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Delevoy, Robert L.

Symbolists and symbolism.

Hatt Rare Books ILAB & CINOA
lbh308124
Geneva, Skira / London, Macmillan, 1982. 4to. 27,5 x 23 cms. 220 pp. With 228 illustrations in black & white, 83 in colour. Publisher's boards, pictorial dustjacket. Fine.

(Publisher:) "Long forgotten or unfashionable, the Symbolist painters have for some years now been exerting an ever stronger appeal. Since the 1950s a steady revival of interest has been taking place, spurred on by a series of important exhibitions, in Europe, Canada and the United States, which have done much to renew. and refresh our view of art in the late nineteenth century. The Symbolist movement was one of the dominant forces in European art and literature from 1870 to 1900. It arose in France in opposition to the spirit of realism which had produced both Impressionism and the naturalist novels of Emile Zola. Influenced by the English Pre-Raphaelites, the operas of Wagner, and poets like Baudelaire, Mallarmé and Maeterlinck, painters aimed at imaginative suggestions of emotion through symbolic allusions and luxuriant decorative form. Gauguin, the forerunner of Symbolist painting, felt that Impressionism limited the strength of the imagination. Simplifying his figures, he treated them as flat surfaces with strong outlines enclosing areas of vivid, often non-naturalistic color. Another painter with whom the Symbolist generation claimed kinship was Odilon Redon, who created an imagery of dreams and the unconscious mind. Symbolism was less a school than the atmosphere of a period. It is this atmosphere and the spirit of the artists who created it, from Vienna to London, that the Belgian art historian Robert L. Delevoy evokes in this comprehensive study of Symbolism. Aided by hundreds of fine reproductions of Symbolist paintings, watercolors and drawings, the author has succeeded in the difficult task of synthesizing the overall significance of a movement far-reaching enough to inspire T.S. Eliot and James Joyce, while contributing to the development of abstract art and creating a body of imaginative works that foreshadowed twentieth-century Surrealism".
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