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(POPOVA, Liubov Sergeevna) (1889-1924) - Magdalena Dabrowski

Liubov Popova.

Hatt Rare Books ILAB & CINOA
lbh305798
New York, Museum of Modern Art, 1991. 4to. 136 pp. 100 colour plates, 39 black & white illustrations. Catalogue section with 122 entries. Bibliography. Publisher's cloth, pictorial dustjacket with slight superficial wear but no damage.

Contents: "Liubov Popova: Artist-Constructor" by Magdalena Dabrowski, "Popova's Working Methods and Materials" by Eugena Ordonez, "Popova at the Tretyakov Gallery" by Irina Pronina, Chronology, Bibliography, Catalogue of the exhibition, Lenders to the exhibition. - - - (Publisher:) "Constructivist artist Liubov Popova is recognized, along with Kazimir Malevich, Vladimir Tatlin, and Alexander Rodchenko, as one of the most important original artists of the Russian avant-garde and as one of the most vital and talented women artists of the twentieth century. Until recently, most of her work has been little known to the Western public. This handsomely illustrated volume presents a comprehensive selection of Liubov Popova's paintings, works on paper, and reliefs, as well as theater, textile, and book designs, many from important Soviet collections. Examples of all the artist's stylistic developments - from figuration through abstraction to utilitarian design - are represented in this retrospective of her brief but brilliant artistic life. Popova's career, cut short in 1924 by her death at the age of thirty-five, spans the years of World War I, the Russian Revolution, and the immediate postrevolutionary period. Born in 1889, the daughter of a wealthy textile manufacturer and patron of music and the theater, Liubov Sergeevna Popova was able to travel extensively throughout Russia and visit France and Italy. There, as a young woman, she encountered the first flowering of Cubism and Futurism in the heady artistic atmosphere of prewar Europe. During the war years in Russia, she participated in the intense and lively avantgarde artistic activities of the time, in the development of new ideologies and non-objective styles, and in the controversies among the partisans of Russian traditional art and those of the new Western influence. Popova contributed throughout the revolutionary period to the formation of Constructivist theory and to Soviet Utopian efforts to establish a scientific basis for the creation of art".
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