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Englewood Cliffs, N. J. , Prentice-Hall, 1964. Fine clothed hardcover with jacket. 272 pages, illustrated. Very good copy.

Spector Books, 2022. Large hardcover. 114 pages. Very good clean copy.

Leningrad: State publishing House Isskustvo, 1959. 4to in original hardcover with beautiful dustjacket. 210 pages, chiefly photographs in black and white full page but also a few in color. Jacket and matching chapter intro papers in fine graphic design. Photo captions in both Russian and English. Jacket worn but complete. Owner inscription in Russian at free front endpaper else clean and overall a very good copy. First edition. - Russian volume on the Russian resort town of Sochi, which hosted the Winter Olympic Games in 2014. Located on the "Russian Riviera" on the Black Sea, with a long & beautiful coastline, and known during the Soviet era as the "All Union Health Resort".

Rævens Sorte Bibliotek, 1999. 144 pp. Hft. Illustreret. Pænt eksemplar.

Porto: Fundacao de Serralves. First edition, 1996.Large Quarto in wraps as issued, 111 pp., heavily illustrated (much in color), clean unmarked text. An bit of wear to the tips of the covers. Text in Portugese and English. First edition. SIGNED COPY. Boldly signed to front cover by Dennis Oppenheim (see phtoto) / Inscribed to Patricia (Asbaek), Danish gallerist.

Milano : Charta for Galleria civica di arte contemporanea & Fondazione Antonio Ratti, 2007. 8vo in stiff wraps as issued. 134 pages. Illustrated in color. Text in both Italian and English. Fine clean copy.  Issued on the occasion of the exhibition "Joan Jonas : my theater" held at the Galleria civica di arte contemporanea, Trento, Nov. 25, 2007-Mar. 2, 2008; includes an overview of Jonas's works from the 1960s, and documentation of her performance in 2007 at the Fondazione Ratti, in Como. First edition.

NY, Pocket Books, 1968. 213 pp. Richly illustrated. Paperback. Light wear to cover, with one corner with a small fold, but overall a tight very good clean copy. 1st printing thus, June 1968.

Eks-skolens Forlag, 1985. 4to i original heftet omslag. 208 pp. Gennemillustreret med s/h-tegninger. Flot eksemplar. Første oplag. SIGNERET af kunstneren. Vedlagt to andre mindre Erik Hagens kataloger (se foto), disse også signerede.

Abrams Books 2017. Oversized large and heavy hardcover w jacket. 144 pages. Profusedly color illustrated. Very good copy. This copy inscribed by the artist. Due to size and weight extra shipping will apply for this item - please inquire before ordering!

Kehrer Verlag, Heidelberg 2006. 8vo. Hardcover. 384 pages. Illustrated in b/w and colour. Very good copy. Parallel text in English, German, Danish/Norwegian & Finish. The Catalogue has been published in connection with the Exhibition 'Fiona Tan - Mirror Maker', Kusthallen Brandts 25.02-21.05 2006, Landesgallerie Linz 01.06-13.08 2006, Bergen Kunstmuseum 01.09-03.12 2006, Porin Taidemuseo 26.01-20.05 2007. 1. ed. Heavy book and extra shipping may apply: please inquire before ordering.

Barcelona: Actar / Macba, 1999. Small 4to in flexible hardcover as issued. 205 pages, richly illustrated, mainly in color. Text in both French and Catalan. Near fine clean copy with only light shelfwear to corners of cover. From the collection of John Hunov, with his neat bookmark at front innercover. Fine monograph on Hains’ work: hypnagogic photographs, abstract photos made through fluted glass in the late 1940s, under a Surrealist influence to his decollage works and more. Ribbed glass, cinema and letterist poetry, Nouveau Réalisme – the décollage (unpeeling) of torn posters: a turning point but also one “site” among many others – which he regularly revisited. Urban dérives (“drifts”) took him ever closer to Situationism and, after the ads and billboards, he next collected and displayed boarding fences from construction sites (palissades). The first time the term décollage appeared in print was in the Dictionnaire Abrégé du Surréalisme in 1938, it is usually used in the context of nouveau réalisme. The artists involved, Raymond Hains among them, often sought out sites with many layers of posters so that the process of décollage took on an archeological character and was seen as a means of uncovering historical information. They exhibited their ripped poster artworks as aesthetic objects and social documents. From 1949 Hains made work from posters that he tore from the walls of Paris. In 1963 the German artist Wolf Vostell appropriated the term, staging a series of happenings under the title Nein 9 Decollagen which involved television images which he had ‘décollé’ unstuck from the screen and re-presented.

Copenhagen: Gyldendal, 1961. 8vo. Original hardcover med smudsomslag. 131 pp. Rigt illustreret. Classic Danish publication on Scandinavian Design, a very good copy with well preserved and now protected jacket.

Kunsthaus Hamburg, 2021. 8vo in clothed wraps as issued. 262pp w colour plates.Text in German, Bengali and English. Fine copy. 1. ed.

Copenhagen: Museum Tusculanum Press/University of Copenhagen, 2010. Publisher's printed wrappers with dustjacket. 372 pp. With 81 colour and 66 b/w illustrations. Texts (in English) by Else-Marie Bukdahl, Jan Zahle, et al. Very good clean copy- 'In the latter half of the 18th century, Johannes Wiedewelt (1731-1802) played a pivotal role in introducing an early form of Neoclassicism in Danish sculpture by creating a large number of monuments for many different purposes. In the 1750s he studied in Paris and Rome, where he became part of an international network of pioneering artists and scholars, including J.J. Winckelmann. In Denmark, Wiedewelt endeavoured to translate the ancient idiom in statuary and monuments into an ‘eternal’, national style. This is the first book-length study of Johannes Wiedewelt in English, and the volume aims at reassessing Wiedewelt’s role in the service of art, art theory, academic education, design, etc. Emphasis is placed on his studies of Classical Antiquity and Danish prehistoric and medieval monuments, which makes him particularly interesting for the history of archaeology'. (Publisher's note). 

Arkitektskolen / Kunstakademiets Forlag 1988. Stor tung hardcover med smudsomslag. 355 sider. Illustreret. Pænt rent eksemplar.

Denmark: Snekkersten, 1967. Square 4to in original wrappers. (140) pp. Some rubbing to cover and edges but clean inside and solid. Also in this issue: Paustian, Colombo, Cadovius, Knoll (Don Albison), Saarinen etc. Another mobilia super issue.

Seventeen Magazine, 1952. Large magazine format in original wrappers. 104 pages. Complete magazine. Only minimal edgewear. Near fine copy. A rare original vintage Seventeen Magazine superissue : a perfect example of Art Kane's and his teams graphic design greatness.

Ameringer Gallery New York & Tel Aviv & Marseille: Yundler Brondion Verlag, 2015. Large 8vo in prink wraps as issued. 160 pages. Fine well preserved clean copy. 1. ed. Produced in conjunction with the exhibition of the same name at Ameringer McEnery Yohe gallery in New York City. The book is a private journey of the making of the Ancienne Rive project, and includes sources, inspirations, and other images that helped create the project. With texts by Cary S. Levine and Timothée Chaillou. Beautifully printed on three different papers the book includes full page color plates of all of the exhibition images.

Eks-skolens Forlag, 1986. Stor 8vo. Upagineret. Hæftet. Velholdt eksemplar. Første udgave, 1. oplag.

Cologne: Evergreen, 2005. Heavy 8vo hardcover with slightly worn jacket. 440 pages. Overall a good to very good copy.

Borgen, 1964. 43 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder nærmest som ny. Uopskåret.

New York: Random House, 1975. Hardcover with slightly worn but unclipped jacket. 415 pages. A small "Random House" publisher stamp to bottom edge. Inside clean. First edition, 2nd printing including the original dustjacket.

Wordsworth Editions 2012. Large very heavy hardcover. 1482 pages. Very good copy. NB: No foreign shipping for this item!

Sweden: P. A. Norstedt & Söner, 1963. 8vo uncut in original wraps with untrimmed edges as issued. 164 pages. The original screenplays for . Text in Swedish. Name of Danish film director and critic Christian Braad Thomsen to free front endpaper. Light wear to cover, else very good clean copy. First edition.

Forlaget Politisk Revy, 1998 (1922). 79 sider. Hft. Fint eksemplar.