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Gyldendal 1936. Ubeskåret i det originale illustrerede omslag. 160 sider. Godt rent eksemplar, egnet til indbinding. Historien om en lille københavnerpige, Lotte. En dag rejser fru Gormsen, som ejer en „Skibsekvipering" i Nyhavn klos op ad et værtshus, til Aalborg i nogle dage, mens sønnen Anton derhjemme vinder penge i en krydsordskonkurrence. Og nu inviterer børnene hele ejendommens beboere og gode venner til et brag af en fest!

Copenhagen: Forlaget Thaning & Appel, 1975. Small tall 8vo. Original photoillustrated wrappers. 142 pp. Text by Erik Nørgaard (in Danish) and illustrated with thirty very fine black/white portraits and nude studies by Jesper Høm. Only minor edgewear and clean and overall a very good copy of this increasingly hard-to-find photobook. 'Some call us filles de joie': Danish photo documentary with 30 interviews of female prostitutes from Copenhagen. Interviews by Erik Nørgaard and 30 photographs by Jesper Hom. High contrast black-and-white imagery, typical of the late 60's, early 70's scandinavian photography. First edition, first printing. Jesper Höm (1931-2000 - father to photographer Marc Hom), author of "Say Cheese and Cry".

Published by JICC Shuppankyoku 1990 (1986). Large 4to in original hardcover, w jacket 116 pp. Illustrated throughout with b/w photographs by Mapplethorpe. Introductory text by Joan Didion (in Japanese). Light edgewear, overall very good. Black-and-white nude photographs and portraits of models and stars: Isabella Rossellini, Susan Sarandon, Grace Jones, Brooke Shields, Melanie Griffith, Kathleen Turner, Laurie Anderson, Yoko Ono, Patti Smith among others.

Chaffeur Nyt, 1981. 4to. Softcover as issued. (79) pp. Illustrated throughout with photos. Short texts in Danish. Name to titlepage and some edgewear to backcover else a clean and fine copy.  First edition, 2nd printing in very good condition. Largely unknown Danish documentary photobook on truckers on the road in Denmark, down the European Autobahn and on a trip to Sicily

Sweden: Malmö, 1980. Small 4to in original wraps as issued. 64 pages, illustrated, mainly in color. Bilingual in Swedish and English. Spine sunned else a fine copy. 1st edition. Book design by John Melin.

Wolke, 2024. Large 8vo in wraps as issued. 344 pages. Fine clean copy.

Copenhagen, 1999. Square 4to. Original wraps. 221 pp. Profusedly illustrated throughout. Text in both Danish and English. Excellent, clean copy. Comprehensive survey of the complete work's of Mertz.

Munich: Schirmer / Mosel 2005 (1993). Large oversized folio in cloth-covered hardcover with jacket. 144 pages. Light surface marks to jacket and one page with tear to margin. Overall an acceptable copy. Second very enlarged edition of Thomas Struth`s finest achievements: Cooly and ravishingly beautiful large-scale photographs of the world`s greatest museums and the visitors who attract them.- The 1st edition was selected by Martin Parr as one of best photobooks and artist books ever published (The Photobook vol 2, page 273/274).

Copenhagen: Informations Forlag, 1979. Small 4to in softcover as issued. 268 pp. Illustrated b/w and color. Text in Danish. Some edgewear and marks to cover, still above average copy. 1. oplag af BOGEN om Christiania - fint tilrettelagt i stil med Jacob Holdt's "Amerikanske billeder" / THE book on Freetown Christiania - in very similiar book design as American Pictures by Jacob Holdt. First edition.

Cologne: Walther König / Paris, ARC Musée d'Art Moderne, 2004. 8vo broché sous couverture illustrée à rabats, 200 pp., (23 x 16,5 cm). Exposition du 25 mars au 16 mai 2004. Nombreuses illustrations couleur. Préface de Robert Fleck. Textes de Suzanne Page, de Laurence Bossé, de Hans Ulrich Obrist, de Julia Garimorth, de Patricia Falguières, de Jacques Rancière, de Israel Rosenfield, Alexandre et Daniel Costanzo, de Molly Nesbit et de Philippe Parreno. Liste des œuvres. Biographie. Très bon état / Very good condition. Complete with inserts.

New York: Harry N Abrams Inc., 1996. Large oversized and very heavy hardcover, w jacket. 296 pages, richly illustrated. Text in English. Unobtrusive mark to bottom edge, else fine excellent clean copy. First edition. - "With a career that took him from pre-1914 Berlin to Amsterdam, Paris, and New York, Erwin Blumenfeld (1897-1969) was one of the outstanding figures in the history of twentieth-century photography. From the late 1930s to the 1960s, at such influential magazines as Harpers' Bazaar and Vogue, he transformed fashion into high art, and his pictures were in such demand that by the mid-1950s he had become the most highly paid fashion photographer in the world. He photographed the greatest couture creations of the day - designs by Chanel, Balenciaga, Piguet, Dior, and Charles James. Yet his very success in that glamorous world has until now obscured a far more complex and eclectic talent and personality.In Blumenfeld: Photographs, William A. Ewing explores the life and work of this extraordinary and multitalented man. Blumenfeld took up photography almost by chance in the 1920s, beginning with portraiture and the nude. His highly original and visionary work was a seamless blend of the negative and the positive: taking the picture in the studio and making it in the darkroom. Highly inventive, he developed his own idiosyncratic language, using solarization and negative printing, double and multiple exposures, and a host of hybrid techniques. His interests soon expanded to include architectural subjects, landscapes, and works of art, but photographing "Woman" - or capturing the "eternal feminine," as Blumenfeld described it - would remain his chief obsession throughout his life. This book is the first complete retrospective examination of Blumenfeld's work. It brings together the diverse achievements of this brilliant photographer in more than 235 images in both color and black-and-white, providing a thorough representation of his drawings, collages, and photographs."

Copenhagen: Galerie Mikael Andersen / San Francisco: Seems, 2009. 4to in wraps as issued. (32) pages including covers. Color illustrated throughout. Fine copy. Signed in hand with pencil to colophon page by Eddie Martinez. "Martinez's universe is populated by a colorful cocktail of stylized figures and abstract shapes. Exotic flowers, birds, sports equipment, and figures with exaggerated eyes as well as dots, lines, and patterns are fighting for space on the canvas. The compositions stress the plane and are expressive, playful, and dynamic. Old acquaintances are present. Boxing gloves, the large appealing eyes, and bananas are all part of the fixture in Martinez’s works, but the motives are tested and new variations created. Some places the banana is represented only by its yellow colour, and elsewhere an Amanita is reduced to red-white dot formations.The exhibition consists of both paintings and drawings of which the latter are constituted by a suite of four "dreamers." The painting Opponent of Dreams contrasts with the dreamy figures as the helmet-carrying guy equipped with boxing gloves and with his hands raised in defense takes a stand against the unrealistic dreamers. As suggested, peace and harmony do not stand alone. Several titles equip the works with dark undertones using martial metaphors, such as Up In Arms. This title clashes with the harmless table arrangement, and as the blue bird looks far more scared than prepared to fight the collision appears ironical. Martinez is not weighed down with seriousness; instead his works shine with irony and humour. The content, including the gallery of characters points at inspiration from comics as well as Warhol's pop art, in which the banana among others got the lead role. The boxing glove relates to an immortalized artistic clash in the ‘80s between Warhol and Basquiat dressed in boxing outfits. The legacy of Basquiat and Guston’s expressive figurative painting is also noticeable. Martinez is working diligently with the art historical reservoir which he explores and comments on. Classic genres such as still life and portrait painting are rethought refreshingly, and the expressive and naive brush gives 17th century flower piece a major boost. Eddie Martinez was born in 1977 and lives and works in Brooklyn. He has recently had solo exhibitions in New York, Stockholm and Seoul, but this is his first solo show in Denmark. Here Martinez is also showing a new suite of dry points and lithographs published by Fourth Estate, New York. On the occasion of the exhibition the book News and Updates with a text by Max Henry is published in collaboration with Seems Books, San Francisco."

Spector Books, 2018. Oversized folio in wraps as issued. 290 pages. Text in English. Richly illustrated. Fine / as new. Second edition of this splendid prize winning study on John Cage. Highly recommended. Shipping might be extra - please inquire before ordering this item.

London, Mitchell Beazley, 2003. Large fine hardcover with jacket. 200 pages, photo-illustrated, partly in colour. Fine clean copy. 1st edition. Classic and useful reference work on the art of photography, building a collection, the photographic print, buying and selling photographs, displaying and caring for photographs; with a chronology of the art, glossary, key photographers, galleries & dealers, bibliography, useful index.

Copenhagen: Ny Carlsberg Glyptotek, 1981. Tall slim 8vo. App. 100 pages, illustrated throughout with drawings, collages and photographs. Very good clean copy. First edition. Rare Danish photobook / artist book by Rikke Diemer.

København, 1911 og 1912. 4to i originale, plastificerede omslag. Omkring 120 sider ialt. Illustreret. Flot tidsskrift i Skønvirke stil, med bidrag af Anna Ancher, Vilh. Andersen, L. Bramsen, Harald Branth, Max Bruhn, Chr. Dalgas, H. M. Fenger, Axel Gade, J. Hage, G. A. Hagemann, S. C. Hauberg, Poul Hertz, Helge Hostrup, Carl Jacobsen, Erna Juel-Hansen, Kloppenborg Skrumsager, Jakob Knudsen, H. Lüttichau, Moses Melchior, O. B. Muus, Jørgen H. Nielsen, H. Ploug, Ole Ricard, E. A. Tscherning, Harald Bing, Natalie Zahle og flere. Et par enkelte sider løse ellers ganske godt og velbevaret sæt. Originaludgave.

Desclee de Brouwer et Cie, Paris, 1937. 4to in original hardcover. 54 pages, with illustrations mainly in color and some full page by Elisabeth Ivanovsky. Text in French. Foxing to edges else clean inside and ovrall a fine well preserved clean copy. Elisabeth Ivanovsky was an emigre from Moldavia, arriving in Brussels in 1932. She illustrated some fabulous children’s books, working for a number of publishers, in particular Desclee be Brouwer & Co in Paris. This dates from 1937 and is lithographed without using the black. For lovers of bears everywhere. Scarce first edition. Finely printed children's book about a brown bear in Canada, with colour plates. Attractive copy.

London: Omnibus Press, 2013. Hardcover, with jacket. XIV, 367 pages. Fine clean copy that appears unread. First edition.

Aristo, 2006. Folio. Hardcover, uden smudsomslag. 456 sider. Rigt illustreret. Om den danske arkitekt Nicolai Eigtveds (1701-1754) liv og karriere fra ung bondefødt gartnersvend til hofbygmester, oberst, akademidirektør og til en af Europas førende rokokoarkitekter, der som som hofarkitekt stod bag Marmorbroen, PrinsensPalæ, Eigtveds pakhus, Frederiksstaden og Amalienborg-palæerne.NB: Due to weight of this item extra shipping may apply. Please inquire before ordering this item.

Cape Goliard Press Ltd, London, 1967. 50 pages, paperback, a very good copy. This is the First Edition, with the pbk limited to 1500 copies; white pictorial stiff card covers; set in Caslon Old Face type & printed on Glastonbury Antique Laid paper. Minor discoloring to cover else very good clean copy. First edition thus.

Modern Art Oxford, 2005. Small tall 8vo in clothed hardcover, no jacket as issued. A hint of tanning to cover. 96 pages, chiefly illustrations in black and white. Initials to free front endpaper ("J. E.") else clean. 1. edition. "For her installation Countenance the artist filmed over 200 portraits of Berlin inhabitants at work or at home. The portraits, arranged according to the professions of their subjects, are portrayed in virtually static poses so that the film gains the aesthetics of a series of photographs, whereby someone's sudden slight movement can bring the image to life. This black and white film is a conscious reference to August Sander's portfolio work 'People of the 20th Century'. However, Fiona Tan transforms this encyclopaedically arranged investigation into a sociological study of people in a city specifically characterised by the growing together of east and west. By dispensing with plot and contextual description she emphasises the physical presence of those portrayed and allows the film image to breathe...". - Almost a photobook and in any case a fine supplement to Sander and Hans-Peter Feldmann's portraits in his 100 Jahre portraits. Tans stills are not considered a comprehensive sociological one at all, more a critical examination of the objective and universal claim Sanders work with. In a cross-section of Berlin society In 2001 and 2002 the artist examined how people felt in front of the camera. The protraited moved and posed and thereby helped created an image of themselves.

Biot: Musée National Fernand Léger, s.d.. but around 1980 or later (1950). 4° in stiff white wraps. App. 70 pages with illustrations in black and white. Fine clean copy. Cirque was Leger's master graphic work, originally a compendium of 34 color lithographs and 29 in black- in this facsimile reprint only in black and white. The text is Léger's own in Leger's reproduced handwritten text: "Go to the circus. Nothing is as round as the circus. It is an enormous bowl in which circular forms unroll. Nothing stops, everything is connected, the ring dominates, commands, absorbs" .

London: Panther Paperback, 1962 (1959). 319 pages. Very good copy.

Copenhagen: Arnold Busck, 2016. 4to in original very heavy hardcover. 199 pages, richly illustrated. Binding with a minor dent else very good clean copy. First edition.

Brøndums Forlag, (1986). Stor 8vo. Original heftet med tråd og med det originale omslag. Illustreret med en tegning af Jørgen Haugen Sørensen. Ikke signeret. Med originalgrafik af Jørgen Haugen Sørensen. Godt eksemplar.