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Forlaget Palomar, 2020. 337 pp. Hft. 1. oplag. Pænt eksemplar. "Gennem min barndom var jeg den eneste der vidste at hun skrev på et eller andet, og jeg gættede på at det var erindringer. Men det fortsatte år efter år, til tider kunne der gå flere måneder hvor jeg ikke så hende sætte sig ved bordet og åbne hæftet; og jeg havde allerede vænnet mig til at hendes skriveri var uendeligt, antog at det var en slags indre samtale der ikke var beregnet for en udenforstående læser. I slutningen af firserne blev bedstemor så syg, den ene lidelse afløste den anden, og i nogle år forsvandt hæftet med hendes manuskript et eller andet sted. Og det forsvandt tilsvarende fra mine tanker, jeg glemte det med den forhastede lethed hos teenageren der sluger dagene, den ene efter den anden; at tænke på manuskriptet var som trække et illusorisk, helt ubegrundet håb i langdrag.” Rusland august 1991: Et kup får landet til at vakle, Gorbatjov bliver afsat, Jeltsin overtager magten, og på afstand aner man allerede omridset af Putin. Landet falder fra hinanden. Den ene halvdel sælger råstoffer og kampvogne og bliver mangemillionærer, den anden halvdel synker ned i bitter armod. I dette klima af total omkalfatring finder jegfortælleren sin bedstemors dagbog og erkender at tavsheden om fortiden må brydes hvis Rusland skal have en fremtid. En højaktuel og spændende roman om det land der indtil for få år siden var en verdensmagt. ”Arvtager efter Solsjenitsyn forvandler nutidig russisk depression til en nærmest magisk læseoplevelse".

Les Presse Du Reel, 2017. Large 8vo in stiff wraps as issued. Text in both English and French. Fine. 1. ed.

Denmark: Snekkersten, 1967. Square 4to in original wrappers. (140) pp. Some rubbing to cover and edges but clean inside and solid. Also in this issue: Paustian, Colombo, Cadovius, Knoll (Don Albison), Saarinen etc. Another mobilia super issue.

Seventeen Magazine, 1952. Large magazine format in original wrappers. 104 pages. Complete magazine. Only minimal edgewear. Near fine copy. A rare original vintage Seventeen Magazine superissue : a perfect example of Art Kane's and his teams graphic design greatness.

Ameringer Gallery New York & Tel Aviv & Marseille: Yundler Brondion Verlag, 2015. Large 8vo in prink wraps as issued. 160 pages. Fine well preserved clean copy. 1. ed. Produced in conjunction with the exhibition of the same name at Ameringer McEnery Yohe gallery in New York City. The book is a private journey of the making of the Ancienne Rive project, and includes sources, inspirations, and other images that helped create the project. With texts by Cary S. Levine and Timothée Chaillou. Beautifully printed on three different papers the book includes full page color plates of all of the exhibition images.

Rowman & Littlefield, 2021. Hardcover. XV, 699 pages. Clean, unread copy. Heavy item and extra shipping may apply - please inquire before ordering!

Borgen, 1988. 61 pp. Hft. Uopskåret. Første oplag.

Denmark: Louisiana Museum of Modern Art, 2022. Large tall 4to in wraps as issued. 108 pages, richly illustrated. Text in English. Fine unread copy. 1. ed. Book designed by Michael Jensen of K Grafik. - Dorothy Iannone was born in Boston, Massachusetts, in 1933. Her father died when she was two years old and she was raised by her mother Sarah Nicoletti Iannone, later Sarah Pucci. She graduated from Boston University in 1957 with a B.A. in American Literature. She went on to study English literature at the graduate level at Brandeis University. In 1958 she married the painter James Upham and the couple moved to New York City. The following year, Iannone taught herself to paint alongside her husband. Between 1963 and 1967 she exhibited with her husband at the Stryke Gallery, an exhibition space she ran with her husband in New York and traveled frequently to Europe and Asia. In 1961 the U.S. Customs at the Idlewild Airport in Queens, New York seized her book The Tropic of Cancer by Henry Miller she was traveling with and which was banned at the time. Iannone sued the U.S. Customs with assistance from the New York Civil Liberties Union, which caused her book to be returned and the ban on Miller to be lifted. The majority of Iannone's paintings, texts, and visual narratives depict themes of erotic love. Her explicit renderings of the human body draw heavily from the artist's travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism and Christian ecstatic traditions like those of the seventeenth-century Baroque. Her small wooden statues of celebrities with visible genitals, including Charlie Chaplin and Jacqueline Kennedy, especially display with the artist's interest in African tribal statues. The explicit nature of Iannone's work frequently fell foul of censors in the 60s, 70s, and 80s. The artist said of the early censorship of her work: "When my work was not censored outright, it was either mildly ridiculed or described as folkloric, or just ignored. In 1969 the Kunsthalle Bern tried to censor Iannone's work in the group exhibition Ausstellung der Freunde by requesting that she cover up the genitals of her figures. In protest Dieter Roth dropped out of the exhibition and the curator of the Kunsthalle Bern, Harald Szeeman, resigned. Iannone recalled the experience in the Fluxus publication The Story of Bern or Showing Colors (1970).

Phaidon Press Ltd., 2011. Tall slim 4to in hardcover with fine protected jacket. Illustrated throughout in color. Tex in English. Clean and well preserved.

Princeton Architectural Press, 1991. Hardcover with cream flexi boards. Slight scuffing to covers, else fine. 165 pages, richly illustrated. No notes or highlights. Pages are clean and binding sound. Book design by Kevin Lippert.

New York: Random House, 1975. Hardcover with slightly worn but unclipped jacket. 415 pages. A small "Random House" publisher stamp to bottom edge. Inside clean. First edition, 2nd printing including the original dustjacket.

Wordsworth Editions 2012. Large very heavy hardcover. 1482 pages. Very good copy. NB: No foreign shipping for this item!

Cologne: Evergreen, 2005. Heavy 8vo hardcover with slightly worn jacket. 440 pages. Overall a good to very good copy.

Struer, 1978. Original wrappers. 50 pages including covers. Illustrated throughout in colour. Text in Danish. Light edgewear. Very good copy. Rare original commercial folder from Bang and Olufsen. First edition. Graphic design by Werner Neertoft.

Englewood Cliffs, N. J. , Prentice-Hall, 1964. Fine clothed hardcover with jacket. 272 pages, illustrated. Very good copy.

Louisina Museum, 2010. Hardcover, with dustjacket. 136 pp. Richly illustrated. Text in English. Fine clean well preserved copy. First edition.

Spector Books, 2022. Large hardcover. 114 pages. Very good clean copy.

London: A Panther Book Paperback, 1970 (1969). 238 pages. Some edgewear and a few pages dog-eared but a clean and very good copy overall.

Cologne: Verlag der Buchhandlung Walther König, 2008. Large 8vo very heavy clothed hardcover, no jacket as issued. 599pp. Fine copy. Text in German. a selection of Richter’s writings, including personal notes, public statements, interviews and letters. The text relates to all the important stages of his career: his photo paintings, his colour charts, the monochrome paintings and his abstract works. The book offers the possibility to learn more about the artist’s development, his intentions and techniques. Heavy item and extra shipping will apply - please inquire before ordering this item!

Kleinheinrich Buch- und Kunstverlag, Münster, 1991. Broschur. 95 Seiten. OU am Rücken etwas abgekratz sonst gutes Exemplar. Deutsche Erste Auflage.

University of Chicago Press, 2014. Paperback. 179 pages. With illustrations. Fine clean copy. One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists.Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement’s founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas’s history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.

Aachen, Ludwig Forum, 1998. Small 4to in wraps as issued. 48 pages, illustrated, mainly in colour. Text in German. 1st ed. Exhibition catalogue, Ludwig Forum für Internationale Kunst, Aachen, May 17 - July 26, 1998. With a text by Eugenio Valdés Figueroa and an introduction by Wolfgang Becker.

São Paulo, 1994. 4to in wraps as issued. 57 pages, plus adds. Fine clean copy. Goran Petercol, born in Pula in 1949. "Petercol attended the Maritime School and, after graduation, served on ocean-going merchant navy ships. He graduated in Painting from the Academy of Fine Arts in Zagreb, in 1975, after which he spent two years in Ljubo Ivancic's Master Workshop. For years he has worked as an art editor of encyclopaedic and lexicographic publications and, until retirement, as a professor at the Academy of Applied Arts in Rijeka. During the 70s and the beginning of the 80s, Goran Petercol was closely associated with a group of conceptual artists who adopted analytical methods in structuring their works. His exploration of processuality, reach, stylization and various conceptual strategies has been continuous. From early on in his career, he has been treating light as a material. In addition, he uses light and shadow to lay claim to and reactivate a certain territory. He thereby directs the gaze of the viewer to what usually gets eluded – spatial relations, the combination of elements tied to a certain place, as well as memory as an idea of a past event which, according to the artist, is a part of life and art to a greater extent than we might be aware of."

H. Hirschsprungs Forlag, 1963. Originalt hæftet omslag med smudsomslag. 116 pp. Illustreret. Inklusiv EP-plade i lomme. Dette eksemplar ganske velholdt, samt vedlagt en håndskrevet hilsen fra Sven Møller Kristensen : "Kære Steffen Fisker! / Saa vidt jeg husker, laante De i sin tid / nogen Jazz-etuder af mig... " osv. om tilbagelevering af disse, underskrevet og poststemplet 1944.

Copenhagen: Gyldendal, 1961. 8vo. Original hardcover med smudsomslag. 131 pp. Rigt illustreret. Classic Danish publication on Scandinavian Design, a very good copy with well preserved and now protected jacket.