Search Results

München; Kunstraum München, 1986. 27x21 cm. 85, (1 blank) pp. Illustrated. Original printed wrappers. Spine is a bit faded and there is a small stain on front wrapper. A fine copy. Catalogue of the exhibition at Kunstraum München, Institut für moderne Kunst Nürnberg, and Galerie Emmerich-Baumann in Zürich, where Virnich exhibited 120 sculptures and objects. The catalogue was issued in 1200 copies. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Stockholm; Tidens förlag, 1943. 19x12,5 cm. 20 s. Klammerhäftad med tryckt omslag. ""1934"" skrivet med blyerts på främre omslag. Genomgående svagt hörnveck upptill. Fint ex. Här redogör Hansson för grunddragen i den överenskommelse som slöts vid 1933 års riksdag, där linjerna för den svenska strategien för att komma till rätsida med följderna av den ekonomiska krisen drogs upp.

[New York]; West Virginia Pulp & Paper Co., [1926]. 31x23,5 cm. (2), 287-297, (1) pp. Illustrated. Original printed wrappers, stapled. Spine is insignificantly rubbed. A fine copy. Advertising periodical from the West Virginia Pulp & Paper Co., showing examples of typography, graphic design, and paper manufactured at their mill.

Bodafors; Doxa, 1985. Diss. (Lunds Univ.). 22,5x14,5 cm. (8), 680 s. Förlagets klotband med förgylld ryggtitel, skyddsomslag. Omslaget aningen veckat vid rygghuvudet. Bra skick. With a summary in English. Med en dedikation från författaren till Bertil Romberg.

Uppsala; A.-B. Lundequistska Bokhandeln, 1959. Diss. Frontispiece, 239 (1) pp. Original printed wrappers. Unopened. Very fine. Presentation copy inscribed by the author to Professor Carl Fehrman. ""There exists no exhaustive treatment of the books that he wrote during a few years of hectic activity in the early eighteen-twenties, the only period in which he created works with any claims to real artistic merit. The present study is an attempt to investigate the themes and narrative methods of the stories of this period. I have, however, ignored the later of his first two historical novels, both published in 1823, and I have paid no more than slight attention to some ephemeral stories from this time."" (preface).

Stockholm, 1950. 23,5x16 cm. 575-583 s. Häftad med tryckt omslag. Genomgående hörnveck nedtill, annars ett fint ex. På bakre omslagets insida har Järv klistrat in ett foto av sig själv vid skrivbordet och skrivit: ""Åke Anderssons unika bibliofilexemplar med författarens porträtt och namnteckning"", samt signerat det hela. Mottagaren var antikvariatsbokhandlare i Stockholm.

Stockholm; Norstedts, 1999. (Nationalupplagan av August Strindbergs Samlade Verk 64). 22x15,5 cm. 565, (1 blank) s. Förlagets röda klotband med tryckt skyddsomslag. Fint ex.

Stockholm--Roma; Casa editrice Italica, 1980. (Biblioteca di cultura, diretta da Giacomo Oreglia. Collana di poesia svedese X). 22x14,5 cm. 119, (7) pp. Publisher's linen with printed dustjacket. A fine copy. With a preface by Gustafsson. Bilingual edition.

Stockholm; Bonniers, 1914. Originalupplaga. 18,5x12,5 cm. 357, (1 blank) s. Samtida ljusbrunt halvklotband (Hjalmar Petersson, Karlstad) med ryggetikett i rött skinn, marmorerade pärmpapper och stänkmålade snitt. Omslag ej medbundet. Fint ex.

Paris; Modern-bibliothèque, [1906]. 24,5x17 cm. 127, (1) pp. Later green cloth with gilt title on spine, sprinkled edges. Front wrapper preserved. The front wrapper is slightly spotted and has a professionally mended tear in outer margin. A minimal tear in outer margin of pp. 21/22. A few leaves have a small cornerfold. A well-preserved copy. With the bookplate of Austrian diplomat Carl Buchberger (1887-1974) on front paste-down. Hermant's satire of the Belle Époque manners was first published without Dutriac's illustrations in 1894.

Baden-Baden und Stuttgart; Diana Verlag, [1952]. 21x16 cm. xiii, (1, 2 blanks), 774, (1, 1 blank) pp. + 20 leaves of plates + folding map. Publisher's brown cloth with gilt lettering on spine and front board. Spine is slightly faded. Fine. Bookplate of Ingmear Niklasson on front paste-down.

Örebro; Tryckeriföreningen Solid u.p.a., 1919. 51, (1 blank) s. Häftad med tryckt omslag. Omslaget med några svaga fläckar samt ett hörnveck på främre omslag. Några fläckar på sista blanka sidan. Bra ex. En tidig skrift av Severin, som bl. a. Var redaktör för tidningen Syndikalisten.

Stockholm; Norstedts, 1882. 19x13 cm. xvi, 202 s. Samtida gråbrunt havlklotband med förgylld ryggtitel och marmorerade pärmpapper. Främre omslaget medbundet. Dedikation på främre omslaget: Till Akademi-adjunkten K. Söderwall / vänskapsfullt af förf."" Mottagare var språkforskaren Knut Fredrik Söderwall (1842-1924).

Stockholm; Bonniers, 1961. (Panacheserien). Originalets titel: Le Planétarium (Paris 1959). Översättning av Eva Alexandersson. 19,5x12 cm. 268, (1) s. + förlagsreklam. Häftad med tryckt omslag. Ouppskuren. Det överdimensionerade omslaget är aningen veckat i nedre marginalerna. En liten fläck i yttermarginalen på s. 201-204. Fint ex. Första svenska utgåvan. Original printed wrappers. Unopened. The oversized wrappers are a little creased in lower margins. There is a small stain in outer margin on pp. 201-204. A fine copy. First Swedish edition of Le Planétarium.

Lund; Lund University Press, 1993. (Bibliotheca Historico-Ecclesiastica Lundensis 31). Diss. 22x15,5 cm. 280 s. Häftad med tryckt omslag. Tidigare ägares namnteckning i bläck överst på titelbladet. Fint ex. Doctoral dissertation with summary in German and enclosed paper with abstract in English: The Idea of Death in Swedish Romanticism. The Idea of immortality and faith or resurrection at three Swedish Poets: P. D. A Atterbom, J. O. Wallin and E. J. Stagnelius. From the library of Bo Holmberg (1957-2024), Professor of Semitic Languages.

London; Reaktion Books, 2020. 24x16,5 cm. 207, (1 blank) pp. Publisher's boards with printed dustjacket. A fine copy. From the library of Bo Holmberg (1957-2024), professor of Semitic Languages.

Uppsala, 1900. Diss. 22x14,5 cm. viii, 137, (1 blank) s. Samtida grönt halvklotband med ryggetikett i brunt skinn, marmorerade pärmpapper och mönstrade försättsblad. Exlibris för G. E. Berndt samt Vagn Johannsen. Namnteckning på första blanka bladet (J. Oskar Andersen, 1904). Rygg och pärmhörn lätt nötta. Ett par småfläckar på främre snittet. Fin inlaga.

London; Methuen, 1963. 22,5x14,5 cm. xii, 25, (1 blank) pp. + 4 leaves of plates. Publisher's blue cloth with printed dustjacket. Lower front panel of the jacket is slightly creased. Spine ends are a little bumped. A fine copy. Contains, for instance: J. McN. Dodgson: Sir Gawain's Arrival in Wirral / Olof von Feilitzen: Some Continental Germanic personal names in England / Kr. Hald: The cult of Odin in Danish place-names / Helge Kökeritz: The Anglo-Saxon unicorn / David Thomas: Whence the Semicolon? Thoughts on sign and signal in Western script. From the library of professor of English Claes Schaar (1920-2012) and with review slip laid-in.

Göteborg; Etnografiska Muséet, 1974. Etnologiska Studier 33. 190 pp. Original printed wrappers. Unopened. With translations and transcriptions of Cuna lullabies. With 18 figures.

Stockholm; Norstedts, 1996. 26,5x20,5 cm. 413, (2, 1 blank) s. Illustrerad. Förlagets pappband med tryckt skyddsomslag. En liten fläck på övre snittet. Fint ex.

New York; George Braziller, 1978. 28,20,5 cm. 119, (1 blank) pp. Illustrated. Original printed wrappers. Rear wrapper is a bit toned in the inner margin. Front wrapper has a minimal cornerfold. Book-sellers label on the half-title, where ""1985"" is also written with pen. ""Mughal patrons and artists doted on the world and its inhabitants. No pains were spared to record them realistically in life-oriented pictures, usually of people and animals. The people were exceptional - some of mankind's most extraordinary worldlings and wisest saints, shown in dept, to be scrutinized inside and out. All the folios reproduced here were made for the Mughal emperors of India or the their immediate families during the sixteenth or seventeenth centuries. They were intense essences of their culture, showing emperors and their courts in elaborate settings, scenes of suspense and excitment depicting hunts, demons, and elegant elephants, as well as a group of striking genre scenes in which subtle rendering of light, learned from European painting, imparts a poetic quality that provides a striking contrast to the highly finished treatment of the royal portraits."" (rear wrapper). From the library of Sten Åke Nilsson, Swedish Professor of art.

Stockholm; Fritzes, 1921. 19,5x13 cm. 196 s. Osignerat samtida grönt halvfranskt band med ryggetikett i rött skinn, förgylld ryggdekor, marmorerade pärmpapper och försättsblad, övre guldsnitt. Främre omslaget medbundet. Omslag av Lydia Skottsberg. Ryggen något blekt. Obetydligt nötta pärmhörn. Fint ex.

Stockholm; A. Berndtsons Förlag, 1909. 19,5x13 cm. 45, (2, 1 blank) s. Häftad med tryckt omslag. Namnteckning (Hjalmar Jakobsson) på främre omslag. Fint ex.

London; Andre Deutsch, 1968. Original title: Dans mot mörk botten (Stockholm, 1964). 24,5x15,5 cm. 157, (1) pp. + 8 leaves of photographic plates. Publisher's boards with printed dustjacket. Jacket design by Simon Stern. Spine ends are slightly bumped. A fine copy.

Nyköping, 1899. Diss. 24x16 cm. (2, 2 blanks), 136, (1, 1 blank) pp. Original printed wrappers. Mainly unopened. Spine and wrappers are slightly soiled and a little torn. Contents are fine.