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Munch, Edvard

LIVS-FRISEN.

Antikvariat Antiqua
ansC17786
(Kristiania 1918). 16x13. II (blank leaf) + 4+9+16 pp. + 5 leaves with 10 reproductions (8 full-page). Pictorial wrappers.

The artist's own account of the genesis and development of his suite of paintings The Frieze of Life, published in conjunction with a new exhibition of the suite at the Blomqvist art dealer's gallery in Oslo. Although some of the paintings had been exhibited in Berlin in 1893 and in Stockholm in 1894, the first show of the Frieze of Life as a suite of 22 paintings occurred at the 1902 Secession exhibition in Berlin. Since then some of the paintings, including The Scream, had been sold and replaced with new versions, and the artist writes in the present publication that he has been working on the Frieze, including lengthy interludes, for approximately 30 years. Munch refutes some critics' attempts to demonstrate that the Frieze was influenced by German thinking and by his association with Strindberg; rather the atmospheric content of the various panels of the Frieze stem directly from the upheavals of the 80s and constitute a reaction to the prevailing realism of the time. In addition to Munch's two texts, he has included four reviews of his work, from 1895, 1897, and 1902.
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