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Engletryk en collaboration avec Jørgen Fiskers Forlag, Copenhague 1992. Square 8° in wraps. Illustrated in colours. 63 pages. Text in Danish. Fine copy. 1. ed.

Prague: Panorama, 1986. 4° hardcover with jacket. App. 170 pages profusedly illustrated with more than 150 b/w photo-reproductions. Text in Czech with summaries in English, French, German and Italian. The classic Sudek monograph with fine reproductions of his most famous works. Some edgewear and surface marks to jacket, small discoloring to edge of last pages else overall a good to very good solid copy.

Cambridge, Massachusetts: The MIT Press, 2001 (1999). Paperback issue. IX, 455 pp. Sparsely illustrated in bw. Fine clean unread copy. An exploration of the use of sound in activities such as literature, music, theatre, visual arts, and film; Focuses on activity in Europe for the first half of the 20th century, then post-war America; Artists include William Burroughs, Yoko Ono, George Brecht, Fluxus, Allan Kaprow, and others

Denmark: Pork Salad Press, 2011. 8vo. Softcover. 351 pp. Fine copy.

Kehrer Verlag, Heidelberg 2006. 8vo. Hardcover. 384 pages. Illustrated in b/w and colour. Very good copy. Parallel text in English, German, Danish/Norwegian & Finish. The Catalogue has been published in connection with the Exhibition 'Fiona Tan - Mirror Maker', Kusthallen Brandts 25.02-21.05 2006, Landesgallerie Linz 01.06-13.08 2006, Bergen Kunstmuseum 01.09-03.12 2006, Porin Taidemuseo 26.01-20.05 2007. 1. ed. Heavy book and extra shipping may apply: please inquire before ordering.

Abrams Books 2017. Oversized large and heavy hardcover w jacket. 144 pages. Profusedly color illustrated. Very good copy. This copy inscribed by the artist. Due to size and weight extra shipping will apply for this item - please inquire before ordering!

Baltimore: Johns Hopkins University Press Large format paperback, 2006. XX, 628 pp. Light edgewear. Clean very good copy.

Leipzig, A. Hahne, s.d. [around] 1924 or no later than 1925. Square 8vo in original rather worn boards [16 pp.]. Color illustrated. Binding rubbed and pages loosening but still holding. Some brownspotting throughout, but overall an acceptable copy. "A Day At Bunny School" is one of the most famous German illustrated children's book and was written by Albert Sixtus and illustrated by Fritz Koch-Gotha. Written in rhyme, the novel tells the tale of young rabbits going to school to learn good manners, how to paint Easter Eggs, how to identify plants, and how to elude foxes and other dangers. Offered here is a very rare early copy of this fragile German children's classic. Nr. 32 in the illustrated books series from the publisher.

London: Pavilion, 1988. Large oversized book in softcover. 96 pp. Illustrated throughout in colour. Very good copy.

Forlaget Asterisk, 2019. Leporello, 42 pages, illustrated throughout with b/w photographs. 305 cm when opened. Fine clean copy. 2nd printing - one of only 150 copies. The Danish artist's artists book version of Ed Ruscha's seminal artbook Every Building On The Sunset Strip.

Copenhagen: Informations Forlag, 1980. 4to. Original photoillustrated softcover as issued. 160 pages, illustrated throughout with high contrast black and white photographs by a large number of famous Danish photographers like Morten Bo, Henrik Saxgren and others. Not a very pretty copy: creased spine and discolorings to front cover edge (see photos), a contemporary bold gift inscription with red marker to inner cover. Else clean and overall a good, acceptable copy. First edition, 1st printing. "In late April 1980, the police first cleared the playground area Byggeren amid violent protests from residents and activists. This led to a time of unprecedented fighting between police and citizens in Nørrebro. Barricades were built on both Åboulevard and Nørrebrogade - and for several weeks the area was under a state of emergency. In 1980, Morten Langkilde was one of the younger members of Politiken's team of photographers and spent almost 24 hours in the conflict zone. "At the time, I had never seen anything like it. That kind of fighting. In Copenhagen. It was quite extreme," he says. Since then, the case of the Builder has often been called the start of the bz movement. At the time, the media was busy reporting that the fighting in Nørrebro was fought by 'spoilt leftists' and 'left-wing provocateurs'. But the truth was that it was the whole of Nørrebro that was fighting. Parents, educators, shopkeepers, even ordinary citizens. One was tired of the unplanned redevelopment and the decisions that were made. The actual fight took place around 1 May 1980. But in reality the fight already began on a Sunday in 1973, when a lorry drove into a building site. A very popular construction playground emerged. In June 1977, the municipality decided to close the six-year temporary institution in Todesgade. On 15 August 300 officers showed up. But they were stopped by 1,000 local residents. After several months of occupation, the residents reopened the institute. But on 10 January 1978 the police showed up even more numerous together with several craftsmen." (Luciano Zuccaccia)

Gyldendals Bogklub, 1991. Omslag med lidt brugsspor (se foto). Alt i et godt sæt. Alle Kierkegaards værker, inklusiv "Enten Eller" med Forførerens Dagbog, 'Philosophiske Smuler', 'Begrebet Angest' , 'Afsluttende uvidenskabelig Efterskift', 'Kjerlighedens Gjerninger' og 'Sygdommen til Døden'. No foreign shipping for this set.

Duke University Press, 2016. Thick and heavy paperback. XXI, 578 pages. Light shelfwear, else a clean and unread copy. "For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music. Lawrence’s most recent publication, Life & Death On The New York Dancefloor, 1980 – 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period’s music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled."

Primary Information, 2019. Small 8vo in wraps as issued. 575 pages. Light wear to cover. Essential writings from the downtown New York legend and polymath, pioneer of both structural film and drone musis. Tony Conrad (1940–2016) was a legendary multidisciplinary artist known for his groundbreaking contributions in experimental film, music, and video. Upon moving to New York City in 1962, he began making music with John Cale, La Monte Young and Marian Zazeela in the Theatre of Eternal Music, a group that helped shape what would come to be known as minimalist music. He later went on to perform with Lou Reed in a pre-Velvet Underground band called The Primitives and cut a classic 1972 record with the German Krautrock band Faust that set a new standard for drone music. In the 1960s and 1970s, Conrad was perhaps best known for his contribution to film, where he helped to redefine structural filmmaking with The Flicker and Yellow Movies. Conrad went on to create an extensive body of work in a variety of media such as installation, photography, and performance until his death in 2016. Throughout his life, Conrad also wrote prolifically on topics including his own work (and that of his peers), music, art, media theory and activism. Writings is the first book devoted solely to Conrad's writing, collecting 57 hard-to-find or previously unpublished texts from 1961 to 2012. These writings provide a critical lens into the artist's multitudinous identities and wide-ranging creative pursuits and, as with his diverse artistic output, consistently challenge and dismantle authoritarian notions of culture.

Gyldendal, 2008. Kvadratisk hardcover. 368 pp. Illustreret i s/h og farver. Nærmest som ny.

New York: Zone Books, 2011 ( 2008). Thick octavo paperback. 479 pages, with illustrations. Light edgewear only.

Engeler Publishers 2020 (1974). Publishers hardcover, with jacket. 371 pages. Bilingual German-English edition. As new. First edition thus.

University of Minnesota Press, 1971. Publishers hardcover, with fine jacket. IX, (1) 277 pp. Fine clean copy. First edition thus - uncommon. "For the last century and a half, Friedrich Schlegel (1772–1829) has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments (Lyceum, Athenaeum, and Ideas), who actually first defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinishedLucinde,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism. Both the Fragments and Lucinde,along with a brilliant tour de force, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellek has called "one of the greatest critics of history." ".

Ordrupgaard, 2022. Stort format. Original hardcover. 143 sider. Rigt illustreret i s/h og farver. Som ny. 

Copenhagen: Arnold Busck, 1986. Original blue glossy hardcover boards. 108 pp. + plates (a illustrated (handdrawn) catalogue of Per Lütken's production, unicas etc. from 1942 to 1986). Text in Danish. Spine sunned else fine clean copy. First edition.

Occasional Papers, 2012. Tall 4to in glossy black wraps as issued. 304 pages, illustrated bw. Light edgwear to cover else fine clean copy.  1st ed. The first anthology of its kind, Graphic Design: History in the Writing (1983–2011) comprises the most influential texts about graphic design history published in English. Edited by a graphic design theorist and a practicing graphic designer, the book chronicles the development of the emerging field of graphic design history from 1983 to 2011, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. Graphic Design: History in the Writing is a long-overdue sourcebook for students, teachers, curators and anyone else interested in the past and future of a field in rapid development. With texts by Jeremy Aynsley, Steve Baker, Andrew Blauvelt, Piers Carey, François Chastanet, Wen Huei Chou, Denise Gonzales Crisp, Brian Donnelly, Johanna Drucker, Steven Heller, Richard Hollis, Robin Kinross, Ellen Lupton, Victor Margolin, Ellen Mazur Thomson, Philip B. Meggs, Gérard Mermoz, Abbott Miller, Rick Poynor, Martha Scotford, Catherine de Smet, Teal Triggs, Massimo Vignelli and Bridget Wilkins.

Typolygon, Russia, 2003. 8vo in wraps as issued. 108 pages. Richly illustrated in color. Text in both Russian and English. Fine clean copy. NB: No cd's with this copy! First edition. Probably very rare. Since the 90s Arkhipov has been travelling around Russia and Europe, exploring people and collecting their self-made functioning objects - "thingumajigs". The objects he has found are made by everyday people, inspired by the desire to create something themselves because of their passion for the home-made or as a consequence of hard times.

Bonniers Bøger / Lindhardt & Ringhof, 1991. Indbundet i det originale helshirt (hardcover). 320 pp. Rigt illustreret. Pæn og ren.

Aarhus Universitet / Studenterforeningen, 1961. Slim 4to in wraps as issued. (28) pp. Illustrated b/w. Fine copy. 1. ed. Inklusiv Eugene Ionesco's tekst om Robert Jacobsen og et situationistisk "Manifest" , en version af Situationist Manifesto som den fremgik af Internationale Situationniste No. 4 fra 1960.

Hundige, Denmark, Portalen, 1995. 88 pp. Illustrated throughout. 1. edition. Including original inserted SUPERFLEX 3,5-inch floppy disk in pocket at end!