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(KANDINSKIJ / KANDINSKY, Vasilij) (1866-1944) - Christian Derouet

Kandinsky. [...] Städtische Galerie im Lenbachhaus und Kunstbau, Munich, 25 octobre 2008-8 mars 2009, Centre Pompidou, Paris, Galerie I, 8 avril-10 août 2009, Solomon R. Guggenheim Museum, New York, 18 septembre 2009-31 janvier 2010.

Hatt Rare Books ILAB & CINOA
lbh305923
Paris, Centre Pompidou, 2009. 4to. 28 x 24 cms. 360 pp. Richly illustrated in colour. In French. Publisher's pictorial boards. Very fine.

A rich volume with essays and catalogue occasioned by an exhibition in 2009. - - - "C'était I'heure du crépuscule naissant. J'arrivai chez moi avec ma boite de peinture après une étude, encore [perdu dans mon réve et absorbé par le travail que je venais de terminer], lorsque je vis soudain un tableau d'une beauté indescriptible, imprégné d'une grande ardeur intérieure. Je restai d'abord interdit, puis je me dirigeai rapidement vers ce tableau mystérieux [sur lequel je ne voyais que des formes et des couleurs et dont le sujet était incompréhensible]. Je trouvai aussitôt le mot de l'énigme: c'était un de mes tableaux qui était appuyé au mur sur le cöté. J'essayai le lendemain de retrouver à la lumiéere du jour l'impression éprouvée la veille devant ce tableau. Mais je n'y arrivai qu'à moitié: méme sur le côté je reconnaissais constamment les objets et il manquait la fine lumiere du crépuscule. Maintenant j'étais fixé, I'objet nuisait à mes tableaux" (Kandinsky, 1922). - - - "It was the time of dawning dusk. I arrived home with my box of paints after a study, still [lost in my dream and absorbed by the work I had just finished], when I suddenly saw a painting of indescribable beauty, imbued with great ardor. I remained speechless at first, then I quickly moved towards this mysterious painting [on which I only saw shapes and colours and whose subject was incomprehensible]. I immediately found the answer to the riddle: it was one of my paintings which was leaning on the side of the wall. The next day I tried to recapture in the light of day the impression I had felt the day before in front of this painting. But I only half succeeded: even from the side I constantly recognized objects and the fine light of dusk was missing. Now I was sure, the object was harming my paintings."
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