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Denmark: Louisiana Museum of Modern Art, 2014. Stort format. Hardcover. 200 pp. Text på Dansk. Illustreret. Navn foran ellers pæn.

Chr. Erichsens Forlag, 1972 (1955). Hardcover med originalt omslag. 52 sider. Illustreret. Flot velbevaret eksemplar.

New York Da Capo Press, 1993. Tall 8vo in wraps. X, 182 pp. Fine clean copy First edition thus.

Harper Perennial Modern Classics, 2007 (2006). Paperback. 8, 358, 15 pp. Light edgewear, a fold to frontcover. SIGNED in hand by Irvin D. Yalom to titlepage, dated 2007. SIGNERET i hånden af Yalom på titelbladet.

Høst & Søn, 1972. Original hardcover. Upagineret. Illustreret i s/h og farver. Godt eksemplar.

Gyldendal, 1990. Hardcover. Upagineret. Gennemillustreret i farver. Pænt rent eksemplar. 1. oplag.

Borgens Forlag, 1999. 155 pp. Hft. Nærmest som ny.

Hermann Luchterhand, Darmstadt 1960 (1956). Gebunden, mit OU, dieser verfärbt und mit kleine Risse am Rande. 118 S. Name auf Innendeckel. Insgesamt gut.

Oslo: Det Norske Samlaget, 1967. 59 pp. Hft. Første udgave, 1. oplag, Med dedikation fra forfatteren, dateret 1967. Typografi og omslag av Kåre Andersen.

Forlaget Spring, 2021. 225 pp. Hft. Illustreret. Med dedikation fra forfatteren. "Film kan være mange ting: rørende, underholdende, sjove, informative, eksperimenterende, udfordrende eller afslørende. Men de kan også være foruroligende, ja, måske ligefrem subversive. Og i de tilfælde, hvor instruktørerne virkelig tager de levende billeder alvorligt som en kunstform, kan filmene endda vise sig at være direkte farlige for de involverede, hvad enten de så er ansvarlige for de visioner, der lægges frem, eller blot medvirkende. Dét er udgangspunktet for den serie af bøger – Farlige film – som indledes med nærværende bind om film med relation til Fluxus, Yoko Ono og Bob Dylan. Med udgangspunkt i sin tilknytning til Fluxus-gruppen skabte Yoko Ono i slutningen af 1960’erne og begyndelsen af 70’erne – alene eller sammen med John Lennon – en række konceptuelle og poetiske film, hvor tanken var, at det enkelte værk først blev fuldt realiseret i mødet med modtagerens bevidsthed. Nogle af filmene blev af samtiden betragtet som provokerende. Men i et enkelt tilfælde, Rape fra 1969, viste mediets kræfter sig at være så stærke, at de var tæt på at tage magten fra instruktørparret. De film, som Bob Dylan har været involveret i siden midten af 60’erne, er umiddelbart mindre kontroversielle, men i poetens filmiske hovedværk – den fire timer lange Renaldo and Clara (1978) – var den personlige investering så hudløs, at ophavsmanden måtte sande, at filmkunsten rent faktisk kan være farlig at danse med".

Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy. 1. ed.

Forlaget Tiderne Skifter, 1977. 96 pp. Hft. Illustreret af Deleuran.

Forlaget Swing, 1978. 50 pp. Hft. Rent og friskt eksemplar. Første udgave, 1. oplag. Omslag af Bjørn Nørgaard.

MIT Press, 2017. Hardcover, with jacket (the "wear" is part of the jacket design). 224 pages. Clean fine copy.

Forlaget Gjellerup, 1959. Kvadratisk 8vo i hardcover, med omslag. 262 pp. Illustreret. Godt eksemplar.

Antipyrine / OVO 2015. Small slim 8vos in wraps as issued. 46, 120 pp. Some discoloring to cover else a clean, fine, unused set. This is the first time Bishan Commune: How to Start Your Own Utopia, a notebook by the Chinese activist, editor, and curator Ou Ning, has been published in English. The notebook is a graphic montage piece, where comments, thoughts and short accounts from Ou Ning’s travels to Bishan are intertwined with drawings, clippings, color-coded text, handwritten notes, pictures and quotes. The publication consists of two books: the first volume contains a facsimile of Ou Ning’s original notebook in full color; the second volume is a translation of the notebook from the Chinese by Mai Corlin and Austin Woerner also including an interview with Ou Ning not previously published in English as well as Ou Ning’s 2012 text “Autonomy: Utopia or Realpolitik,” which lays out Ou Ning’s understanding of ongoing anarchist practices in a totalitarian, capitalist reality . - Ou Ning was born in rural Guangdong province in 1969. His practice covers a wide range of projects straddling the fields of art and politics. As a filmmaker, he directed the documentary Meishi Street (2006) concerning local acts of resistance against the demolition of an area in a central part of Beijing in relation to the 2008 Olympics. As curator he has headed the 2009 Shenzhen & Hong Kong Bi-city Biennale of Urbanism\Architecture, and from 2011 to 2013 he was chief editor of the literary bi-monthly Chutzpah!, a magazine that has dealt in-depth with issues such as agrarian communities in East Asia, revolution, queer literature and George Bataille. And these are just a few of Ou Ning’s undertakings.

London: The Folio Society 1995. Large tall 8vo, hardcover in slipcase. 234 pp. Illustrated. Light wear to case else clean and fine copy. 1st thus.

Dia Art Foundation, New York, 1996. Small 8vo in wraps as issued. XV, 206 pp., illus., bib. notes. Light edgewear else fine clean copy. The first in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Lawrence Weiner, Brice Marden, Joseph Beuys, Dan Graham, Robert Gober, Katharina Fritsch, On Kawara, Ann Hamilton, and James Coleman.

New York: The Modern Library, (1993). Hardcover, with jacket. XLV, 320 pages. Clean, unread copy.

Edinburgh University Press with John Hansard Gallery, 2016. 4to in stiff wraps as issued. 116 pages, plus plates at end. Near fine clean copy with only minor shelfwear. First edition. "The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting. This book accompanied an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition played with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z). "

New York: (Farrar, Strauss, Griroux) Book Club Edition, 1987. 659 pp. Publisher's hardcover cloth with unclipped somewhat worn (see photos), now protected dustjacket. Clean inside and overall a good to very good copy. First Book Club edition 1987. Jacket designed by Fred Marcellino.

B P Forlag, 2017. Stort format. 254 pp. Hft. Rigt illustreret. Som ny.  "Det skete på Kvindeudstillingen Charlottenborg 1975" - 42 kvindelige, danske kunstnere udstillede med de 50 inviterede internationale kvindelige kunstnere. Et tilbageblik med mange interessante fotos. 

Redwood Press / Stanford University Press, 2015. Publishers hardcover, with jacket. 336 pages. Very good clean copy. "A philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights". First US edition.

Paris: Centre Pompidou / rmm, 2006. DVD. Looks unplayed. French / English. Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving).

Malmö 1975. 4to in wraps as issued. X, 96 pp. Richly illustrated. Text in both Swedish and English. Cover worn, overall a good acceptable copy. John Baldessari, Didier Bay, Bernhard och Hilla Becher, Christian Boltanski, Jacques Charlier, Ger Dekkers, Hans-Peter Feldmann, Fred Forest, Jochen Gerz, Paul-Armand Gette, Joel Glassman, Douglas Huebler, Peter Hutchinson, Nancy Kitchel, Jean le Gac, Barbara och Michael Leisgen, Anthony McCall, Annette Messager, Edward Ruscha, Katharina Sieverding, David Tremlett. Book design by John Melin et al.