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Soft Machine Productions / Jorinde & Joringel, 1972-1978. Alle orig. hæfter i Dan Turèlls selvudgivne feuilleton-serie. Klammehæftede. Sjældne. Pænt sæt.

Harry N. Abrams, 1966. First edition, first printing. 341 pages. Richly illustrated with b/w-photographs. Brown burlap / hessian hardcover with blindstamped lettering to the front. Spine faded, so lettering to spine barely legible. Lacking the original acetate jacket. Overall a very good or better copy. Signed by Allan Kaprow to the second page (just above the "RIGHT IN" text). 31,5 x 31,5 cm. A heavy item, extra shipping will apply for international orders. Inquire for additional photographs. Signed by Allan Kaprow.

La Rouvière, 1974. Unpaginated. Illustrated with 12 original lithographs by Jacques Herold. Printed in only 65 copies, this being number 30 of 50 (the remaining 15 are numbered with roman numerals), signed by both author and artist. Printed on Japanese Natsumé paper, loose sheets laid in the original red silk clamshell box. Box with light wear, contents clean. Inscribed by Jean-Clarence Lambert.

Teknologisk Instituts Forlag, 1987. 267 + 325 + 393 + 363 pages. Richly illustrated throughout. Publisher's full cloth bindings. All lacking the dustjackets, else a clean set in near fine condition, with only faint rubbing to edges. Interior clean with no markings etc. Text in Danish and English.

privattryk, 1949. 17 x 17,5 cm. Trykt i 300 eksemplarer. 27 sider. Indbydelseskort til fernisering for Richard Winthers udstilling "Trefoldigheden" 13. oktober 1951 vedlagt (10,5 x 15 cm). 7 ark lagt løst i omslag, omslaget med 3 cm rift ved bunden af ryggen, lille gennemgående fugtskjold samme sted. Utroligt sjælden.

Edizioni EAST 128, 14 Via Manzoni, Milano, 1968. Unpaginated. Richly illustrated. Orig. printed wraps. Complete with no loose leaves. A small stain on the spine, wraps with light edgewear and a little creasing at the corners. Else a surprisingly clean and collectible copy of this fragile and scarce publication. In near fine condition. A double issue of the important Italian Beat-magazine 'Pianeta Fresco' conceived and published by the couple Fernanda Pivano and Ettore Sottsass Jr. in Milan. Three numbers were published, no. 1 in late 1967, and the double issue no. 2-3 in early 1968, both in very limited editions. Pivano translated several of the American Beat writers into Italian, and became a friend of Allen Ginsberg, who is also credited in the colophon as 'edittore irresponsabile'. The experimental - and highly psychedelic - graphic layout of the magazine was done by Pivanos husband, Italian architect and designer Ettore Sottsass Jr., who in the 1980’s became a leading figure in the influential 'Memphis Group'.

Verlag DuMont Schauberg, 1963. 43 pp. Illustrated with 6 black/white etchings by Antonio Saura. No. 17/100 copied, signed by the artist. Loose sheets in orig. red clamshell box. Box showing some edgewear, contents clean and unmarked. Faint tobacco scent.

Verlag DuMont Schauberg, 1963. Unpaginated. Illustrated with 6 b/w copperplate engravings by Emil Schumacher. No. 15/100 copies, signed by the artist. Loose sheets in orig. blue clamshell box. Box with light external wear and a faint tobacco scent.

Tony Shafrazi Gallery / Fleetwood Press, 1983. Second edition, limited to 5000 copies (first published 1982 in a print run of 2000 copies). 111 pp + coloring book appendix. Early Keith Haring exhibition catalog, richly illustrated in color and b/w. Spiral bound. In about very good condition. Bump to upper right corner, light edge and surfacewear. 23 x 23 cm.

Galleri Franz Pedersens Forlag, 2004. 200 sider. Illustreret. Særudgave designet af Kvium selv, indbundet af Ole Olsen (Co´libri) i turkis gedeskind og rød silke, indlagt i kassette med japansk træfiner og indlæg af molton. Bindet signeret af Michael Kvium. Desuden inklusiv en signeret og nummereret radering (nr. 3/3). Udført i kun 25 eksemplarer, dette dog et af kun tre eksemplarer uden for handlen (nr. HC). Pænt eksemplar. 30,3 x 29,9 cm.

Galerie Loehr, 1964. Rare original FLUXUS-catalogue, made by cutting up the original double sided exhibition poster in 16 pieces, then stapled with two metal staples at the top, both still present on this copy and with no rust. Contains text and illustations of works and performances by Stanley Brouwn, Bazon Brock, Franz Mon, Tomas Schmit and Wolf Vostell. An extremely well preserved copy of this rare and fragile publication with only minimal bumping to the corners. In near fine/fine condition.