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Stig Vendelkærs Forlag, 1966. 156 sider. Paperback. Illustreret i s/h. God eksemplar. Jan Hudson var pseudonym for SF forfatteren George H Smith.

Batzer & Co, 2020. 146 pp. Hft. Pænt eksemplar med kun en anelse hyldeslid.

Trenton: Africa World Press, 2003. Paperback. 288 pp. Fine clean, unread copy. In the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a ?bard of the misrule? emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela?s Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics?and ultimately, the nascence of an Afrocentric contemporary global culture. "In Sola Olorunyomi?s book, a popular artist and a counter-hegemonic activist of the hardest grain meets his most engagingly, cerebral interpreter.?

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

Forlaget Lindhardt & Ringhof, 2003. Kvadratisk. 132 pp. Hft. Illustreret med s/h fotos af Mertz. Pænt eksemplar.

Vintage Books, 1973. In-16° . Paperback. XXXVI, 630 pp. Front cover w repair else a good clean and tight copy, that appears unread. In this stunning collection of documents African-American women speak of themselves, their lives, ambitions, and struggles from the colonial period to the present day. Theirs are stories of oppression and survival, of family and community self-help, of inspiring heroism and grass-roots organizational continuity in the face of racism, economic hardship, and, far too often, violence. Their vivid accounts, their strong and insistent voices, make for inspiring reading, enriching our understanding of the American past.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Forlaget Rosinante, 2019. 349 pp. Hft.

Princeton Architectural Press, New York, NY, 2005. 4to. stiff paper wrappers as issued. 192 pages. Table of contents, acknowledgments, endnotes, select bibliography, index, photographic credits. A history of American book cover design. Color illustrations throughout. Fine clean copy. By Its Cover traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff & Geismar, Karen Goldberg, Chip Kidd, and John Gall.

New York: Harcourt, 2004. Publishers hardcover, with jacket. 469 pages. Illustrated. Fine clean copy. First US edition.

Tochnit Aleph (TA140). Double CD in 6-panel digipak inside slipcase, with 12-page illustrated booklet with liner-notes by Asger Jorn in french & english. New copy. “Musique Phénomenale” was recorded by Asger Jorn & Jean Dubuffet between December 1960 and March 1961 in Paris, and first published in 1961 as a box containing fourmrecords in an edition of 50 copies (+ 6 copies H.C.) by Galleria del Cavallino, Venice. 61 years after its original release this first ever reissue was produced in an edition of 600 copies by Daniel Löwenbrück / Edition Hans Pumpestok, København, in cooperation with Fondation Dubuffet, Paris.

Martigny: Fondation Pierre Gianadda. 2021. Square 4to in wraps as issued. 143 pages, richly illustrated. Text in French. Fine copy. Catalogue de l'exposition au Centre Pompidou à Paris du 03 décembre 2021 au 06 juin 2022. Comme neuf.

Sweden: Svensk Musik, 2008 DVD in box with text folder in English. Very good set.

Louisiana Museum of Modern Art, 2022. 12 inch poster printed on both sides, designed as an LP cover that can be unfolded to 121 x W: 83.5 cm. Text in both Danish and English. Design by K GRAFIK Michael Jensen. As new. 1st edition.

Copenhagen: Automatic Books, 2013. 12mo hardcover. 64 pages. Language: Spanish/ Danish. Unopened new copy.  Cómo robar libros, Bogrov, a book by Californian artist David Horvitz, is a shoplifter’s users guide in both Danish and Spanish. It details 80 ways in which one can steal a book. Translated into Danish and Spanish on the occasion of Hot, muggy, then cold and windy. We swam in the sea, it got misty and we couldn’t tell what time it was anymore, a solo exhibition by David Horvitz at Peter Amby in Copenhagen. Translated by Christian Viggo Waagensen with help by Peter Amby, Helga Just Christoffersen, Alexandra Laudo (Heroínas de la Cultura), Marla Jacarilla, and Zanna Gilbert. Edition of 100 copies. First edition.

MacGibbon and Kee, London, 1965 (1937). Publishers hardcover with very good dustwrapper, not price-clipped and protected. 266 pages. Name in ink to front inner cover else clean and overall a very well preserved copy. First UK edition. "White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey. White Mule is the story of Joe’s inner struggle between love of fine craftsmanship (he is a printer by trade) and Gurlie’s ambition to get ahead, to have him get “in the money.” But it also the story of the awakening consciousness of their children; the real heroine is the baby Flossie––she had a kick like “White Mule” whiskey––whose birth begins the book. Everything revolves around the baby and she is surely unique in literature. Dr. Williams was a pediatrician, and without sentimentality he makes of this little being, who cannot even talk, a full-scale, three-dimensional personality."

Copenhagen: Danske Bogsamleres Klub ( Ejler Wangels Forlag), 1949. Samtidigt halvlærredsbind (hardcover). 235 pp. Et par sider med æselører ellers rent og pænt eksemplar. Sjælden dansk udgave / Rare Danish edition: "The City and the Pillar is the third published novel by American writer and essayist Gore Vidal, written in 1946 and published on January 10, 1948. The story is about a young man who is coming of age and discovers his own homosexuality. The City and the Pillar is significant because it is recognized as the first post-World War II novel whose openly gay and well-adjusted protagonist is not killed off at the end of the story for defying social norms. It is also recognized as one of the "definitive war-influenced gay novels", being one of the few books of its period dealing directly with male homosexuality." (wiki).

Kunsthal Aarhus, Aarhus, Denmark, 2016. First edition thus. Small softcover. 54 pages. This book was initially published in French in 2015 by éditions P as part of the Les contemporains series, based on a research project headed by Céline Flécheux and Magali Nachtergael since 2011. Text in English. A very near fine copy in wrappers. 1st edition - Scarce!

San Francisco Museum of Modern Art and University of California Press, 2002. Tall large 4to in publishers hardcover, with jacket. 94 pages. Text in English. Richly illustrated. Fine copy. First edition.

MIT Press Cambridge, MA, 1988. Square 8vo in softcover as issued 19.5 x 19.5 cm. 191 pages, illustrated. Very good clean copy. Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index.

Frankfurt am Main: Vittorio Klostermann 1987. 8°. Hardcover, mit OU. XXVIII, 369 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber.

A. Rasmussens Bogtrykkeri, Ringkjøbing 1987. Upagineret. Heftet med orig. omslag. Godt eksemplar. Eet af 1000 nummererede eksemplarer.

Arena, 1977. 211 pp. Hft. Oversat af Peer Hultberg.