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Koenig Books Kunsten Museum of Modern Art Aalborg, 2017. 8vo in wraps as issued. 184 pages, richly illustrated. Text in both Danish and English. Clean well preserved copy. 1. edition.

WBG (Wissenschaftliche Buchgesellschaft). Sonderausgabe 2012. Hardcover. 309 Seiten. Name auf Innendeckel, somst neuwärtig.

Jysk Kunst Galerie, s.d. (1970). 4to. (12) pp. Illustreret i sort hvid og farver. Pænt eksemplar.

Bibliotek Rhodos, 1970. 226 sider. Hft. Med bidrag af blandt andre Kropotkin, Bakunin, Proudhon og Malatesta. Omslag af Michael Malling.

Philadelphia Museum of Art & Yale University Press, c2009. Hardcover. 240 p ages, richly illustrated with text in both Italian and English. Minor edgewear to corners of cover else fine and clean copy. First edition.

London: Ridinghouse 2005 - Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy. Second revised and enlarged edition.

Naxos Audiobooks, 2000. NA318312. 2 x 3 x CD. 6 cd's in all. Unopened complete set in two boxes. 

London, Edition Hansjörg Mayer, 2007. 4°. Publisher's clothed hardcover with dustjacket. 172 pages. Richly illustrated. Fine clean copy. 1st edition.

Aschehoug, 1941. Indbundet uden omslag i forlagets originale solide halvlæder med titel i guld og med marmoreret sidepapir. 458 sider. Rent og pænt eksemplar. Første danske udgave / First Danish edition of 'Les Faux-Monnayeurs'.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."

Royal Copenhagen, 1998. 12mo in wraps with jacket. [96 pp]. Illustrated throughout with full page b/w photographs by Per Folkver. Fine copy. 1st ed. Book design by Åse Eg Jørgensen.

Aben Maler, 2011. Kvadratisk hardcover, med lidt slidt omslag. Omkring 300 sider. Pænt eksemplar. 1. oplag. "Glimt" er en tegnet erindringsroman fra 1980'ernes Nordjylland, som foregår en sommerdag ved Vesterhavet. Rikke er seks år gammel og på ferie med sin familie. Dagen går med helt almindelige feriesysler, men fra et barns perspektiv er livet både kedeligt, uforståeligt, frygtingydende, magisk og fuldstændig overvældende - alt sammen i løbet af en enkelt dag.

New York: Random House, 1969. Publishers hardcover, with dustjacket. 274 pages, red topedge. Jacket with a tear and suntanned but unclipped asnd now protected. Inside clean. Overall a very good copy. First edition, 7th printing.

Vintage Books, 1973. In-16° . Paperback. XXXVI, 630 pp. Front cover w repair else a good clean and tight copy, that appears unread. In this stunning collection of documents African-American women speak of themselves, their lives, ambitions, and struggles from the colonial period to the present day. Theirs are stories of oppression and survival, of family and community self-help, of inspiring heroism and grass-roots organizational continuity in the face of racism, economic hardship, and, far too often, violence. Their vivid accounts, their strong and insistent voices, make for inspiring reading, enriching our understanding of the American past.

Sternberg Press, 2007. 220 pages. Illustrated. In wraps as issued. Spine sunned, else very good clean copy. 2nd edition. "A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was reviewed in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Ahtila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, Philippe Parreno and Paul Chan are scrutinized as so many attempts to capture the very dialectic of time itself. The book can be seen as “an exploration of the crystallization of time that uses phenomenology as a pretext for saying things about artworks that create their own theories.” This fully illustrated 2nd edition features a new introduction and afterword by the author. Daniel Birnbaum reflects on the critical reception of his book and further extends Deleuzian ideas to the fields of art and film. In his afterword on Paul Chan, the author discusses a new sense of messianic time, a new chronology, as experienced with The 7 Lights series by the artist. In addition to annotated artwork illustrations, the book contains a special insert by Paul Chan: twelve original drawings where the artist explores the spatial metaphors evocated in the text. The book also features flip-book sequences from two films (Lady of Shanghai, 1947, Enter the Dragon, 1973) which further elaborate on the Deleuzian themes of mirrors, death, and the crystallization of time.

New York: Viking, 1995. Large heavy hardcover, with somewhat worn jacket. xxvi, 629pp, index, bibliography, notes, chronology. Front innercover with repair else overall a good solid and clean copy. First edition. - Collects hundreds of Kerouac's letters written between 1940, when he was a college freshman) and 1956, immediately before his leap to celebrity with the publication of On the Road. Correspondents include the Cassady's; Allen Ginsberg; William S Burroughs; and Gary Snyder...

Gyldendal, 2013. 262 sider. Hft. Frisk rent eksemplar.

Princeton Architectural Press, New York, NY, 2005. 4to. stiff paper wrappers as issued. 192 pages. Table of contents, acknowledgments, endnotes, select bibliography, index, photographic credits. A history of American book cover design. Color illustrations throughout. Fine clean copy. By Its Cover traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff & Geismar, Karen Goldberg, Chip Kidd, and John Gall.

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Forlaget Rosinante, 2019. 349 pp. Hft.

Gyldendal / Samlerens Bogklub, 1995. 702 pp. Hft. Med illustrationer. Navn. Omslag solbleget med lidt brugsspor. Dansk udgave.

New York McGraw Hill - Open University Press 1st pr, 2008. Large paperback. X, 358 pp. Clean tight copy.

New York, Farrar Straus Giroux. 1982. Publishers hardcover with unclipped dustjacket in good condition. 211 pp. Spine of jacket tanned else clean well preserved copy. First Edition First Printing. Jacket design by Janet Halverson.