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New York 1970. 25x17. XXX+392 pp. + 64 pp. with ca 130 reproductions; + XII+460 pp. + 64 pp. with ca 110 reproductions. More than 300 drawings in the text. Publisher's cloth, dust jackets. Third edition.

Livorno & Milano (1976). 30x22. 164 pp. 164 reproductions, 60 full-page including 24 in colour. Publisher's gilt-lettered cloth, dust jacket, in original cardboard case. Fully illustrated Catalogue Raisonné of Marini's etchings and lithographs 1914-1975.

Paris, Pauvert, 1963. 27x21. 112 s. + 33 tipped-in plates (3 coloured). 14 small-size reproductions of Millet's L'Angélus and a few other illustrations in the text. A very good copy in publisher's linen cloth with belt clasp, plate and title label on front cover. Dalí's "paranoid-critical" treatment of Jean-François Millet's painting L'Angélus.

Wien, Schroll, 1926. 41x31. 4 pp. + 120 heliogravure plates. Loose as issued in a printed half cloth portfolio. Minor rubbing and small stain to portfolio, contents excellent, a fine copy. An imposing photographic survey of the interiors of prominent Austran palaces and other stately homes in Vienna, Steyr, Salzburg, etc. including i.a. the Palace of Archduke Friedrich, the Winter Palace of Prince Eugen, Schloss Frain, Schloss Wetzdorff, etc.

Karlsruhe 1981. 30x21. VI+324 pp. 419 drawings and photos. Publisher's pictorial boards, a fine copy from the library of Ove Hidemark. New edition of a classic work on timber house construction and carpentry, first published in 1942. New preface by Klaus Thinius-Hüser.

Stockholm: Sonet / Paris: Visat, 1975. 20x22. 156 pp. 419 reproductions plus twelve of the prints in full-page colour. Publisher's cloth, in slightly edgeworn dust jacket with a couple of repaired tears. No. 2203 of an edition limited to 2500 copies. French-language Catalogue Raisonné, with bilingual introductory texts and biographical data in French and English.

New York, Abrams, 1978. 27x29. 260 pp. including 20 pages on five folding leaves. 270 reproductions and photos, 125 full-page, 111 in colour including 72 full-page and six double-page. Publisher's blind-lettered linen cloth, dust jacket, a very fine copy.

Sundsvall 1984. 30x21. 176 s. + löst bifogad originaletsning signerad av Einar Norelius. 143 reproduktioner. Förlagets gröna halvskinnband. Tryckt i 300 numrerade exemplar (plus 40 ex. HC) varav detta är nr 111, med etsningen numrerad 111/300. Beskrivande katalog över Einar Norelius' graverade arbeten och litografier 1928-1982, med reproduktioner av samtliga blad.

Stockholm, Kongl. Finska Boktryckeriet, hos Joh. Carlbom, 1778. 27x21. 4to. 12 s. Rent och helt oskuret exemplar i ett helt ark och ett halvark. Skapandet av en Svensk Nationell Dräkt skedde efter påbud av Gustav III. 1778 publicerades vardera en plansch med modellritning över dräkten för herrar respektive damer, och Jonas Brolin uppdrogs att skriva de beskrivningar av dräkterna som trycktes samma år. I inledningen indelas fruntimmersdräkten i "twänne slag, som är 1:o Kongeliga och Fursteliga Hof-Drägten, 2:o Allmänna Drägten", därefter följer detaljerade beskrivningar av Fruntimmers Klädedrägten i gemen, Fruntimmers-Råcken, Lifwet eller Corsetten, Skjärpet, Kjortelen, samt Hals-Kragar. Fruntimmersdräkten blev inte särskilt populär (om dess reception och vidare öden, se Eva Bergman, 'Nationella dräkten. En studie i Gustaf III:s dräktreform 1778' (Stockholm 1938).

Berlin 1862. 32x26. VIII+128 pp. + 100 engraved plates. Contemporary cloth, gilt-lettered red leather label on spine, minor external wear. Fifth, revised and extended edition.

Moskva 1956. 34x26. 328 pp. including 24 plates (2 folding) with coloured reproductions + 2 folding plates. Ca 280 reproductions of original elevations, sections, plans etc. and 70 photos, plus 39 plans in the text. Publisher's cloth. (Akademiya Arkhitektury SSSR. Muzei Arkhitektury). An album of original designs and plans by Matvey Kazakov (1738-1812) for houses in Moscow, with commentary.

Stockholm 1943. 29x22. 404 s. 567 illustrationer, övervägande fotografier i ljustryck varav ca 60 helsides. Dekorerat förlagslinneband.

Roma, Edizioni del Secolo, 1944. 13x10. 32 pp. 16 full-page reproductions of (thirteen works by Prampolini, and three by Boccioni, Dalí, and Picasso). Printed wrappers, a very fine copy. ("Anticipazioni" n.7). A manifesto by the painter, sculptor and and scenographer who founded the "Futurist Theatre Prampolini" in 1927 and participated in the design of the major Fascist propaganda exhibition "Mostra della Rivoluzione Fascista" held thrice, in 1932-34, 1937 and 1942.

München 1908. 29x21. XXXVIII pp. + 240 pp. with ca 550 photos including ca 330 of furniture and lamps. Publisher's printed cloth (neatly rebacked). A comprehensive survey of modern furniture designed by Riemerschmid, Behrens, Bruno Paul, Kolo Moser, Poelzig, Josef Hoffmann, Niemeyer, Pankok, E Seidl, Schultze-Naumburg, Berlage, van de Velde, Ashbee, Johan Rodhe, Gesellius & Saarinen, Axel Gallén and others as well as wallpaper, fabrics, tableware, etc. Index of designers and manufacturing firms.

Stockholm 1923. 27x18. 80 pp. text + 48 pp. with full-page reproductions + one blank leaf. No. 261 of an edition limited to 400 numbered copies. Neat cloth, printed wrappers bound in. Presentation copy inscribed by Rolf De Maré on half title page, and on the face paging the title page he writes that those marked with a red X have been excluded from the collection (while new ones by Picasso, Bracque, Léger and others have been added). Studies on artists and paintings in the collection of Rolf de Maré, leader of the Ballet Suédois founded in Paris in 1920 by de Maré and the artist Nils (von) Dardel. Includes an essay in French by Maurice Raynal: "Les Picassos, les Légers et les Braques de la collection Rolf de Maré". Reproductions of paintings by Picasso, Léger, Braque, Gris, Laurencin, Bonnard, Seurat, Monet, Gauguin, Redon, Courbet, Daumier, Narcisse Diaz, Juan Carreno, Zurbaran, El Greco, Juan de Roelas, and the Swedish artists Nils Dardel, Ernst Josephson and August Jernberg.

Petrograd 1915. 24x19. 80 pp. + 2 colour plates. 90 photos. Contemporary cloth.

Köln, Verlag Kölner Dom, 1993. 29x21. 880 pp. 306 drawings and plans (mostly 19th-century drawings including ca 180 reproduced in colour) and photos. Publisher's cloth, very fine in insignificantly edgeworn dust jacket. Enclosed are ten leaves with Swedish text on the cathedral, with an accompanying note from Olle [Svedberg] to Ove [Hidemark]. (Studien zum Kölner Dom, 4). Exhaustive, well-documented history and documentation of the vast and thoroughgoing completion undertaken 1816-1902 of the Cologne Cathedral (Kölner Dom). Construction of the edifice began in 1248 but was halted unfinIshed in 1473. The cathedral completed, essentially to the original mediaeval plan, is the largest Gothic church in Northern Europe.

Stockholm, Iduns Tryckeriaktiebolag, 1897. 21x18. 114 pp. Ca 90 foton och perspektivritningar varav femtio av villor. Luxuöst utförd praktutgåva av andra upplagan, i helt pergamentband (pärmarna som väntat aningen böjda) med samma pärmdekor som den häftade utgåvans omslag, samt förgyllda denteller, helt guldsnitt, och dekorerade för-och eftersättsblad; båda omslagen medbundna. Arkitekt Viktor Åströms exlibris på främre pärmens insida.

Berlin, Atlantis, 1930. 30x24. 48 pp. + 256 pp. with full-page photographs + final blank leaf. Publisher's brown cloth with gilt cover lettering and design, spine very lightly sunned.

Stockholm, Stockholmia, 1999. 22x24. 240 pp. Ca 245 photos, renderings and plans (57 in colour, 43 full-page including 17 in colour). Publisher's pictorial boards, as new.

London, Benn 1929. 28x22. II+26 pp. + 33 plates with 40 photos. Publisher's quarter cloth. Some foxing of endpapers, outermost corners of boards lightly worn.No. 83 of an edition limited to 250 copies for sale.