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Sundén, Marie Louise

Kristall, ljus och krona.

Hatt Rare Books ILAB & CINOA
lbh305344
Lund, Institutionen för konstvetenskap, 1995. Diss. 182 sid. + spikblad. Sparsamt illustrerad. / Summary in English: "Crystal, light and chandelier" (4 pp.). Häftad., dek. osmalg. Gott skick.

(Abstract:) "This disertation has the double objective of describing and of studying the origin and development of the cut-glass chandelier as a physical object and to study in detail a significant part of the symbolic sphere surrounding cut-glass in relation to basic symbolism of light and lighting. The cut-glass is regarded here as the component which, alongside the actual light, may be most palpably charged with meanings from earlier periods, and to which the most widespread Swedish name, kristallkrona, literally 'crystal crown' relates. The investigation has been extended to times before the cut-glass chandelier existed as an object. The text is divided into two parts. The first part concerns the historical background, aspects of the history and technology of lighting, the history of material from rock-crystal to cut glass and the basis for the material symbolism. A number of preceding or preliminary forms played a role when the cut-glass chandelier came into being. Here we find the magnificent medieval coronaformed ecclesiastical chandelier as well as more humble fittings used in secular surroundings. The glass chandelier was introduced in full scale at the end of the sixteenth century and was produced in direct association with the manufacture of glassplates for mirrors and windows and it played an important role as an element in galleries and halls as at Versaillles. The second part deals with symbolism, divided into sections concerning the symbolism of crystal and precious stones, ideas about and the use of crystals in different context as objects, secular and sacred, the transformation of material and the meaning of this; a final section deals with literary use of the concept and associated metaphors. The aim was to show how the exquisiteness or ordinariness of the material, directly and by cultural implications gives meanings which become attached to the objects that are created and which takes part in symbol production".
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