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Stuttgart, Hatje, 1992. 28x23. 146 pp. Printed wrappers. One hundred categories of "objects" illustrated with altogether ca 320 photos and reproductions, with descriptions and installation intructions by Greenaway, bilingual in English and German. Published in conjunction with an exhibition arranged by the Akademie der bildenden Künste, Wien.

Malmö 1925. 28x22. VIII+188 pp. 20 tipped-in colour plates and ca 220 photos. Printed wrappers. Excellent copy kept in original cardboard case. A survey published to coincide with the Paris 1925 Art Deco Exhibition. Illustrations include furniture and light fixtures designed by Gunnar Asplund, Carl Hörvik, Uno Åhrén, Carl Bergsten, Osvald Almqvist, Axel Einar Hjort, Carl Malmsten and others, as well as glass, ceramic and metal ware, textiles, etc. designed by i.a. Simon Gate, Edward Hald, Wilhelm Kåge, Edgar Böckman, Carl Milles, Jacob Ängman, Anna Petrus, and Märta Måås-Fjetterström.

New York: Whitney Museum of American Art / New Haven & London: Yale University Press, 2007. 30x24. 240 pp. Ca 190 reproductions and photos, 70 full-page, 70 in colour including 48 full-page. Pictorial wrappers, printed card jacket, as new. Published on the occasion of an exhibition held at Whitney Museum

Leningrad 1962. 26x20. 200 pp. 122 reproductions of drawings and renderings. Publisher's printed cloth, lightly edgeworn dust jacket. Descriptive, classified catalogue and study of extant drawings by the Italian architect Giacomo Quarenghi who was active in Russia between 1779 and 1817.

Madrid 2016. 33x24. XVI (adverts.) + 288 pp. Ca 350 photos (230 in colout including 48 full- or double-page) and 200 plans and drawings. Publisher's pictorial flexible boards. Bilingual text and captions in Spanish and English including a conversation with Manuel and Fransisco Aires Mateus, and an essay by Luis Martínez Santamaria. (El Croquis, 186).

Zurich 1978. 25x26. 204 pp. Ca 350 reproductions and photos of logotypes, package designs, signs, etc. (more than 120 in colour). Publisher's printed leatherette-backed boards, a fine copy. All text and captions trilingual in English, German and French.

Svolvær & Munkfors, Syntrykk, 1994. 30x21. 144 s. Ca 70 färgreproduktioner (de flesta dubbel- respektive helsides i färg). Tryckt förlagspappband med illustrationer, i nyskick.

Madrid 2014. 33x24. VIII (adverts.) + 360 pp. Ca 330 colour photos and renderings (50 full- or double-page) and 460 plans and drawings (more than 200 coloured). Publisher's pictorial flexible boards. Bilingual text and captions in Spanish and English, including a conversation with Steven Holl and associates, and an essay by Thomas de Monchaux. (El Croquis, 172).

Stockholm 1886. 32x24. 24 s. + 2 fotogravyrplanscher med skyddsblad. Blågröna originalomslag med tryck i svart och rött. Ouppskuret ex. (Svenska slott och herresäten).

Stockholm: Almqvist & Wiksell International / Totowa, New Jersey: Rowman and Littlefield, 1977. 23x16. 428 pp. More than 200 reproductions and photos. Publisher's cloth, dust jacket, very fine.

Wels, Most Press, 2009. 32x30. 132 pp. 101 full-page photos. Publisher's black, silver-lettered satin cloth, dust jacket. A fine copy, signed by Hoflehner on the title page.

White River Junction, Vermont 2007. 25x20. XIV+266 pp. Ca 250 colour photos including 28 full-page. Pictorial wrappers, as new. Thoroughly revised edition.

München 2007. 26x29. 248 pp. Ca 370 colour photos including 210 full-or double-page. Publisher's boards, dust jacket. as new. Extensive pictorial survey of Russian Avantgarde architecture from 1922-1932 with index of buildings and names as well as an index of the seventy-five architects represented, listing their most important projects.

New York, Knopf, 2017-20. 24x19. VIII+694; + X+678 pp. Ca 720 photos and reproductions including more than 250 in colour. Publisher's boards, dust jackets, as new.

(Paris, Galerie de Seine, ca 1971). 21x16. 124 pp. 50 reproductions and photos, 42 full-page including 11 in colour. Pictorial wrappers. No. 1595 of 2000 copies. Inscribed "Cordialement a Karlo Derkert, Papazoff" to the Swedish Moderna Museet protagonist Carlo Derkert. Includes texts by Oskar Kokoschka, Waldemar George, Maurice Raynal, André Salmon, Robert Desnos, Tristan Tzara, and others.

Madrid 2016. 33x24. XVI (adverts.) + 280 pp. Ca 350 colour photos and renderings (30 full- or double-page) and 270 plans and drawings (150 coloured). Publisher's pictorial flexible boards. Bilingual text and captions in Spanish and English including a conversation between the architects and an essay by Timothy Hyde. (El Croquis, 184).

Frankfurt am Main, Museum für Kunsthantwerk & Berlin, Museum für Islamische Kunst 1993. 30x23. 424 pp. including 120 pages with 149 colour photos. More than 250 drawings of patterns, motifs, etc. in the text. Publisher's pictorial boards, as new.

Stockholm 1958. 29x21. XII+436 pp. + 8 colour plates. 512 photos and drawings. Publisher's half black leather. Swedish standard work on the art history and techniques of glass making. Ehresmann 717: "Good, serious history of European glass, with emphasis on Scandinavia."

Berlin 1913. 18x20. XXII+132 pp. Ca 170 plans, elevations, perspectives, etc. including 85 full-page. Contemporary half red leather with marbled boards and marbled edges, some light rubbing. Pictorial card covers bound in, the front cover somewhat unevenly faded. (Sonderheft der Berliner Architekturwelt, XII). A survey of the projects submitted to the 1910 and 1912 competitions for a new Royal Opera House in Berlin: designs by Hermann Billing, Peter Birkenholz, Martin Dülfer, Max Littmann, Otto March, Carl Moritz, Bruno Möhring, Hans Poelzig, Friedrich Pützer, Bruno Schmitz, Heinrich Seeling, and others.

Berlin 1956. 34x24. 212 pp. + 8 coloured plates + 3 folding plates. Ca 300 excellent measured line drawings and 90 photos. Publisher's printed cloth-backed boards. (Deutsche Bauakademie. Schriften des Forschungsinstituts für Innenarchitektur). Meticulous documentation mainly of German furniture (and interior details, doors etc.) from the Neoclassicist epoch in the late 18th and early 19th centuries.

New York, Abbeville, 1996. 33x26. 192 pp. Ca 135 photos, 114 in colour including 80 full-page. A very good copy in publisher's blind-lettered cloth with dust jacket. (The Robert Schreiber Collection). Foreword by Alastair Duncan and afterword by Robert Schreiber.