Search Results

Suhrkamp, 2004. Original Karton mit Schutzumschlag. 371 Seiten. Erste Auflage.

Mentor, 1971. Paperback as issued. XLVIII, 317 pages. Well preserved and clean. Seventh printing.

Suhrkamp Taschenbuch, 1985. 607 Seiten. Name. Gut erhalten.

Forlaget Rosinante, 2014. 466 pp. Hft. Nogle brugspor. Den nye danske oversættelse ved Lars Bonnevie.

Gads Forlag, 2023. 244 pp. Hft. Omslag med lidt brugsspor.

S. Fisher Verlag, 1958. Gebunden ohne OU (hardcover). 876 Seiten. Eine Thomas Mann Briefmarke auf Titelseite eingeklebt - insgesamt gutes Exemplar. Erschienen als Teil der Stockholmer Gesamtausgabe.

Chicago: Donald Young Gallery, s.d. (1987). Oblong in wraps. (24) pp. Illustrated throughout. Near fine clean copy. 1st edition.

abc, 1999. hardcover. 26 sider. Illustreret i farver.

White Rabbit, 2023. Paperback. 288 pp. With illustrations. Fine copy.

London: Profile Books, 2019. Paperback. X, 691 pp. Fine clean copy.

Forlaget Vandkunsten, 2013. 318 pp. Hft. Ydre brugsspor. Mastersongs – En bog om Leonard Cohens sange giver en detaljeret indsigt i alle numre på digtersangerens 12 studiealbums, samt i de ti, som kom med på hans første liveindspilning, Live Songs.

P. Haases & Søns Forlag, 1970. Tværformat. Hardcover. Gennemillustreret i farver. Lidt brugsspor. 1. danske oplag.

Verso Books, 2015. 192pp. Paperback. Clean, unread copy.

Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear. Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.

Lindhardt og Ringhof, 1988. 149 pp. Hft. Første danske udgave.

Granta Books, 2002 (2001 / 2000). Large paperback. 223 pages. Illustrated. Fine clean copy.

Forlaget Arkona (Repertoire), 1983. 8vo. 62 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder i pæn stand. 1. oplag.

Gyldendal, 2018. 300 pp. Hft. Første udgave, 1. oplag.

Gyldendal, 1989. Stort format. 32 pp. Illustreret i farver. Kun mindre brugsspor. Første udgave, 1. oplag.

Princeton University Press, 2010. Softcover. XX, 218 pp. From the collection of Danish film director and critic Christian Braad Thomsen. A couple of pages in introduction with ink notes else fine copy. Enclosed a postcard to Chr. Braad Thomsen with Sigmund and Anna Freud. 1st edition.

Éditions Fata Morgana, Octobre, Mai 1983. Broché in-8., 50 pages. Bon etat. First edition / édition originale - un des 1725 exemplaires sur vergé teinté.

Humanities Press, 1981. Paperback. 247 pages. Somewhat worn but text is clean - in all a just about acceptable copy.

Forlaget KLIM, København 2002. 8°. 199 sider. Heftet.

Fischers Forlag 1946. 8vo i original heftet omslag. 49 (88) pp. Hæftet med smudsomslag. Nummer 124 af 850 eksemplarer. 1. ed.

Gyldendals Bogklub, 2013. 643 pp. Hft.