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(MALEVICH, Kazimir) (1878-1935) - Jeanne D'Andrea (ed.)

Malevich. 1878-1935.

Hatt Rare Books ILAB & CINOA
lbh302237
Los Angeles, Armand Hammer Museum of Art and Cultural Center / University of Washington Press, 1990. 4to. xvi + 232 pp. Richly illustrated in colour. With index. Sewn as issued, pictorial wrappers. Very fine.

Exhibition held at the National Gallery of Art, Washington, D.C., 16 September 1990-4 November 1990, the Armand Hammer Museum of Art and Cultural Center, Los Angeles, 28 November 1990-13 January 1991, the Metropolitan Museum of Art, New York, 7 February 1991-24 March 1991. - - - Contents: "The Amsterdam Perspective" by W. A. L. Beeren, "Chronology" by Joop M. Joosten, "Malevich and his Art, 1900-1930" by Dmitrii Sarabianov, "From 1/42: Autobiographical Notes, 1923-1925", "Fragments from Chapters from an Artist's Autobiography, 1933" and "Futurism-Suprematism, 1921: An Excerpt", by Kazimir Malevich, "Malevich and the Energy of Language", by John E. Bowlt, "A Study of Technique: Ten Paintings by Malevich in the Tretiakov Gallery", by Milda Vikturina and Alla Lukanova, "Acquisition of Thirty-Four Malevich Paintings by Soviet Museums, 1919-21", by Natalia Avtonomova, "Selected Bibliography", by John E. Bowlt, and Exhibition Catalogue (170 entries). - - - 77 paintings, 90 drawings, 23 mixed media works, and 4 plasters by Malevich came from museums in the USSR, the United States, The Netherlands, and France. Included were suprematist works as well as works in styles as diverse as impressionism, symbolism, neo-primitivism, and cubo-futurism, and the artist's late figurative works. The exhibition, the largest and most comprehensive retrospective of Malevich's work in the United States, was initiated by Dr. Armand Hammer and organized by the National Gallery, the Armand Hammer Museum of Art and Cultural Center, and the Metropolitan Museum of Art.
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Sweden
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