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Stockholm: Fylkingen, 1994. Squarish 4to in publishers wraps as issued. 236 pp. Illustrated. With an English Summary at end. Fine, clean copy. Complete with CD. First edition. - Large richly illustrated monograph on Fylkingen - New Music and Intermedia Art is an artist-run venue and member based organization committed to the contemporary experimental performing arts field. Over 300 artists from various disciplines use the space to develop and present new work. Fylkingen is run by its members and an active board and production group. It also produce and distribute recorded material through its own label Fylkingen Records since 1966. The organization was established in 1933 in Stockholm, Sweden, then focusing on contemporary composers and a traditional repertoire. Over the years, the organization branched out into new forms. The first concert of electroacoustic music in Sweden was arranged by Fylkingen in 1952, together with the Swedish Radio. Since the 1960s Fylkingen represents a wide field of artistic practices. Fylkingens concerts of electronic music attracted the attention of composers worldwide for the high sound quality and unconventional presentation format. Promenade Concerts with electronic music, music simultaneously in several rooms with different acoustic conditions and landscape music in Stockholm parks heard the news. In the 1960s the association radicalized more and more art forms took place at Fylkingen; performance art, dance, choreography, happenings and text-sound compositions. At the time, many of Fylkingens arrangement took place at Moderna Museet, with a detour to other premises in Stockholm and around Scandinavia. The programs from the 1960s and 1970s are filled with performances by and with the international avant-garde: John Cage, David Tudor; Iannis Xenakis, Pierre Boulez, Morton Subotnick, Ravi Shankar, Terry Riley, Karlheinz Stockhausen, Nam June Paik, Henri Chopin, and La Monte Young, side by side with major Swedish composers such as Åke Hodell, Lars-Gunnar Bodin, Öyvind Fahlström, Sten Hanson, Folke Rabe and Catherine Christer Hennix and performing artists Margaretha Åsberg, Yvonne Rainer, Merce Cunningham, Antonin Artaud, Carolee Schneeman. Later, visiting artists have been, for example; Brian Eno, Kaffe Matthews, Genesis P-Orridge, Her Noise, Andre Stitt, Carsten Nicolai, Damo Suzuki, Tara Transistory, Gudrun Gut and many many more.

Copenhagen: Danske Bogsamleres Klub ( Ejler Wangels Forlag), 1949. Samtidigt halvlærredsbind (hardcover). 235 pp. Et par sider med æselører ellers rent og pænt eksemplar. Sjælden dansk udgave / Rare Danish edition: "The City and the Pillar is the third published novel by American writer and essayist Gore Vidal, written in 1946 and published on January 10, 1948. The story is about a young man who is coming of age and discovers his own homosexuality. The City and the Pillar is significant because it is recognized as the first post-World War II novel whose openly gay and well-adjusted protagonist is not killed off at the end of the story for defying social norms. It is also recognized as one of the "definitive war-influenced gay novels", being one of the few books of its period dealing directly with male homosexuality." (wiki).

Gyldendal, 2009. Hardcover. 364 sider. Pænt eksemplar. 1. oplag.

Antipyrine, 2018. 2018 pp. Hft. Rent eksemplar. Første udgave, 1. oplag.

Museum Tusculanum, 1998. Lille hardcover. 125 pp. Nærmest som ny.

MacGibbon and Kee, London, 1965 (1937). Publishers hardcover with very good dustwrapper, not price-clipped and protected. 266 pages. Name in ink to front inner cover else clean and overall a very well preserved copy. First UK edition. "White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey. White Mule is the story of Joe’s inner struggle between love of fine craftsmanship (he is a printer by trade) and Gurlie’s ambition to get ahead, to have him get “in the money.” But it also the story of the awakening consciousness of their children; the real heroine is the baby Flossie––she had a kick like “White Mule” whiskey––whose birth begins the book. Everything revolves around the baby and she is surely unique in literature. Dr. Williams was a pediatrician, and without sentimentality he makes of this little being, who cannot even talk, a full-scale, three-dimensional personality."

London: John Murray 1945. 4to in original wraps. 47 pp. Illustrated throughout. Very good copy.

London: Macmillan And Co., Ltd., 1961 (1955). Uncut in original hardcover with very good unclipped jacket. VII, 592 pp. Name of previous owner to innercover front else an attractive near fine copy. Finely printed edition with large typography and generous margins.

Kunsthal Aarhus, Aarhus, Denmark, 2016. First edition thus. Small softcover. 54 pages. This book was initially published in French in 2015 by éditions P as part of the Les contemporains series, based on a research project headed by Céline Flécheux and Magali Nachtergael since 2011. Text in English. A very near fine copy in wrappers. 1st edition - Scarce!

Frankfurt am Main: Vittorio Klostermann 1987 (1977). 8°. Hardcover, mit OU. XII, 436 Seiten. Name. Viele Anstreichungen mit Kugelschreiber.

Arena, 1977. 211 pp. Hft. Oversat af Peer Hultberg.

Bristol: The Redcliffe Press, 1983. Oblong 8vo in wraps as issuedd. 128pp. Profusely illustrated in B/W. Cover somewhat worn with rubbed corners. 1st edition. Essays on and photographs of the interim period when the infrastructure of harbours was disused and neglected but calm before redevelopments fully took hold.

New York: Alfred A. Knopf, 1999. Original boards with dustjacket (hardcover). 482 pp. Some minor wear to edges and dustjacket with wear but intact and complete. First edition (stated). Brilliant cover design by Chip Kidd.

Katalog der Faszikel in der Arbeitsbibliothek von Jan Tschichold. Edition Ostschweiz, 16. VGS, Verl.-Genossenschaft, 2015. Tall slim 8vo in wraps w jacket as issued 15×24, 82 pages. Near fine / fine copy. First edition.

Forlaget Swing, 1978. 50 pp. Hft. Rent og friskt eksemplar. Første udgave, 1. oplag. Omslag af Bjørn Nørgaard.

MIT Press, 2017. Hardcover, with jacket (the "wear" is part of the jacket design). 224 pages. Clean fine copy.

København og Kristiania: Gyldendalske Boghandels Forlag, 1905. 8vo. Indbundet i samtidigt flammet kalv med titel i guld. (8), 431 pp. Samtidig tilskrift foran. First Danish / Norwegean edition of Swedish feminist Ellen Key's essays on motherhood, education and psychology. She was highly influencial (and controversial) in her time and her ideas helped creating state child support.

Amsterdam: Tuja Books, 2006. Illustrated paper-covered hardcover 24,8 x 17,5 cms., 206, (2) pp. throughout illustrated, partly in colour. Text in English. Front left edge with a dent (see photo) else an unread very good copy. 1. ed. thus. A survey of Fontana's unique works & hand-made editions, lithographs, screenprints, bronzes, ceramics, multiples, jewelry, fashion, design, and selection of posters, books and more.

Flox, 1982. 80 pp. Hæftet. Rigt illustreret med fotografier og fotocollager. Feministisk "kunstnerbog". Første oplag.

A. Rasmussens Bogtrykkeri, Ringkjøbing 1987. Upagineret. Heftet med orig. omslag. Godt eksemplar. Eet af 1000 nummererede eksemplarer.

Gyldendal, 1990. Hardcover. Upagineret. Gennemillustreret i farver. Pænt rent eksemplar. 1. oplag.

Gyldendal, 2017. Hardcover, med omslag i stort format. 360 sider, rigt illustreret. Pænt eksemplar med få brugsspor.

Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy. 1. ed.

Milano, CHARTA 2007. Large 8vo in stiff wraps as issued. 159 pages, richly illustrated. Name of Danish architect, light edgewear. First edition.

Forlaget KLIM, 2010. 187 sider. Hft.