Ca 560 reproductions (58 in colour including 17 full-page). Publisher's gilt-lettered cloth, dust jacket with small repaired tear. Standard work including Catalogues Raisonnés of the work of Pierre Patel and Pierre-Antoine Patel respectively as well as of rejected works, and engravings after works of the Patels; Chronology, Catalogue of works at 18th-century sales, Bibliography, and index.

(Stockholm), The Swedish Institute & Swedish Museum of Architecture, 1992. 30x24. 256 s. Ca 480 photos (70 full-page) including 340 in colour. Publisher's pictorial boards. Superb, chronologically arranged photographic selection of 20th-century Swedish architecture, with fine old black and white as well as new colour photos (the latter mainly by Max Plunger). Ca 120 architects are represented, listed at the end of the book with references to illustrations. Text by Jöran Lindvall and four other contributions: Torsten Westman, 'Town-planning in the 20th century'; Carin Boalt, 'Social and functional demands on housing; Kerstin Kärnekull, 'Housing management and renewal; Jan Söderberg, 'The construction process'.

Madrid 1998. 35x27. 208 pp. including 154 pages, each with one with reproduced photograph. Introductory texts by José Antonio Marina and others. Publisher's printed cloth, dust jacket. A selection of Ortiz Echagüe's remarkable photographs, published in conjunction with an exhibition arranged by the Legado Ortiz Echagüe - Universidad de Navarra.

London, Muller, 1972. 27x22. XII+ 216 pp. including 91 pages with photos of ca 2600 buttons on red background and nine pages with drawings of 616 buttons. Publisher's red rexine, in rumpled dust jacket with small repairs. Former owner's bookplate inside front cover. An authoritative illustrated guide identifying buttons in a variety of materials and an extensive range of categories.